In the exhibtion A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. But not sit on them. In the presentation Stühle zum (Be)Sitzen on the first floor landing of the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. And sit on them. Thirteen chairs which unite more than just thirteen
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Outwith his native Denmark, the country home to the most architectural works by Arne Jacobsen is Germany. Yet the vast majority of them remain popularly unknown. As does Arne Jacobsen's partner on his German projects: Otto Weitling With the showcase Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany, the Felleshus Berlin not only set the record straight but allow for some fresh reflections on both Arne Jacobsen and our relationships to and with architecture and our
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"Hvis jeg får et nyt liv, vil jeg være gartner", opined once the Danish architect and designer Arne Jacobsen. "If I have another life, I want to be a gardener" Not that, as Arne Jacobsen – Designing Denmark at Trapholt, Kolding, would tend to imply, he made an incorrect career choice..... Arne Jacobsen - Designing Denmark, Trapholt, Kolding Arne Emile Jacobsen was born in Copenhagen on February 11th 1902 into a, by all accounts, comfortable middle class family; his mother a trained bank
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Tuesday September 22nd marks the 2020 Southward Equinox, and thus the start of autumn in the northern hemisphere, and of spring in the southern hemisphere. Two seasons known throughout history for the vagaries, capriciousness, of their weather. And thus two seasons perfectly suited to a longer architecture and design, or art, museum visit. Our recommendations for four new showcases opening in September (autumn) 2020 can be found in Berlin, Kolding, Düsseldorf and Berlin (again); our
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The 3316 Easy Chair by Arne Jacobsen a.k.a. The Egg is not only one of the most universally recognised works by Jacobsen, but also one of the most popular representatives of both the lounge chair and also of post-War furniture design. Yet, and as with the Easter egg, the Jacobsen Egg is an object whose simple, inviting charms often hide the much more complex, interesting, informative, instructive, realities of its origin and provenance. And so in a year when many an Easter egg hunt will be
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Sand is not a material on which many architects would hope to successfully build a project, far less a career. In many ways however that is exactly what the Danish architect and designer Arne Jacobsen did. Bellevue Strandbad Copenhagen Born on 11 February 1902 in Copenhagen, Arne Emile Jacobsen studied architecture at the city's Kongelige Danske Kunstakademi - Royal Danish Academy of Fine Arts - graduating in 1927. One of Denmark's first, and foremost, functionalists, Arne Jacobsen was
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"What is the Paris Exposition?", asked Roger Gilman in the September 1925 edition of The Art Bulletin, "It is a new world of the applied arts. It is a new world of reality, reality in the square mass of concrete construction, reality in the smooth surfaces of machine products, reality in wonderful new materials offered by our mastery of science and transport, reality in the severe plainness of our practical age, reality in a marvellous effort to design everything and copy nothing. And it is a
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Do designers always know best? No, do they....? Back in July we celebrated the 60th anniversary of Arne Jacobsen's Ant Chair for Fritz Hansen, including mention of the heavy criticism that greeted its presentation, in particular the criticism that it only had three legs. Criticism that didn't concern Arne Jacobsen one jot. For Jacobsen the Ant Chair was conceived as a three legged chair, functioned as a three legged chair and would always remain a three legged chair. Eventually however
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In 1956 Arne Jacobsen was commissioned to create the SAS Royal Hotel in Copenhagen; a contract he took on with great gusto and which, true to his understanding of an architect being responsible for the complete composition, saw him not only create a building, but all the fixtures and fittings. Right down to the bath plugs. While the most famous furniture pieces from the SAS Royal project are without question the Swan Chair and Egg Chair, those who take the time to investigate a little deeper
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At the same time as he was developing the Ant Chair, Arne Jacobsen created a one-off range of office furniture that arguably represents the first tangible evidence of his move away from the natural materials and traditional handicrafts of his pre-war furniture and onto the mixed media, industrial products that have ultimately come to define his work. And so can truly be considered great lost furniture design classics. Not least because they really are lost! In 1951/52 - the records are a
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Remaining in celebratory mood..... Twenty five years after the young guns of European modernism gathered in Stuttgart to open the Weissenhof Siedlung, a "somewhat ageing" Danish architect, who as a student had been greatly influenced by the works of European modernism, was about to make his global breakthrough with a chair design which as much as any represents the post-War break with modernism and the fearless march into the new, uncertain, world. Happy 60th Birthday the Ant Chair by Arne
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As tradition demands the Museum für Angewandte Kunst Köln (MAKK) have organised a furniture themed, special exhibition to coincide with the Cologne Furniture Fair. Under the title "Von Aalto bis Zumthor: Architektenmöbel" ("From Aalto to Zumthor: Furniture by Architects") the MAKK is presenting over 120 examples of furniture designed by professional architects. As older readers will have long since accepted, the "Furniture Architect" is a pet subject of ours. Not just because the architects
