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Category: Wilde + Spieth
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Der Stuhl des Architekten - Sitzmöbel von Egon Eiermann @ Ungers Archiv für Architekturwissenschaft CologneDer Stuhl des Architekten - Sitzmöbel von Egon Eiermann @ Ungers Archiv für Architekturwissenschaft Cologne
Cologne Creative | 15.01.2018

Der Stuhl des Architekten – Sitzmöbel von Egon Eiermann @ the Ungers Archiv für Architekturwissenschaft Cologne

One of Germany's leading post-war architects and architectural theoreticians, Egon Eiermann was also one of post-war Europe's most important chair designers, not just in context of what he realised, but also in context of what he worked towards realising and the reasons why. With the exhibition Cologne celebrate that legacy. Der Stuhl des Architekten - Sitzmöbel von Egon Eiermann @ Ungers Archiv für Architekturwissenschaft Cologne Although Egon Eiermann's career as a designer of

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Musicians Chair by Wilde+Spieth, based on the SE 68 by Egon Eiermann
Designer | 06.04.2017

smow Blog Interview: Thomas Gerber, CEO Wilde+Spieth - A good chair is an important part of ensuring professional orchestra musicians remain fit and enjoy themselves

In our post The Sedentary Workers: Orchestra Musicians we explored the unique world of orchestra musicians' chairs. One of Europe's largest, and most experienced, manufacturers of orchestra and musicians' chairs is Esslingen based Wilde+Spieth. Who thus seemed an ideal address to learn more about the orchestra chair and the orchestra chair market..... Musicians Chair by Wilde+Spieth, based on the SE 68 by Egon Eiermann (Photo Wilde+Spieth) Originally a manufacturer of window shutters, in

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A Quartet of Musicians' Chairs by David A. Brothers (Rendering © David A. Brothers)
Designer | 03.04.2017

The Sedentary Workers: Orchestra Musicians

Although the evidence is not, yet, conclusive, recent years have seen an increasing confidence in the theory that sitting for too long can have a negative impact on health, and that all whose job involves prolonged sitting should regularly stand, move and generally change their body position. But what about those workers who can't? What about those workers whose job is defined by long periods of sitting? Orchestra musicians at work. Seated. Specifically, the Chicago Symphony Orchestra with

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Pip by Daniel Kern for Richard Lampert, as seen at Orgatec Cologne 2016
Designer | 28.10.2016

Orgatec Cologne 2016: High Five!!

We must start with a confession . This High Five! is a High Four! Not because there weren't good products on show at Orgatec Cologne 2016, there were. But much more Orgatec is an office furniture fair, and therefore: a) most manufacturers offer, in essence, the same range, it is all very homogeneous. Generally of very good quality, but otherwise uninspiring, all very generic, safe and overtly commercial. One reason is that in the contract, so wholesale, business, decisions as to which

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The 360° Stool by Konstantin Grcic for Magis (2009) and the Nelson Perch by George Nelson through Vitra (1964)
Designer | 02.06.2015

Blurred Lines or What if Pharrell Williams and Robin Thicke designed furniture?

On March 10th 2015 a jury at the Central District Court of California in Los Angeles concluded that Pharrell Williams and Robin Thicke had relied a little too heavily on Marvin Gaye's 1977 hit "Got to Give It Up" when composing their track "Blurred Lines". For infringement of Gaye's copyright the court ordered Williams and Thicke to pay Marvin Gaye's estate $7.4 million dollars. Responding to the judgement Pharrell Williams mused in the Financial Times that "the verdict handicaps any creator

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Antonio Citterio pivot orgatec vitra
Architecture | 25.12.2013

(smow) blog 2013. A pictorial review: February

IMM Cologne kept us busy into February, but the month also saw the opening of an Eileen Gray retrospective in Paris, a visit to the Louis Kahn exhibition at the Vitra Design Museum and the sad passing of James Irvine....

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IMM Cologne 2013 Wilde+Spieth Typus by Edelhoff & Nettesheim

IMM Cologne 2013: Wilde+Spieth. Interview with CEO Thomas Gerber.

Older readers will be aware that we have often held up the absence of some of Germany's most important designer furniture manufacturers as an unmissable indicator of an inherent weakness in the IMM Cologne brand. Those same readers will therefore understand the confusion we felt on seeing that Wilde+Spieth would, finally, be attending IMM Cologne in 2013. We were delighted they were participating. We however now have one argument less. Based in Esslingen near Stuttgart, Wilde+Spieth were

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egon eiermann wilde + spieth se 119
Designer | 19.12.2011

Egon Eiermann - New Chairs for New Churches. The SE 119 and SE 121

On December 17th 1961 the New Kaiser Wilhelm Gedächtniskirche in Berlin was officially consecrated. Designed by Egon Eiermann the new church was and is a very self-confident, modern replacement for the Old Kaiser Wilhelm Gedächtniskirche; a building that to the regret of many Berlin residents fell victim to an allied bombing raid in 1943. In keeping with all his projects up to that period Egon Eiermann didn't just create the building but also designed the furniture and fittings for the new

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Artemide | 05.07.2011

(smow)intern: The Designer Furniture Catalogue 2011

Luddites! Not a phrase normally associated with (smow) To the best of our knowledge no (smow)employee has ever smashed an iPad or capped a WiFi service in protest at the creeping and increasingly obsessive proliferation of technology into our lives. Despite that, the early summer weeks in the (smow)HQ were dominated by the preparation and production of the very first (smow)catalogue. That's print catalogue. So on paper. With ink. Luddites? Au contraire nos amis! Not only is the

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Designer | 27.07.2010

2010 Designer Furniture World Cup, Final: Switzerland 2-Germany 1

Fritz Haller against Egon Eiermann. While ahead of the 2010 (smow) designer furniture world cup final many bemoaned the decision of both Switzerland and Germany to play safe with their more technical formations; the match itself was one for connoisseurs. Certainly a Nils Holger Moormann for Germany or a Susi and Ueli Berger for Switzerland could have brought a little more imagination and colour to the match. But what the two old masters lacked in flamboyancy they more than compensated for

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