In Shakespeare's A Winter's Tale Perdita bewails that she has no "flowers o’ th’ spring" to make garlands for, and to strew over, her beloved Florizel; "flowers o’ th’ spring" including violets, primroses, oxlips or "daffodils, That come before the swallow dares, and take the winds of March with beauty". Whereby in her infatuation with, and fearless youthful love for, Florizel, Perdita fails to appreciate that it wasn't fear of the winds of March that kept the swallows away, swallows love a
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"So revolutionary his ideas", opined the Austrian state broadcaster ORF in 1969 of architect Hans Hollein, "when he enunciates them they sound like the cosy, cordial habitiere of ages past. His 'schauen se' and 'eeeeeh' conjure up Fiaker, the chatter and gossip on Graben, the Riesenrad, memories of alt-Wien".1 With Hollein Calling. Architectural Dialogues the Architekturzentrum Wien invite one to explore in more detail the vocabulary and articulation of Hans Hollein....... Hollein Calling.
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In the alpine regions of Europe the arrival of September marks the start of the Almabtrieb, that annual migration of the cattle, sheep and goats of the region from their high pastures to the valleys far, far below. A migration undertaken because, as the cattle, sheep and goats of the alps innately understand, September is the month when the global architecture and design museum community (slowly) end their summer siesta and begin to invite us all to peruse their autumn/winter exhibition
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"It was one of those March days" reflects Philip "Pip" Pirrip in Great Expectations, "when the sun shines hot and the wind blows cold: when it is summer in the light, and winter in the shade".1 And thus exactly the sort of dithering, indecisive, capricious, March day when rather than surreptitiously rowing down the Thames towards Gravesend, one should seek refuge in the consistent climate and warming intellectual atmosphere of an architecture or design exhibition. Our five Great exhibition
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O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild* You'd be well advised to take yourself off to one of the following new architecture and design exhibitions....... (With apologies to Robert Frost) * Robert Frost - October (1913) "How Should We Live? Propositions for the Modern Interior" at the Museum of Modern Art, MoMA, New York, USA Whereas lifestyle magazines and lifestyle blogs are very keen to tell us how we should live, architects
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March is a month for caution. Yes, the sun shines. Yes, the days are getting longer Yes, one can smell spring in the air. But March has a temper. Meteorologically March is fickle with a hang to petulance and so it takes bravery and fortitude to expose oneself to March's harsh, unforgiving vagaries. Snowdrops risk it. And often regret it. The following five museums have also taken that risk.... and we feel should be rewarded and applauded for their bravery. "Making Africa: A Continent of
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Ask most people what they identify as the central feature in the work of Catalan architect Antoni Gaudí and they'll probably mention the abstract Gothic revival forms of the Sagrada Familia in Barcelona or the flowing, organic mosaics of Park Güell. Certainly something visual, potentially something decorative. Ask art historian, critic and internationally recognised Antoni Gaudí expert Daniel Giralt-Miracle, and he won't. "The skeleton is the central feature of Gaudí's work, everything else
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