For all that the annual Leipzig Grassimesse is and always has been as a sales fair, a place to peruse, discourse with and purchase, contemporary craft, applied art and design, and thereby an opportunity to support contemporary craft, applied art and design practitioners, or perhaps more accurately an opportunity to support those practitioners whose practice you most enjoy, it has also always been a platform for creative schools and their students to present their works and approaches and
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"...one only finds warmth of life and sincerity where human nature is allowed to flourish", opined the German designer Erich Dieckmann in 1931, "one shouldn't forget that in our apartments. Let's treat our contemporary homes to something humane. Something unelaborate, something provisional, with some leeway and space for things to grow as they wish over time."1 With the exhibition Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann, the Kunststiftung des Landes Sachsen-Anhalt and
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