One doesn't have to understand why designers or design institutions do the things they do. You don't always have to be able to follow the logic. Sometimes all you need to do is sit back and enjoy the ride. Such an occasion, at least for us, is the project Lost & Found by Vitra from the Bratislava based design platform Flowers for Slovakia. Essentially the project asked 15 young Slovakian designers to combine forlorn items of traditional Slovakian folk furniture with elements from the Vitra
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As older readers will be aware one of our all-time favourite products is the table family Tints by Jason Miller. Although officially inspired by aviator sunglasses what initially attracted us to Tints, and still holds our famously fluctuant attention, is their unmissable reference to candy. They look like big boiled sweets suspended in a maple frame. Our fascination with the Tint tables isn't however the reason for writing about the lamp Godis by Lund University student Nestor Campos. Even
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"I want to create models for a different society, for a way of producing and living differently", announces Enzo Mari in one of several quotes presented in the exhibition "Who is Mari? at KPM Berlin World. A wonderful example of what can be achieved can currently be explored at DMY Berlin in context of the Berlin based organisation CUCULA. Established in 2013 CUCULA is, as the organisation's full name implies, a craft and design company run by refugees. Or at least all going to plan it
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Events such as Berlin Design Week naturally provide an attractive platform for countries and regions to present themselves and their creatives. Some shows do that very well. Some less so. The exhibition Reset Design - New working models currently showing at the Spanish Embassy Berlin belongs to the first category. Curated by Marcelo Leslabay Reset Design presents ten young Spanish companies, companies all founded in the last three years by designers looking for new ways to produce, market
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With DMY Berlin 2014 up and running the field is open for the 2014 DMY Award. An award that this year has a little extra value given that the trophies have been designed by last years "Young Talent" winner Philipp Weber. And made in Berlin by Berlin Glas e.V. As ever ten nominees have been selected from all exhibitors at this years DMY festival: and from the ten the international jury will select three winners. One of whom will be Dutch. That's not part of the competition rules. Just a
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Since the late 1950s Bavarian porcelain manufacturer Rosenthal has cooperated with an impressive roster of international designers to create new objects and product families, notable cooperations including those with Raymond Loewy, Walter Gropius, Wilhelm Wagenfeld, Jasper Morrison or Patricia Urquiola. One of the firms most recent collaborations is and was with Offenbach am Main based Sebastian Herkner. A graduate of the Hochschule für Gestaltung Offenbach am Main, Sebastian Herkner
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Parallel to Berlin Design Week 2014 the Universität der Künste, UdK, platform designtransfer is presenting an exhibition highlighting a selection of student works from across the disciplines of industrial design, fashion and "Communication in Social and Economic Contexts" Featuring a bright spectrum of projects ranging from the theoretical to the painfully practical and which on occasion bend the border between art and design a little more than is helpful, "wild, connected, printed &
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Very much in keeping with the DMY Berlin 2014 focus on "Social Design" the DAD Galerie Berlin is currently presenting an exhibition devoted to works by the Dutch designer Pepe Heykoop created in context of the Mumbai, India, based Tiny Miracles Foundation. Founded in 2010 by Laurien Meuter the Tiny Miracles Foundation works with the Pardeshi community, a community of some 700 individuals who live rough in Mumbai's red light district, on a range of projects with the aim of helping them move
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Established in 1751 by Wilhelm Caspar Wegely and taken under royal control by Prussia's King Frederick II in 1763, the Königliche Porzellan-Manufaktur Berlin - the Berlin Royal Porcelain Factory - is not only Berlin's oldest handwork business but an undeniable symbol of Prussian pride and the unrestrained luxury of the fabled "white gold" And as such not the sort of place one would expect to find an old agitator such as the Italian designer, designer theorist and general design disdainer Enzo
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As the new exhibition Die Form ist nur Teil des Ganzen at the Wilhelm Wagenfeld Haus Bremen makes very clear, Wilhelm Wagenfeld was firmly of the opinion that those objects with which we surround ourselves should be created so as to make them not only functional but to make their use a relevant, natural and self-evident part of our daily routine. Form not so much following function as use. While remaining an attractive, aesthetically agreeable, indispensable part of every object. Wagenfeld was
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SOX is, in all probability, Berlin's smallest gallery. SOX is a circa 2m by 3m window. An oversized display cabinet in the heart of Berlin Kreuzberg. During Berlin Design Week 2014 SOX is hosting 4+1, the latest project from Berlin designer Mark Braun. A shelving/storage element constructed from pear, oak, ash and walnut the individual 4+1 units are accessible from both front and back and can be stacked on top of/next to one another to create the desired landscape. Each unit houses an
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If we’re honest we’re not entirely sure where or when we first saw the work of Gosia & Tomek Rygalik a.k.a Studio Rygalik, but it was certainly before their near legendary Baguette Table project at Vienna Design Week 2011 – yes, tables made from bread – and long before they shot their delightful short film celebrating 20 years of the Vitra Design Museum miniatures collection. What we are sure about is that the logical, uncomplicated nature of the products they create, the pairs commitment to
