Amongst the great many delights of the exchange, the interplay, between German and English is the word 'Gift': German English Gift Poison Geschenk Gift An interplay that, apart from all the other joys it brings, allows one to rephrase Virgil's "timeō Danaōs et dōna ferentēs" 'Beware Greeks bearing gifts' as 'Beware Germans bearing Gift'.🤣 With the exhibition The Gift. Stories of Generosity and Violence in Architecture the Architekturmuseum der TU München explore architecture as a
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"Reinforced concrete is the best constructional material yet devised by mankind", enthused the Italian civil engineer Pier Luigi Nervi in 1956.1 A position Nervi spent a circa sixty year career arguing for, both in innumerable texts and through a canon of varied, and varyingly challenging, constructions throughout Italy, and much further afield. And in doing so Pier Luigi Nervi not only helped advance a popular acceptance of reinforced concrete as a construction material, but also helped
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"We must endeavour to introduce a little order into this business, or at least sense into a great deal of it. But what is sense without order? We must try to find some method of arriving at some sort of order - one that will at least enable us to escape from this vagueness in the design of colour", opined Amédée Ozenfant in 1937.1 And had an idea or two as to the how....... Not directly associated with Amédée Ozenfant, but being as it is the house next door to the house/studio designed by
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With their eyes fixed firmly on the road ahead, the riders in the 2017 Tour de France prologue time trial through the streets of Düsseldorf on July 1st will have no thoughts for the buildings they pass. Which is a shame, because as a city Düsseldorf has more than its fair share of buildings which are not only architecturally interesting and important, but whose stories are often interesting and important in wider cultural contexts. Interesting and important architecture and stories the Tour
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If the (hi)story of 20th century architecture and design is unimaginable without the contribution made by Austria/Hungary/Austria-Hungary; then the contribution made by Austria/Hungary/Austria-Hungary is unimaginable without the contribution of Otto Wagner. Otto Wagner (1841–1918) Otto Wagner: An Architect's Journey from Viennese Historicism to..... Born in Vienna on July 13th 1841 Otto Koloman Wagner studied first at the Wiener Polytechnikum and subsequently the Berliner Bauakademie, before
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"Photography is the medium par excellence of our time. As a visual means of communication, it has no equal."1 So wrote the American photographer Berenice Abbott in 1941. How she set about proving such can be explored in the exhibition Berenice Abbott – Photographs at the Martin-Gropius-Bau Berlin Berenice Abbott - Photographs at the Martin-Gropius-Bau Berlin Born in Springfield, Ohio in 1898 Berenice Abbott initially, and only very briefly, studied journalism at Ohio State University before
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As many of you will be aware, among the myriad of things that regularly get our goat, architecture photography is right up there. Architecture photography and the way the modern digital media fawningly reproduce every heavily photoshopped image that lands in their inboxes. The camera does lie. But then it always has, and as we noted in our post from the exhibition New Architecture! Modern Architecture in Images and Books at the Bauhaus Archiv Berlin, even in the days of analogue photography
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Am Anfang war der Pneu - first there was air - so hypothesised the German architect and master of lightweight construction Frei Otto: a conviction which led him to spend a large part of his career attempting to reduce architecture back to its natural origins and build a permanent structure "constructed" solely from air. And although he never realised his dream of material-less construction Frei Otto did develop a couple of very interesting studies, including the 1971 Arctic City project which
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Parallel to the exhibition "Aus allen Richtungen" at the AIT ArchitekturSalon in Cologne and its exploration of 30 young German architects relationships to their profession, the Johannesburg Museum of African Design presents examples of how 12 young German architects transform this philosophical relationship into tangible projects. Focussing on projects realised since 2004 outwith Germany the exhibition presents projects by a dozen young architects/architectural practices which in the words of
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Popular opinion is that old buildings deserve be preserved, restored, used and loved. Popular opinion however has a very singular and narrow definition of "old." A definition normally based on a simplified, generic, understanding of visual beauty rather than age or historical relevance. Something that means a lot of 1950s buildings are all too often classed as meaningless post-war quick-fixes. And so ignored. Allowed to fall in disrepair. Demolished. Munich based photographer Hans Engels
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"Potentially it is the simplest assignments, unencumbered by the complex mix of functional, technical or economic conditions, that allow an especially eloquent architecture" So mused the Sachsen branch of the German Architects Association, BDA, in awarding a "Special Recognition" in the 2013 BDA-Preis Sachsen to the project "Garage in Holzstapelbauweise" by Stuttgart based Reichel Schlaier Architekten. Created for a private client in the village of Marienberg, Sachsen, Garage in
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"When I walk into a building I see space, light and colour", so explains the Finnish photographer Ola Kolehmainen his relationship to architecture. How Ola Kolehmainen visualises this triumvirate is currently being presented in the exhibition Geometric Light at the gallery Haus am Waldsee in Berlin. Born in Helsinki in 1964 Ola Kolehmainen originally studied journalism before completing an MA in photography at the University of Art and Design Helsinki. His passion for architecture
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Until August 16th the architecture gallery Wechselraum in Stuttgart is presenting the exhibition "Aus allen Richtungen. Positionen junger Architekten im BDA" Organised by the Working Group for Young Architects within the German Architects Association "Aus allen Richtungen" presents not only the views of 30 young German architects on the role of architecture in contemporary society but also reflections on their own experiences. For the exhibition each architect was given a circa A3 sized box
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