"Weltstadt – Who creates the city?", we wrote in our review of the eponymous exhibition at the Deutsches Architektur Zentrum, DAZ Berlin, "is about promoting a dialogue, of encouraging discussion and for all about motivating each and every one of us to think about our own communities and our own cities and to consider what could be improved. And for all how." Practical examples of just how projects to achieve such could be organised and what they could, potentially, achieve can currently be
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As we noted in our original post on Niek Wagemans' nachBAR project for the Dutch Embassy in Berlin, we sadly had to depart Berlin before construction was finished. "What we’ve seen so far however impresses.", we noted, "And we can’t imagine our position will change dramatically." It hasn't. A delightfully compact, well proportioned and very welcoming object, nachBAR proudly presents it origins and with its sheet steel cladding and rounded edges radiates something of the aura, and arguably
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Back in the day all ten projects nominated for the DMY Award were presented in a post-festival exhibition in the Bauhaus Archiv Berlin. An exhibition that for us always made perfect sense, mixing as it did experimental, conceptual works by contemporary designers with the conceptual, experimental spirit of Bauhaus. That however was then. And the cooperation sadly ended a couple of years ago. If we're honest we find it a real shame that that is no longer the case, not least for the designers.
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Amid all the hype surrounding "Bauhaus Style", "Bauhaus Classic" and "Bauhaus Design" it is often forgotten that Bauhaus was a college. And whereas many, if not most, people can name half-a-dozen or so Bauhaus graduates; hundreads of students passed through Bauhaus. And it wasn't all just partying and theatre. They did also learn. But what did they learn? How did they learn? And what can we learn from how and what they learnt? In an attempt to answers such questions the Bauhaus Archiv
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With their high walls, locked gates, uncooperative guards and more video cameras than your average broadcasting company need to cover a simple football tournament in South America, embassies aren't, generally speaking, the most welcoming of places. A small piece of another culture they may be, but never a piece of another culture that appears particularly interested in interacting with the neighbours. To demonstrate that alternatives are possible, that embassies can be a focal point in a
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Should the 2014 football World Cup final see Italy meet Brazil that would, arguably, be a more than fitting celebration of the 100th anniversary of Italo-Brazilian architect, artist, designer and author Lina Bo Bardi. However, because football's fickle fate cannot be relied upon the Deutsches Architektur Zentrum, DAZ Berlin are currently staging the exhibition "Lina Bo Bardi - Together", an equally fitting tribute to Lina Bo Bardi and her work. Born in Rome on December 5th 1914 Achillina Bo
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We can't rule out that our interest in the project zTuA by Hochschule Rosenheim students Marko Steininger, Martin Winkler and Fabian Steiner is a direct consequence of the current situation in the (smow) blog HQ. That our professional opinions are being influenced by personal circumstances. We hope they aren't. But can't rule it out. zTuA is an acronym of "zwischen Tür und Angel" - "between door and hinge" - a nice German idiom that refers either to a necessary urgency, to being in the
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As our more loyal readers will be aware, for us the future is analogue. As ever more aspects of our daily routine are taken over by digital technology, the more time we have to concentrate on the things that matter. And they are all analogue. All. Parallel, open design and open processes will become more important as we all lose the need to be part of a stylised mass and finally comprehend that contemporary industrial production and distribution networks are no longer ecologically or
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What you see used to be what you got. However our modern world offers a plethora of viewing possibilities, and so now what you get is influenced by how you see what you see. To this plethora Berlin based collective Fischer Weidenmüller Unterberg have now added one further option. Without going into too much detail, through a manipulation of LCD projection technology the Clair Obscur project generates an image which is invisible to the human eye. Only the use of a special filter renders the
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Those of you who followed our sadly demised Posterous account - Why Twitter? Why? - will recall our joy at seeing the Bravais Desk by Canadian born, Rotterdam based designer Dana Cannam at the "Thoughts of Home" showcase during Dutch Design Week 2011. A wonderfully charismatic product Bravais impressed/impresses with its obvious functionality and effortlessly reduced form. Equally as effortlessly reduced is the modular tableware system "All of a Piece" developed by Dana Cannam in cooperation
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When in our DMY Berlin 2014 Award preview post we asked "When is a wardrobe not a wardrobe?", the question was a little inaccurate. Technically the correct question should have been, when is a laptop case not a laptop case? The answer however remains the same: When it’s a collapsible linen wardrobe by Academie van Beeldende Kunsten Den Haag graduate Renate Nederpel. While developing a laptop case project Renate Nederpel decided to see what happened when she scaled up the dimensions "a
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We recently attended a very interesting talk from Munich based designer Stefan Diez at the Vitra Design Museum in which, amongst other subjects, he briefly queried why design journalists are happy to write about furniture and accessories, but no one writes about, for example, safety helmets....... Ranger by Joe Engelhard and Michael Schuler for German manufacturer ENHA is, according to the designers, the first ever safety helmet to incorporate a double wall construction principle; thus