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"Wooden spoon for pickled vegetables by John F. Kennedy" ? ? ? John F. Kennedy. Green Mountain Woodcrafters, Vermont. And no relation of Teddy or Robert. Still cheered us up. From March 20th until April 25th 1951 Stuttgart hosted the first post-war exhibition of modern American home furnishings and appliances in Europe. Organised by the New York Museum of Modern Art under the title "Design for Use, USA", the exhibition featured a cross section of American domestic design. And a Who's
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Last week we, finally, made our first visit to Design Miami Basel. Featuring 43 international design galleries, Design Miami Basel is a curious mix of those featuring "old" objects and those featuring new contemporary designs. Those galleries who concentrate on new contemporary design generally make their money in that they organise limited editions of concept pieces by designers - which they then sell. Or they buy up "first editions" of pieces of new works that may, they hope, eventually go
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One of the most famous - and arguably professionally relevant - phases in Verner Panton's life was his journeys through Europe. Following his graduation from Copenhagen Art school Verner Panton gave up his position with Arne Jaobsen, converted his VW bus to a basic mobile studio and set off on a series of tours throughout Europe during which he made contact with numerous designers and producers. While its probably fair to say that this experience alone didn't shape his future work - the
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Ask most people to name a Danish furniture designer and they will probably reply Verner Panton or Arne Jacobsen. Ask them to name a Swedish furniture designer and the answer will probably have four letters - three of which are vowels. Flat pack furniture is in itself no bad thing, but it is a little bit sad when a country that has so much furniture design talent to offer, is represented in the public consciousness by a universal brand. Sweden are the partner country at this year's Vienna
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As already stated our visit to Copenhagen and CORE 10 was without question one of our more disappointing trips. Largely because of the complete lack of imagination, innovation or indeed quality that we found. It's certainly a phenomenon in all walks of life. What do you mean? Well, at one point, you've got it, then you lose it. And it's gone forever. All walks of life. Georgie Best, for example, had it, lost it. Or David Bowie or Danish design. Danish design. Some of their modern stuff's
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For one of Denmark's most celebrated designers Verner Panton spent considerably little time in Denmark; and many most of his celebrated works were realised abroad. That said Copenhagen is full of reminders of Verner Panton, his life, his work and his passions. And so during our brief visit to the Danish capital we took the opportunity to meet up with one his Vitra Panton Chairs for a guided tour of Verner Panton's Copenhagen. Our tour began, as did Panton's association with Copenhagen, at
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The (smow)blog team outing to the cardboard furniture workshop was coupled with a visit to the current Vitra Design Museum Exhibition: The Essence of Things. Design and the Art of Reduction. We must admit to finding it more than a little ironic that an exhibition on "Design and the Art of Reduction" should be taking place in a building designed by Frank Gehry, especially when Tadao Ando's Conference Pavilion is only some 10m away. And after the long journey to Weil am Rhein this thought
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Although in the course of his career Verner Panton worked with numerous designer furniture producers, his name is undoubtedly most closely associated with Vitra. Not least because of his seminal Panton Chair. The exhibition "Panton by Vitra" at Wasserschloss Klaffenbach in Chemnitz offers visitors an insight into the life and work of one of the most important and influential post-war European designers. While still a student Verner Panton worked in Arne Jacobsen's Copenhagen office and
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For people who spend most of their working lives sat at desks, publishers and authors have a frightening disregard for comfort when it comes to chairs. Or at least they do if the furniture we saw at the 2010 Leipzig Buchmesse was a measure of the industry norm. Cheap folding chairs, cheap copies of designer furniture classics being presented as originals and general cheap tat as far as the eye could see. Fortunately one or two of the exhibitors seemed better informed. Below a few snapshots
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When we were still young, fit and healthy, towns and cities existed. Just existed. These days in order to exist a city needs to be the city of something. And so as one drives along a German motorway, every ten metres or so comes a large brown sign announcing the next conurbation as "Chemnitz - City of the Modernity", "Pied Piper City Hameln" or "Prien am Chiemsee - City of the criminally lazy taxi drivers". Not wanting to be the outsider in this age of claims making, Weil am Rhein has
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It all started with "boutique" hotels. which, if one is brutally honest, were simply small hotels. Or guest houses as we used to call them. Back in the day. Then slowly, ever so slowly the term "design hotels" emerged and today - whether used to describe a hotel where each room has it's own "identity" or an establishment furnished with designer furniture - design hotels represent an important part of the accommodation repertoire, and tourist marketing concept, of all major cities. As with so
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We at the (smow)blog aren't above making advertising form others. If we feel that something passes to our remit, we go with it. Crazy as we are. And so it was with great interest that we heard about "Scandinavian Design: Discover form and function" the latest travel guide from Scandline Ferries. We've never actually set foot on a Scandline's ferry ourselves, but the idea of sailing around Denmark and Sweden while learning a little more about the design tradition and future perspectives in
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