X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved. Much as with the so-called Curule Chair, one of the earliest known manufactured seating objects, a seating object so-called because the legs generally 'curuled', a seating object of the distant past that was as much a symbol of power as
read more
"I'm so glad I live in a world where there are Octobers" exclaims Anne Shirley in Lucy Maud Montgomery's 1908 novel Anne of Green Gables, "it would be terrible if we just skipped from September to November, wouldn't it?" Yes Anne, it would. Yet while Ms Shirley turned her youthful attention to decorating her bedroom with the brightly coloured maple branches so prevalent on Prince Edward Island at this time of year, our joy is found in the new architecture and design exhibitions opening in the
read more
It is very apposite that the Grassi Museum for Applied Arts Leipzig is currently hosting a special presentation dedicated to the designer Rudolf Horn: for here began the story of one of Rudolf Horn's more interesting projects, the somewhat unfortunately named Conferstar club chair. And yes it does look like Mies van der Rohe's Barcelona Chair. It's supposed to. In 1962 Rudolf Horn was sitting in his office in Leipzig and was, by his own admission, fed up. And so decided to visit the Grassi
read more
"The design is not the result of any especially deep consideration, but much more of random form finding through sketching."1 So remembers German architect and designer Sergius Ruegenberg the creation of the so-called Barcelona Chair; a chair that made its formal début with the opening of the Barcelona International Exposition on May 19th 1929. Barcelona Chair? Sergius Ruegenberg? Yes. Barcelona Chair. Sergius Ruegenberg. Born in St. Petersburg in 1903 Sergius Ruegenberg trained as a
read more
As many of you know we don't do trends. Never have. Never will. But others do. And back in 1964 the trend in West Germany was leather furniture. At least according to Der Spiegel. In "Haut und Haare", a delightful article, that admittedly probably shouldn't be read by anyone planning buying a Barcelona Chair for Christmas, the unnamed Spiegel author not only explains just how much of a trend leather had become in the West German living rooms of the day, but exhibits a wonderfully casual
read more
A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the subject of illegal copies of design classics. Or better put when is a design classic a design classic? At the HGB Leipzig Rundgang in February we were confronted with an unexpected and somewhat unusual interpretation of the question in the form of "Eames Lounge Chair" by George Brückmann. And were immediately hooked. And not only we were impressed by Brückmanns work, In
read more
On Thursday April 29th the exhibition "gute aussichten - junge deutsche fotografie 2009/2010" opens at the Haus der Photographie, Hamburg. Established in 2004 as a platform for supporting young, talented photographers gute aussichten has developed into one of Germany's most important and respected contemporary photography prizes. This years exhibition features the work of the 8 artists - Georg Brückmann (HGB Leipzig); Philipp Dorl, (FH Bielefeld); Sonja Kälberer, (HGB Leipzig); Ute Klein,
read more
They say that imitation is the greatest form of flattery. They, however, have obviously never spent hours, weeks and years sweating over a project until it is perfect. And so whether it is furniture designs, web site concepts or literature, they simply copy. In January the winners of the 2010 Plagiarius Competition for excellence in copying the work of others were announced. Among the happy winners a Chinese imitation of a German ice tray and Polish rip-off of a German toy combine
read more
The so called "Barcelona Chair" by German architect and designer Ludwig Mies van der Rohe is without question one of the true classics of 20th century furniture design. And one of the most copied. On the 80th anniversary of its first public appearance during the Ibero-American Exposition of 1929, materials scientist Prof. Friederike Deuerler and Art Historian Prof. Gerda Breuer have curated an exhibition for the Galerie im Kolkmannhaus at the University of Wuppertal. "From prototype to cult
read more
