If we’re honest we’re not entirely sure where or when we first saw the work of Gosia & Tomek Rygalik a.k.a Studio Rygalik, but it was certainly before their near legendary Baguette Table project at Vienna Design Week 2011 – yes, tables made from bread – and long before they shot their delightful short film celebrating 20 years of the Vitra Design Museum miniatures collection. What we are sure about is that the logical, uncomplicated nature of the products they create, the pairs commitment to
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As previously noted the Werkbund Berlin Galerie is currently hosting an exhibition devoted to the ess.tee.tisch t-6500 from Swiss manufacturer Horgenglarus. Originally designed in 1951 by Jürg Bally the ess.tee.tisch is a height adjustable table operated by an ingeniously simple mechanism and a product that was awarded a Gute Form Award by the Swiss Werkbund in 1955 for its combination of practicality, functionality and aesthetic charm. The exhibition in Berlin presents an updated version of
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In our original post about the exhibition Niek van der Heijden – Assemblage at the DAD Galerie Berlin we noted that Niek was planning completing his "Living Forum" object during the recent Berlin Gallery Weekend. He nearly did. Very nearly. However, a healthy flow of interested and inquisitive visitors meant progress was slower than anticipated. A situation which means that in the DAD Galerie Berlin one can currently experience not only a partially completed Living Forum, but a partially
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Who creates the city? Who shapes its future? asks the introduction to the exhibition "Weltstadt - Who creates the city?" currently showing at the Deutsches Architektur Zentrum, DAZ in Berlin. Hang on.....? Haven't we seen similar questions somewhere else recently.....? Of course...... at Konstantin Grcic - Panorama at the Vitra Design Museum, in the context of which we wrote "How each of us responds and reacts to such challenges will ultimately affect the nature of our cities, and so
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"It helps you save a considerable amount space, then it is a dinning table and a tea table in one. With a single hand movement you can set its height as you choose; and that without needing to first clear the table" So introduced Swiss furniture manufacturer Horgenglarus the so called Bally-Verstelltisch, or S.T. Tisch, on its launch in 1954. Designed by the Swiss architect Jürg Bally the S.T. Tisch is one of those products that without question would have found its way into our Lost
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Following on from former Nacho Carbonell intern Pascal Howe at the DMY Design Gallery Berlin, an exhibition by a designer whose work we first saw in a hall about 25 metres from Nacho Carbonell's atelier in Eindhoven's so-called Sectie C - one of several former industrial areas in the city that now serve as reservations of creatives and so help fuel Eindhoven's reputation as one of Europe's creative capitals. It was Dutch Design Week 2012 and our photos of Eindhoven Design Academy graduate Niek
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The best form of recycling is not to produce things in the first place. However, until every one understands that, things will continue to be produced in senseless quantities, and senseless quantities of things will eventually reach the end of their useful life. And then? Largely, though not exclusively, based on projects submitted for the annual Recycling Designpreis, the exhibition "Transformations - Concepts of Re-using Things" currently showing at the Werkbundarchiv – Museum der Dinge in
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Standing in the shadow of his gargantuan lamp, "The Worker", Pascal Howe is well aware of how easily his work can be misunderstood. "Many people think it is just a lifestyle product or similar", he smiles, "but it has a strong concept behind it and isn't just about the aesthetic, the material or the functionality" The exhibition "Pascal Howe - VDI 2860" at the DMY Design Gallery Berlin is part of process to correct such misinterpretations and to introduce the real Pascal Howe. Following a
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In design the term "readymade" is used to refer to products created by giving existing objects a new function; generally a new function far, far removed from the original. Examples of the genre include the Mezzadro stool fashioned from a tractor seat by Achille and Pier Giacomo Castiglioni, Jasper Morrison's 1983 Handlebar Table or David Olschewski's Clothes Peg Lamp, an object that never reached the fame of the previous two examples. But which is and was every bit as interesting. Berlin
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As we noted in our review of the book "WEGNER – Just one good chair", Hans J. Wegner spent a large proportion of his career seeking to perfect and improve his chair designs. "If only you could design just one good chair in your life . . .", he mused in 1952, "But you simply cannot" Similarly for Egon Eiermann the "Chair of his Life" was always the next chair design. While Ludwig Mies van der Rohe was famously of the opinion that designing a chair was more complicated than building a
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"When I walk into a building I see space, light and colour", so explains the Finnish photographer Ola Kolehmainen his relationship to architecture. How Ola Kolehmainen visualises this triumvirate is currently being presented in the exhibition Geometric Light at the gallery Haus am Waldsee in Berlin. Born in Helsinki in 1964 Ola Kolehmainen originally studied journalism before completing an MA in photography at the University of Art and Design Helsinki. His passion for architecture
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April 2014, as every April we can ever remember, means Milanese purgatory. Apparently it is meant to cleanse the soul, purify our thoughts and generally mitigate for the sins of the past, and so allow us to proceed to higher plains and greater virtues. And boy must we have sinned. We can't remember exactly when, far less how. We just hope we enjoyed it at the time. Because now we are paying. When, if, we return these are the new design exhibitions we're planning on visiting to help us
