In the 1880s design in France stood, in many regards, at the threshold of Art Nouveau, with the likes of, and amongst many others, Louis Majorelle, Émile Gallé or Hector Guimard beginning to start to question the production of, the formal expression of and our relationships with, our objects of daily use in context of the early years of the Third Republic and a rapidly rising industrialisation with all the associated social, economic, technical and political et al developments of the age. And
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Autumn is once more upon the Northern Hemisphere, that season of not only "mists and mellow fruitfulness", but as a John Keats also reminds us the season of harvest, be that vine fruits, apples, gourds or hazelnuts. Or the architecture and design exhibitions Keats didn't mention. If, to be fair to him, they would have been largely unknown in 1819. Unlike today; a today where after a long summer of waiting patiently, of observing from afar, and hoping, autumn traditionally presents a bountiful
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