Staged in context of Intersections, ADAM Brussels Design Museum's biennale programme, Design Generations explores not only the work of designers of differing generations, but for all design that remains relevant across generations...... Intersections #5. Design Generations, ADAM Brussels Design Museum The ADAM Brussels Design Museum's Intersections biennale predates the ADAM Brussels Design Museum: the first three being staged in the city's Atomium, that enduring symbol of the blind faith
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While it is generally the case that the development, evolution, of product design is dependent on the development, evolution, of technology, such is particularly the case in context of lighting design: ever since a burning stick was first employed to create a relaxing evening atmosphere in a neolithic cave, technological developments have been the driving force behind the development of lighting design, be that formally, functionally or technically. The nature of Light + Building Frankfurt,
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As older readers will be well aware, little gets us down quite like Milan Furniture Fair. Every year our only wish as we cross the Alps is that we will find something to make us thankful that we did. Milan Furniture Fair 2017 produced more such moments than the average year, which we suppose means we'll be back next year!! Our Milan Furniture Fair 2017 High Five!! Linea Perch Stool by Wesley Walters & Salla Luhtasela for Nikari Back at Neocon 2016 we bemoaned the lack of objects in public
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On the train down to Kortrijk and the 2016 Biennale Interieur we started drafting this introduction. The talk was of the 25th anniversary edition, the relevance of the event in context of the European furniture and design market - then and now - and the strength(s) of contemporary Belgian furniture design Then we saw that organisers were charging 50 cents to use the toilet. In a fair. Ctrl A. Ctrl X. It may "only" be 50 cents, but.... having charged visitors €22,00 to enter a fair. You
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Whereas the careers of most product and furniture designers follow a very similar path and pattern over apprenticeship, internships and college, Belgian designer Alain Gilles took a "somewhat" different route: a degree in political science being followed by five years working in the Brussels' office of international finance concern J P Morgan, before, aged 32, he began to study product design. And that with a fair degree of success. Since establishing his own studio in 2007 Alain Gilles has
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