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Until May 8th 2014 the Aedes Architecture Forum Berlin is hosting the exhibition Visions of the Alhambra, a presentation of the new visitor centre/site entrance designed for the Alhambra palace/fortress/citadel complex in Granada, Spain by Álvaro Siza Vieira and Juan Domingo Santos. Originally constructed in the 9th century as a feudal fortress, the Alhambra served from the 11th century as a seat of power for Moorish rulers of Granada and subsequently as a citadel for the catholic conquerors
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As the prevailing design ideology in post-War Germany die gute Form almost single handedly established the modern German design tradition, and so by extrapolation was responsible for defining the popular understanding of "German Design" Loosely translatable as "good form", gute Form can be considered as reducing an object, building or anything really down to its very essentials, of creating "a natural product, developed from its function and technical requirements, that in its form represents
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Until June 10th the Bauhaus Archiv Berlin is presenting "New Architecture! Modern Architecture in Images and Books", an exhibition devoted to architecture photography and architecture publishing of the 1920s and 30s. And an exhibition that illustrates just how little the genres have evolved over the intervening decades. The central focus of New Architecture! is the life, work and archive of the architecture critic and art historian Walter Müller-Wulckow. In addition to his journalistic and
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Until April 16th the DMY Design Gallery Berlin is presenting the exhibition "Lifetimes" by Berlin based designer Birgit Severin. The inaugural exhibition in the new DMY Design Gallery. Following the demise of the "original" DMY Gallery in Berlin's stilwerk "design shopping centre", DMY appeared to have decided to concentrate on their global series of exhibitions and running Germany's most important design contest, the Designpreis der Bundesrepublik Deutschland. Silence can however be
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A week or so ago it was announced that Los Angeles based Gehry Partners had been selected to build a new tower block on Berlin's Alexanderplatz. As a general rule we read such announcements. And then carry on with more important things. However, the day after the announcement the Berlin based, Dutch architect/curator/critic Lucas Verweij tweeted in response to a Guardian article on the project: "Ohh Please, not this standard gentrification trick for Berlin" And immediately the words of
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Following on from "Modernes Japanisches Design" in Cologne - contemporary Korean Design in Berlin. Organised by the Korean Trade Ministry and the Korean Institute of Design Promotion (KIDP), Korea Design is a touring showcase presenting projects from 15 Korean designers / design studios. Following its premier in London during the 2013 London Design Festival, Korea Design is currently showing in Berlin. Amongst an entertaining collection of lighting, furniture, accessories and more conceptual
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A summer silly season with 360 degree product images and handmade bottle openers explaining the difference between craft and design assumed a veneer of normality thanks to a fairytale presentation of vintage furniture in Berlin, contemporary porcelain at the Bauhaus Archiv and a little thinking about architecture in Stuttgart.........
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In our recent post from Florence we reported on the attempts being made there by the local authorities to help support and advance the local craftsfolk. Since 2008 the Chambers of Commerce from five of Florence's nearish neighbours have followed a different, though just as valid path towards achieving the same. Under the title "Rethinking The Product" the Chambers of Commerce from Lucca, Pisa, Pistoia, Prato and Terni pair young designers with local businesses and set them specific challenges.
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Until Monday February 24th 2014 the Bauhaus Archive Berlin is presenting the exhibition "Mein Reklame-Fegefeuer. Herbert Bayer. Werbegrafik 1928 – 1938." Born in Haag, Upper Austria on April 5th 1900 Herbert Bayer joined Bauhaus Weimar in 1921 and moved with the institution to Dessau in 1925 where Walter Gropius appointed him head of the newly established Print and Advertising Workshop. In 1928 Herbert Bayer departed Bauhaus and established his own commercial graphic design studio in Berlin
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In 2019 the Staatlichen Bauhaus Weimar celebrates the 100th anniversary of its founding. And so, in effect, we can all celebrate 100 years of European Modernism as an important, tangible, unignorable and ever challenging movement. As part of the build-up to the anniversary the three Bauhaus locations - Berlin, Dessau, Weimar - have combined forces to instigate the Triennale der Moderne A Triennale with a triangular concept: Every three years each of the three locations will host three days
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Much as we bemoan our annual trip to Milan, we do generally return enriched in some form or another. And, secretly, glad that we went. 2011's epiphany came when we were introduced to the Milanese producer Azucena. The introduction coming via Konstantin Grcic and his Entre-Deux "screen/divider/barricade", an object that was/is the start of a longer term cooperation between Grcic and Azucena. A continuation of which we are patiently awaiting. Until then we are whetting our Azucena appetite
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As part of DMY Berlin 2013 the Belgian design critic, curator, journalist and lecturer Max Borka organised the exhibition "Refugium. Berlin as a Design Principle" in collaboration and cooperation with students from his d- SOAP course at the FH Potsdam. Presenting works by some 50 Berlin based designers Refugium not only presents works by the selected designers but also seeks/sought to explore what characterises the Berlin design community and what makes the Berlin design scene relevant and
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