Back in the day all ten projects nominated for the DMY Award were presented in a post-festival exhibition in the Bauhaus Archiv Berlin. An exhibition that for us always made perfect sense, mixing as it did experimental, conceptual works by contemporary designers with the conceptual, experimental spirit of Bauhaus. That however was then. And the cooperation sadly ended a couple of years ago. If we're honest we find it a real shame that that is no longer the case, not least for the designers.
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When we spoke with Nik Back and Alexander Stamminger aka maigrau back in 2010 they told us that in the context of developing the, then, fledgling companies collection "...on the one hand as designers we naturally want to continue designing products ourselves, but on the other we can also imagine developing products for maigrau in cooperation with other designers." The new maigrau products being launched at IMM Cologne 2014 perfectly demonstrate this binary approach: two new products from
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We can all describe and define a country in terms of food, music or footballing ability. But can designers define their country through a stool? The exhibition “Sit down please” 40 Stools from 40 Countries" in Düsseldorf will attempt to answer the question? Austria will be represented by Alexander Gufler. How will Alexander handle the challenge? Habsburg excess? Art deco aesthetic? Michael Thonet minimalism? When I received the invitation from Anonym Gestalter I started by thinking about
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Despite the fact the everyone knows that the Eurovision Song Contest hasn't been any good since Bucks Fizz got all pseudo-erotic in Dublin in 1981: the carcass of the dream is still flogged remorselessly every spring. Last year Germany won and so on May 14th Dusseldorf will host European broadcasting's biggest gannet fest. Perhaps the saddest aspect of the whole tawdry spectacle is that amid the drive to appeal to the lowest common denominator of European taste, the identity and
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While critics denounce such as an easy and obvious way to generate content - for us reviewing the past year is an important step in planning our activities for the coming year: where to go, who to talk to, what to sit on and, just as importantly, what to ignore or give up. The only real problem for us is that in preparing such we realise just how much material we haven't had the chance to use - and so receive an impression of how much more material we will acquire in the coming year. Heck!
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