"Memphis in June, A shady veranda under a Sunday blue sky, Memphis in June, And cousin Amanda's makin' a rhubarb pie" (Memphis in June, Hoagy Carmichael) Sounds lovely Hoagy, but we'll have to pass, because despite Memphis having some interesting museums, we can't find one opening a new architecture or design exhibition in June 2018. Consequently, and unlike Marc Cohn, we'll not be "Walking in Memphis" this June, but in Düsseldorf, Espoo, Andelsbuch, Rotterdam and San Francisco..... "Anni
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Preparing for his solo exhibition "Pinned Up at the Stedelijk, 25 years of design" clearly helped Marcel Wanders tackle, and defeat, his inner demons. We can find no other explanation for the transformation from the darkness of Moooi's 2013 Milan show to the lighter, happier, untroubled, feel of 2014's. The formats were and are essentially the same, both based around room contexts backdropped by large format photos of heavily stylised spaces, but whereas last year's presentation was a
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Following on from last years "Kids Only" collection, Richard Lampert was/were back at Cologne 2012 with a collection of new outdoor furniture And just as "Kids Only" clearly wasn't. So too can "Living Outdoor" clearly also be used for "Living Indoor" Which is important if you live north of Alicante and can't guarantee your summer will be in any way summary. Featuring four new products from three of the company's roster of young design talents, the new collection can be seen as an extension
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Richard Lampert is no newcomer to the world of kids designer furniture: products such as the Eiermann Children's desk - a reduced, child friendly version of the Egon Eiermann table frame - or the Turtle kids swivel chair by Peter Horn having become established family favourites. However, irritated by the general lack of high quality, designer furniture available for children, Richard Lampert decided to initiate his own range - with the help of a wonderful array of young international design
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Our (smow)twitter recently brought our attention to an article at worldchanging.com about what the author termed "Heirloom Design" In the article Adele Peters discusses sustainability, durability and for all "What makes something worthy of passing down through generations?" Peters decides that the future monetary value, the usefulness and sentimentality play a role; somewhat bizarrely in respect of sentimentality , she states: "...designers can aim to create products that inspire emotional
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