Artemide A Phaesporia; A bringer of light. Arising in Milan at a time of great darkness in the Kingdom of Lombardy, Artemide's original form, its Alfa form, was bequeathed to it by a man recorded as Sergio Mazza, and it was this Mazza, together with a young compagno bearing the name Ernesto Gismondi, who charged Artemide with the spreading of that Alfa light throughout the still dark domestic, commercial and civic spaces of the known worlds. Although renowned, and celebrated, for its
read moreCelebrated as the salvation of design. Denounced as kitsch. Fresh & invigorating. Vain & hifalutin. A watershed in design history. A passing fad. There are few architecture and design movements that divided opinion quite as much as the works of the Italian group Memphis. Or indeed which continue to divide opinion more than thirty years after their emergence. Although officially launched with an exhibition at the Arc '74 gallery in Milan on Friday September 18th 1981 Memphis can trace its
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Much as we tend to shy away from "Designer of the Year" awards, the presentation of German architecture and design magazine A&W's Designer of the Year award is always an early highpoint of the Passagen Cologne Design Week. Principally because it invariably results in a compact yet informative exhibition from and about the selected designer. An exhibition that is perhaps never independent nor critical, but which always provides an accessible overview of the designers oeuvre. Following on from
read moreAside from the ability to accurately focus light, Richard Sapper had a further motivation in designing his Tizio lamp: "Another problem was that I am a very disorganised person. On my desk there is no space to place a lamp, or at best one is forced to place it on the very edge, the rest of the table being covered with things that I probably don't need, but which I can only store on my desk. In such a situation one needs a lamp with a long boom arm. To effortlessly move such a lamp one has the
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With the winter solstice behind us and the days growing noticeably longer, the Vitra Design Museum exhibition Lightopia draws slowly towards its natural end. But before the lights finally go out on March 9th there are still a few genuine highlights in the Fringe programme to be enjoyed, including on Thursday January 23rd a talk with and about the Milan based designer Richard Sapper. Born in Munich in 1932 Richard Sapper has worked with and for companies as varied as Daimler-Benz, Kartell,
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The biggest April fool is.... us, for always going to Milan! That said, as ever, we did find a few gems amongst the senseless corporate trash..... And after Milan we had the joy of viewing the latest addition to the Vitra Campus, the Factory Building by SANAA......
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As it was our first event of Milan Design Week 2013, we're honouring Artemide with the first post from Milan Design Week 2013. And in specific Empatia by Carlotta de Bevilacqua and Paola di Arianello, for us the stand out object in the Artemide 2013 collection. It will sound like damning Carlotta and Paola with faint praise when we say that the overwhelming majority of the new Artemide products are architectural lighting - all technically very interesting, just architectural lighting - and
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As any one who has celebrated as many birthday's as us knows - there comes a point in every life where you're just not prepared to compromise on quality any more. Be it your car, your choice of airline, your hair cut. Or your office chair. When starting out in life the vast majority of us put up with cheap, uncomfortable office chairs because its easier. We know the quality isn't brilliant. But we're compromising The same can be said for desks, desk lamps and filing cabinets. Those days
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Luddites! Not a phrase normally associated with (smow) To the best of our knowledge no (smow)employee has ever smashed an iPad or capped a WiFi service in protest at the creeping and increasingly obsessive proliferation of technology into our lives. Despite that, the early summer weeks in the (smow)HQ were dominated by the preparation and production of the very first (smow)catalogue. That's print catalogue. So on paper. With ink. Luddites? Au contraire nos amis! Not only is the
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Last summer we spent our annual holiday weekend in a small museum in the north of England discussing the life of a man who had hung himself 30 years previous. And folk say we don't know how to relax. The town was Macclesfield and the subject was Joy Division singer Ian Curtis. Unquestionably one of the truly iconic figures in music history, the cult around Curtis is based to a large extent on a combination of his early death and the photos of the band. One of the speakers at the conference
read moreFor 26 years James Irvine has been quietly and unassumingly influencing European industrial design. Immediately after graduating from the London Royal College of Art in 1984 James Irvine moved to Milan to take up a position with the Olivetti design studio. And has pretty much been in the north Italian metropolis ever since. In 1992 James Irvine left Olivetti and since then has worked with companies as varied as Artemide, B&B Italia, Whirlpool, Magis and WMF. Among his most public projects is
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We're not in New York for ICFF this year. Last year was just toooooo traumatic... Which is a shame because our inbox is full of the most wonderful shows and products - not least the lamp collection from "the new American lighting company" Roll and Hill. In many ways a vehicle for Brooklyn designer - and our personal highlight from last years ICFF - Jason Miller, Roll and Hill carries a wide range of lighting from contemporary US designers including Lindsey Adams Adelman, Paul Loebach,
