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Tag: András Kerékgyártó
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Bold collection by András Kerékgyártó for Brave Home, as seen at Magyar Design, Otthon Design Budapest 2024
Designer | 15.04.2024

Otthon Design Budapest 2024 Compact: Bold Collection by András Kerékgyártó for Brave Home

Components of the Bold collection by András Kerékgyártó for Brave Home, as seen at Magyar Design, Otthon Design Budapest 2024 András Kerékgyártó wasn't the first Hungarian designer whose work we saw, that would have been Marcel Breuer, but András is, arguably, that active Hungarian designer who has featured most often in these dispatches. A position achieved not on account of any formal legal agreement, just to clarify, but simply because he invariably produces good, interesting work worthy

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Stockholm Furniture Fair 2023: Say Hej! to… Cnidaria by András Kerékgyártó
Designer | 20.02.2023

Stockholm Furniture Fair 2023: Say Hej! to… Cnidaria by András Kerékgyártó

As noted in our (brief) introductory post from Stockholm 2023, alongside all the problematic aspects of furniture fairs, one of the advantages, one of the joys of the format, is the chance to catch up with folks, the opportunity they offer to meet with, if oft all too briefly, individuals whose paths you don't cross on a regular basis; individuals such as Budapest based András Kerékgyártó, a designer who we greatly enjoy talking to, or more accurately who we greatly enjoy listening too,

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Stockholkm Furniture & Light Fair 2018: High 5
Designer | 07.02.2018

Stockholm Furniture & Light Fair 2018: High Five!!

One of the most striking aspects at Stockholm Furniture and Light Fair is the way the various Scandinavian manufacturers try to impress how old they are. Arguably on account of the sheer concentration of Scandinavians at the region's premier furniture and lighting trade fair, you will rarely find so many in one place at one time, all seem locked in a battle to claim the status as oldest, to lay claim, as it were, to being the elder statesmen of the guild. Established in 1964 screams one stand.

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The Work Space, as seen at Konstantin Grcic – Panorama, Grassi Museum for Applied Arts Leipzig
A pictorial review | 02.01.2016

smow blog 2015. A pictorial review: November

November 2015 was a month of exhibitions, including Konstantin Grcic at the Grassi Museum Leipzig and Anton Corbijn at C/O Berlin, but we did also find time for a very long chat with Budapest designer András Kerékgyártó about life as a contemporary Hungarian designer. The Work Space, as seen at Konstantin Grcic – Panorama, Grassi Museum for Applied Arts Leipzig Biela by András Kerékgyártó Moderne in der Werkstatt - 100 Years Burg Giebichenstein Kunsthochschule Halle @ Kunstmuseum

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András Kerékgyártó Mood lighting
Designer | 18.11.2015

smow Blog Interview: András Kerékgyártó - We need a more open, honest discussion around design in Hungary

The history of furniture design has an unignorable, if subtle and background, Hungarian accent; Marcel Breuer was one of the driving forces at Bauhaus and through his work with steel tubing, moulded plywood and sheet steel he helped advance ideas of contemporary furniture design, and continues to inspire; Paul László was one of the genuine pioneers of American industrial design and contributed to George Nelson's first Hermann Miller collection in 1948; and while Ernő Goldfinger may be best

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Schrill Bizarr Brachial Das Neue Deutsche Design der 80er Jahre Bröhan Museum Berlin Jasper Morrison Handlebar Table
Architecture | 02.01.2015

smow blog 2014. A pictorial review: October

......and continued over Budapest and on to Berlin - where amongst other delights we partook of the exhibitions Sensing the Future: László Moholy-Nagy, die Medien und die Künste at the Bauhaus Archiv Berlin and Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum - and onto Cologne for the Orgatec office furniture trade fair.

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Budapest Design Week 2014 Biela by András Kerékgyártó
Designer | 22.10.2014

Budapest Design Week 2014: Biela by András Kerékgyártó

The history of furniture design is famously also a history of experimentation, re-configuring, re-thinking and often of designers changing materials in the course of product development. Charles and Ray Eames' plastic chair family famously began life as a steel chair family, Harry Thaler's aluminium Pressed Chair for Moormann began life as a wooden chair, and in contrast the first USM Haller units were wood, before the switch to steel. And so the fact that Budapest based designer András

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