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As previously noted the Werkbund Berlin Galerie is currently hosting an exhibition devoted to the ess.tee.tisch t-6500 from Swiss manufacturer Horgenglarus. Originally designed in 1951 by Jürg Bally the ess.tee.tisch is a height adjustable table operated by an ingeniously simple mechanism and a product that was awarded a Gute Form Award by the Swiss Werkbund in 1955 for its combination of practicality, functionality and aesthetic charm. The exhibition in Berlin presents an updated version of
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In our original post about the exhibition Niek van der Heijden – Assemblage at the DAD Galerie Berlin we noted that Niek was planning completing his "Living Forum" object during the recent Berlin Gallery Weekend. He nearly did. Very nearly. However, a healthy flow of interested and inquisitive visitors meant progress was slower than anticipated. A situation which means that in the DAD Galerie Berlin one can currently experience not only a partially completed Living Forum, but a partially
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Who creates the city? Who shapes its future? asks the introduction to the exhibition "Weltstadt - Who creates the city?" currently showing at the Deutsches Architektur Zentrum, DAZ in Berlin. Hang on.....? Haven't we seen similar questions somewhere else recently.....? Of course...... at Konstantin Grcic - Panorama at the Vitra Design Museum, in the context of which we wrote "How each of us responds and reacts to such challenges will ultimately affect the nature of our cities, and so
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"It helps you save a considerable amount space, then it is a dinning table and a tea table in one. With a single hand movement you can set its height as you choose; and that without needing to first clear the table" So introduced Swiss furniture manufacturer Horgenglarus the so called Bally-Verstelltisch, or S.T. Tisch, on its launch in 1954. Designed by the Swiss architect Jürg Bally the S.T. Tisch is one of those products that without question would have found its way into our Lost
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Following on from former Nacho Carbonell intern Pascal Howe at the DMY Design Gallery Berlin, an exhibition by a designer whose work we first saw in a hall about 25 metres from Nacho Carbonell's atelier in Eindhoven's so-called Sectie C - one of several former industrial areas in the city that now serve as reservations of creatives and so help fuel Eindhoven's reputation as one of Europe's creative capitals. It was Dutch Design Week 2012 and our photos of Eindhoven Design Academy graduate Niek
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The best form of recycling is not to produce things in the first place. However, until every one understands that, things will continue to be produced in senseless quantities, and senseless quantities of things will eventually reach the end of their useful life. And then? Largely, though not exclusively, based on projects submitted for the annual Recycling Designpreis, the exhibition "Transformations - Concepts of Re-using Things" currently showing at the Werkbundarchiv – Museum der Dinge in
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Standing in the shadow of his gargantuan lamp, "The Worker", Pascal Howe is well aware of how easily his work can be misunderstood. "Many people think it is just a lifestyle product or similar", he smiles, "but it has a strong concept behind it and isn't just about the aesthetic, the material or the functionality" The exhibition "Pascal Howe - VDI 2860" at the DMY Design Gallery Berlin is part of process to correct such misinterpretations and to introduce the real Pascal Howe. Following a
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In design the term "readymade" is used to refer to products created by giving existing objects a new function; generally a new function far, far removed from the original. Examples of the genre include the Mezzadro stool fashioned from a tractor seat by Achille and Pier Giacomo Castiglioni, Jasper Morrison's 1983 Handlebar Table or David Olschewski's Clothes Peg Lamp, an object that never reached the fame of the previous two examples. But which is and was every bit as interesting. Berlin
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As we noted in our review of the book "WEGNER – Just one good chair", Hans J. Wegner spent a large proportion of his career seeking to perfect and improve his chair designs. "If only you could design just one good chair in your life . . .", he mused in 1952, "But you simply cannot" Similarly for Egon Eiermann the "Chair of his Life" was always the next chair design. While Ludwig Mies van der Rohe was famously of the opinion that designing a chair was more complicated than building a
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"When I walk into a building I see space, light and colour", so explains the Finnish photographer Ola Kolehmainen his relationship to architecture. How Ola Kolehmainen visualises this triumvirate is currently being presented in the exhibition Geometric Light at the gallery Haus am Waldsee in Berlin. Born in Helsinki in 1964 Ola Kolehmainen originally studied journalism before completing an MA in photography at the University of Art and Design Helsinki. His passion for architecture
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April 2014, as every April we can ever remember, means Milanese purgatory. Apparently it is meant to cleanse the soul, purify our thoughts and generally mitigate for the sins of the past, and so allow us to proceed to higher plains and greater virtues. And boy must we have sinned. We can't remember exactly when, far less how. We just hope we enjoyed it at the time. Because now we are paying. When, if, we return these are the new design exhibitions we're planning on visiting to help us
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Until May 8th 2014 the Aedes Architecture Forum Berlin is hosting the exhibition Visions of the Alhambra, a presentation of the new visitor centre/site entrance designed for the Alhambra palace/fortress/citadel complex in Granada, Spain by Álvaro Siza Vieira and Juan Domingo Santos. Originally constructed in the 9th century as a feudal fortress, the Alhambra served from the 11th century as a seat of power for Moorish rulers of Granada and subsequently as a citadel for the catholic conquerors
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