As The Smiths so succinctly put it, "Stop us, oh,oh,oh, stop us. Stop us if you think that you've heard this one before" But once again October is out there, lurking, tacitly, like some not especially friendly sounding nuclear submarine. And once more we find ourselves questioning not only the nature of our existence and the sociological sense of product design, but also why the European design weeks can't sit down together and plan their year better? As is traditional our October begins
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On March 4th 2012 the Grassi Museum for Applied Arts Leipzig opened the final part of their permanent exhibition. An exhibition very close to our hearts. Now you know us, we 've nothing against baroque or ancient Japanese furniture and objects. But our hearts do beat a little faster when we get to the late 19th century. Mies van der Rohe bending metal. Alvar Aalto bending wood. Verner Panton bending plastic. Axel Buether bending light. It's all there in “Art Nouveau to Present” Plus a
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Drawers! And we don't mean that as an insult. If there is one thing we really, really miss it's desks with drawers. Back in the day, all desks had drawers. Then, probably due to flexible office design where no one has a fixed desk, drawers started to vanish from desks. Regrettably. And so it was with a small scream of delight that we saw Ragna Gutschow's desk at Grassimesse 2010. Sadly we didn't get to speak to Ragna and so we don't know any more than we liked it. And not just on
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The third stage on the (smow) design marathon 2010 was the Grassimesse at the Grassi Museum here in Leipzig. First hosted in 1920 the Grassimesse has established itself as one of Europe's most important sales fairs for contemporary arts and crafts. And felt. It also spawned Designers' Open and always invites a wide range of art and design schools to present a selection of their students work; consequently, and although as a matter of principle we can't get excited about jewelry, pottery or
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Mannno! If we're honest we didn't expect Orgatec 2010 to be such fun, or to be so sorry to leave. For us Orgatec is one of those "must dos" Not must do as in the sense of, "If you don't go you'll regret it for the rest of your life" but more "your going, stop your bleating and accept it!" But at the end of the day we could have happily spent another couple of days in Cologne. Aside from a range of interesting new products at Vitra and Thonet, we discovered a host of new office
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According to the ever accurate wikipedia Eindhoven has a population of some 214,000. On Sunday's the population of Eindhoven is around 214. Eindhoven on a Sunday morning is a lonely and forbidding place. Gesloten is Dutch for "Closed" The parallels - typographic as well as semantic - with Get Lost are unmistakable. Even the bakers are closed. We can't remember the last time we were in a century, sorry city, where bakers close on a Sunday. Eindhoven on a Sunday morning is not for the faint
read moreThere are some design blogs who simply retype press releases, resize press photos and abracadabra - a blog post. Our standards are a little higher. Which is why we visit design fairs, design weeks, design competitions and design exhibitions. Because only by talking to designers, talking to producers and by actually testing the products can you decide if the PR hype is justified. The minus is of course that design fairs being the new film festivals - our schedule is an absolute nightmare.
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