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9th February 2010, Brussels Under the motto "Think before you Post" the from the EU funded Safer Internet Day 2010 is focused primarily on how one deals with privacy in the internet, especially as concerns young people, photos, social networking sites and chatrooms. Which is naturally a positive thing. In essence one of the core reasons that people for all kids, run into problems on the internet is because they blindly believe everything they read. Previously "the camera never lied", we
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G'day! What with all the excitement about the new iSlate, we missed Australia Day yesterday. And so wanted to use today to write a post involving words like "Sheila", "Sheila", "I can see the pub from here!" and "Sheila" Then we discovered that we'd also missed the announcement of the shortlist for the 2010 Australian International Design Awards. And that seemed a much better subject than lazy international stereotypes. The "Architectural and Interior" products section of the 2010 Awards
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To celebrate their 50th birthday the German furnishings magazine "Schöner Wohnen" have produced a small book entitled "Das Buch der Klassiker“ ("The book of classics") in which the magazine present their 400 furniture and accessory classics. And an exhibition of the selected items forms the basis of the Schöner Wohnen stand here in Cologne. Aside from familiar faces such as Vegetal by Ronan and Erwan Bouroullec from Vitra or the Castore lamp by Huub Ubbens und Michele De Lucchi for
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It's Dumfries Show on Saturday. That won't mean much to the most people, but for us it is a sure sign. Winter is coming. We know, we know. Barely have we got use to remembering to take our sunglasses to work, buying ice-creams for lunch or waking up at 5 am because we forgot to shut the curtains - again - than the Dumfries Agricultural Society hold their annual show. And after the Dumfries show the evenings get shorter with increasing rapidity and before you know it the ground will be brown
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It must be a summer thing. Not only are our newspapers and magazines full of authors recommending their chums books, but first design observer portrayed their reading tips and then design sojourn brought out their "30 Essential Books for Industrial Designers" Obviously the design world is planning downing tools and spending the long hot summer that awaits us reading. Which is fine by us. For, in addition to supplying designer furniture, we at smow also stock a wide range of books on and
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Dioscuri Tavolo by Huub Ubbens und Michele De Lucchi for Artemide Although we'll probably always have problems with design and branding Awards, we do appreciate the value and importance that many of them represent. And so congratulations from us to Italian lighting designer and (smow)partner Artemide for first place in the category "Design Brand Home and Living" at the 2009 German "best brand" awards. The "best brand" awards assess not only the market position of a brand but much more the
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Not good As everyone know everything in America is bigger. Everything. From bagels the size of Jupiter to the level of manipulation undertaken to justify invading Iraq. Everything in America exists on a larger scale than you thought possible. Except furniture trade shows. In Milan, Artemide's stand, for example, was so big it was not only dissected by a time zone, but in the north east corner biologists found two previously unknown primate species. Meanwhile Kartell, following the
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In local parlance Greene Street, NYC is known as "West smow", on account of the prevalence of high-quality designer furniture producers who have their flagship stores there. The Artemide store, for example, is a couple of doors down from USM Haller, across the road from USM Haller is Kartell - it really is uncannily like the navigation bar at smow.com Indeed as we strolled down West smow on Friday morning we couldn't help thinking that only Moormann failed. Then we spotted number 75.
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Sometimes we get the feeling no one really wants us here in Leipzig. Not that we are complaining - or at least not when avoiding our company means sending us to the International Contemporary Furniture Fair and New York City. From May 14th until May 19th your (smow)blog team will bring you all the important stories, new products and general lunacy from Vitra, Kartell, Magis, Tom Dixon and all the other exhibitors at North America's premier designer furniture trade fair. And not just from
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We've previously stated our quiet dissatisfaction with awards ceremonies and for all there omnipresence. But love 'em or loath 'em when they are good they are one of the best ways to help consumers separate the chaff from the rye - or at least from amongst those producers who pay the entrance fees.... One of the most renowned awards in Europe is the red dot Awards organised annually by the Design Zentrum Nordrhein Westfalen. And while the red dot Awards fulfill almost all the criteria that we
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In a recent article wired magazine presented their own take on the evolution of office furnishing. From the introduction of the vast, cattle-shed like offices that characterised early office design through the cubicles and "virtual offices" of the 1980s and 90s and onwards the text makes one thing clear: Too many office workers have suffered through bad office design concepts. But one needn't work from home in order to benefit from the advantages of a convivial and stimulating office
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Design awards. They’re funny things. Sometimes one has the feeling that behind every tree and round every corner a design award is lurking. And while you can have too much of a good thing, awards ceremonies are in principle positive in that they help present a platform to a lot of designers whose work would otherwise go unnoticed outwith specialist circles One of the oldest and most prestigious design awards is the Good Design Award presented by The Chicago Athenaeum: Museum of
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