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At DMY Berlin 2014 fifteen students from the Fachhochschule Potsdam are presenting the results of the seminar "formHOLZ" Run under the supervision of Professor Hermann Weizenegger formHOLZ explored new possibilities with moulded, formed and otherwise shaped wood and the exhibition at DMY Berlin presents a series of prototypes which demonstrate new possibilities with one of the oldest, and most researched, materials/processes in industrial product design. And ably demonstrates that regardless
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One doesn't have to understand why designers or design institutions do the things they do. You don't always have to be able to follow the logic. Sometimes all you need to do is sit back and enjoy the ride. Such an occasion, at least for us, is the project Lost & Found by Vitra from the Bratislava based design platform Flowers for Slovakia. Essentially the project asked 15 young Slovakian designers to combine forlorn items of traditional Slovakian folk furniture with elements from the Vitra
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As older readers will be aware one of our all-time favourite products is the table family Tints by Jason Miller. Although officially inspired by aviator sunglasses what initially attracted us to Tints, and still holds our famously fluctuant attention, is their unmissable reference to candy. They look like big boiled sweets suspended in a maple frame. Our fascination with the Tint tables isn't however the reason for writing about the lamp Godis by Lund University student Nestor Campos. Even
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"I want to create models for a different society, for a way of producing and living differently", announces Enzo Mari in one of several quotes presented in the exhibition "Who is Mari? at KPM Berlin World. A wonderful example of what can be achieved can currently be explored at DMY Berlin in context of the Berlin based organisation CUCULA. Established in 2013 CUCULA is, as the organisation's full name implies, a craft and design company run by refugees. Or at least all going to plan it
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Events such as Berlin Design Week naturally provide an attractive platform for countries and regions to present themselves and their creatives. Some shows do that very well. Some less so. The exhibition Reset Design - New working models currently showing at the Spanish Embassy Berlin belongs to the first category. Curated by Marcelo Leslabay Reset Design presents ten young Spanish companies, companies all founded in the last three years by designers looking for new ways to produce, market
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With DMY Berlin 2014 up and running the field is open for the 2014 DMY Award. An award that this year has a little extra value given that the trophies have been designed by last years "Young Talent" winner Philipp Weber. And made in Berlin by Berlin Glas e.V. As ever ten nominees have been selected from all exhibitors at this years DMY festival: and from the ten the international jury will select three winners. One of whom will be Dutch. That's not part of the competition rules. Just a
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Since the late 1950s Bavarian porcelain manufacturer Rosenthal has cooperated with an impressive roster of international designers to create new objects and product families, notable cooperations including those with Raymond Loewy, Walter Gropius, Wilhelm Wagenfeld, Jasper Morrison or Patricia Urquiola. One of the firms most recent collaborations is and was with Offenbach am Main based Sebastian Herkner. A graduate of the Hochschule für Gestaltung Offenbach am Main, Sebastian Herkner
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Parallel to Berlin Design Week 2014 the Universität der Künste, UdK, platform designtransfer is presenting an exhibition highlighting a selection of student works from across the disciplines of industrial design, fashion and "Communication in Social and Economic Contexts" Featuring a bright spectrum of projects ranging from the theoretical to the painfully practical and which on occasion bend the border between art and design a little more than is helpful, "wild, connected, printed &
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Very much in keeping with the DMY Berlin 2014 focus on "Social Design" the DAD Galerie Berlin is currently presenting an exhibition devoted to works by the Dutch designer Pepe Heykoop created in context of the Mumbai, India, based Tiny Miracles Foundation. Founded in 2010 by Laurien Meuter the Tiny Miracles Foundation works with the Pardeshi community, a community of some 700 individuals who live rough in Mumbai's red light district, on a range of projects with the aim of helping them move
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Established in 1751 by Wilhelm Caspar Wegely and taken under royal control by Prussia's King Frederick II in 1763, the Königliche Porzellan-Manufaktur Berlin - the Berlin Royal Porcelain Factory - is not only Berlin's oldest handwork business but an undeniable symbol of Prussian pride and the unrestrained luxury of the fabled "white gold" And as such not the sort of place one would expect to find an old agitator such as the Italian designer, designer theorist and general design disdainer Enzo
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As the new exhibition Die Form ist nur Teil des Ganzen at the Wilhelm Wagenfeld Haus Bremen makes very clear, Wilhelm Wagenfeld was firmly of the opinion that those objects with which we surround ourselves should be created so as to make them not only functional but to make their use a relevant, natural and self-evident part of our daily routine. Form not so much following function as use. While remaining an attractive, aesthetically agreeable, indispensable part of every object. Wagenfeld was
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SOX is, in all probability, Berlin's smallest gallery. SOX is a circa 2m by 3m window. An oversized display cabinet in the heart of Berlin Kreuzberg. During Berlin Design Week 2014 SOX is hosting 4+1, the latest project from Berlin designer Mark Braun. A shelving/storage element constructed from pear, oak, ash and walnut the individual 4+1 units are accessible from both front and back and can be stacked on top of/next to one another to create the desired landscape. Each unit houses an
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