"Have you ever met a robot?" asks the Vitra Design Museum. The answer is yes. The answers to the other 13 questions posed by the exhibition Hello, Robot. Design between Human and Machine are not necessarily so easily answered: but are important for defining our relationship with digital technology. Vitra Design Museum presents Hello, Robot. Design between Human and Machine Vitra Design Museum opens one of its major exhibitions this week called ''Hello, Robot. Design between Human and
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In 2016 the Breton capital Rennes hosted four exhibitions of, by and from Ronan and Erwan Bouroullec; one of them Rêveries Urbaines - Urban Dreams - is now on show at the Vitra Design Museum in Weil am Rhein Ronan & Erwan Bouroullec - Rêveries Urbaines, Vitra Design Museum In the European design calendar late September/early October is Vienna Design Week and the opening of the winter/spring temporary exhibition in the Vitra Design Museum, Weil am Rhein. And thus our annual outing on the
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With the opening of the Vitra Schaudepot the Vitra Campus has not only grown by a further building, but the Vitra Design Museum has realised a long held dream, that of an exhibition space in which to present their collection in its full extent; or at least in a much fuller extent than has currently been possible. Vitra Schaudepot by Herzog & de Meuron The Vitra Design Museum collection traces its origins back to 1981 when the then Vitra CEO Rolf Fehlbaum began buying historic examples of
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Clearly vexed by a critical review in Architectural Forum of his friend Alexander Girard's Santa Fe house, Charles Eames wrote a short letter on December 26th 1956 to the magazine's editor Walter McQuade: "Alexander Girard is interested in the quality of everything and does not hesitate to act on this interest, personally and immediately. Such action could not possibly result in a cliche; and not being cliche demands an explanation. The answer perhaps is in Girard's total involvement in
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As we've often opined in these pages, design is a way of thinking, not a profession. An opinion we inevitably illustrate with a picture of a chair being used to hold a door open at Burg Giebichenstein Kunsthochschule Halle. But in what do designers actually believe? What are their motivations? Their goals? From where does their understanding of design originate? Why design? Such and similar questions form the core of the Depot Basel exhibition "Forum for an Attitude" which begins in Weil am
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One of the biggest problems with Modernism is the name. It was unquestionably modern. Which is why it became known as "Modernism". However, having become Modernism, it remained Modernism, and consequently "Modernism" came to imply something static. Rather than something, well, modern. Nowhere is this problem more visible than in discussions around Bauhaus. Established in Weimar in 1919 Bauhaus would go on to play a central role in shaping those new ideas about art, architecture and design
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As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture exhibitions which are probably well worth checking out if you get the chance....... "Piet Mondrian. The Line" at the Martin-Gropius-Bau, Berlin, Germany Just as those architects who were to lead the move to modernism in the first decades of the 20th century generally began working in more classic styles before being seduced by the reduced charm of modernism,
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In his review of Chris Taylor's book "How Star Wars Conquered the Universe" the American film critic Tom Shone makes a point so obvious you wonder how it has escaped you these past 38 years: Junk is everything in Star Wars. The Jawas deal in junk. The droids are sold as junk. Our heroes are delivered as junk into the Death Stars trash compactor. That the Death Star is the only new piece of technology on display is sign enough of its nefariousness: those serving the Empire are the only people
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Much as the hardest move in yoga is unrolling your yoga mat, so to is the most challenging facet about most design and architecture exhibitions actually getting round to visiting them. Especially when it involves going out into February's cold air. The following five however seem well worth the effort. If unrolling your yoga mat is worth the effort is of course another question. And not one we have any intention of ever trying to find an answer to.................... Architecture of
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Following on from the relative inactivity of August September saw us wind back up towards the 2014 autumn design festival season. But before everything kicked of in Vienna, we enjoyed the exhibitions Okolo Offline Two – Collecting at the Kunstgewerbemuseum Dresden, Useful Exhibition by Sanghyeok Lee at the DMY Design Gallery Berlin, Alvar Aalto – Second Nature at the Vitra Design Museum and enjoyed a lovely chat with architect Eberhard Lange on the restoration of Egon Eiermann's Wohnhaus
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Everyone knows Finnish architect and designer Alvar Aalto. Everyone knows his flowing, free-formed buildings and his moulded plywood furniture. What is there new to learn? What is the point in another Alvar Aalto exhibition. What indeed................................ Born in Kuortane Finland on February 3rd 1898 Alvar Aalto began studying architecture at the Helsinki University of Technology in 1916, graduating in 1921 and established his own architectural practice in Jyväskyla in 1923. In
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1989. A year of social, culture and political upheaval whose effects are still being felt today. The Berlin Wall falls. George Bush is sworn in as 41st President of the United States of America. Nirvana release their debut album Bleach. The Poll Tax is introduced in Scotland. The first episode of The Simpsons airs. And while not wanting to over dramatise the situation, yet clearly and deliberately doing just that in the interests of an introduction, 1989 also saw the opening of the Vitra Design
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The inescapable chill in the morning air and the deep-seated boredom in the eyes of school aged children can only mean that summer is, ever so slowly, coming to an end. And just as spring beckons life to return in the natural world, so to does autumn herald a revival of activity in the unnatural world of museums and galleries. Consequently, whereas in August we only managed to find three architecture and design exhibitions to recommend, for September we have seven! A Magnificent Seven who
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Any self-respecting modern conurbation needs a moniker. An evocative tag line on which to hang its city marketing strategy and attract tourists. Paris is of course the City of Love, Rome the Eternal City, Prague the City of a Hundred Spires while Edinburgh, whether advisable or not, regails as simply Auld Reekie. In 1998 the southern German town of Weil am Rhein re-christened itself "City of Chairs" If we're honest the reason why escapes us, for aside from Vitra there is, as far as we are
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Back in 2011 we took umbrage at the fence surrounding the Vitra Campus in Weil am Rhein and so, taking up Ronald Regan's mantle, issued a challenge to Vitra's Chairman Emeritus Rolf Fehlbaum "Mr Fehlbaum! Tear down this wall" we demanded, "Or at least move it a little. Please" And Rolf Fehlbaum listened. And has indeed moved it a little. Thank you!1 However, being a much more enlightened man than us, Rolf Fehlbaum thought further and not only took the opportunity thus created to invite
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Parallel to the exhibition Konstantin Grcic - Panorama, the Vitra Design Museum is revisiting perhaps the daddy of all explorations of our possible futures, Verner Panton's 1970 Visiona 2 exhibition. Lacking a three story Rhine cruiser on which to present the complete exhibition, the Vitra Design Museum are instead presenting a recreation of the fabled Fantasy Landscape installation from Visiona 2 in the Vitra Design Museum gallery. A recreation which one can enter and so experience with all
read moreAs part of the accompanying fringe programme to the exhibition Konstantin Grcic - Panorama, the Vitra Design Museum is hosting a talk on Thursday April 17th by Berlin creative collective Raumlabor. Established in 1999 as a loose association of architects and artists Raumlabor have spent the past fifteen years exploring issues around urban renewal, interactive environments, the borders between public and private spaces. Cityscapes, to use the vocabulary of Panorama. For their Vitra Design
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One of the first telephone calls Mateo Kries and Marc Zehntner made upon assuming leadership of the Vitra Design Museum in 2011 was to Konstantin Grcic to discuss the possibility of an exhibition. Grcic was, in principle, open to the idea, but, "I didn't want a static exhibition, something that froze my work in time, rather I wanted something dynamic" That "something dynamic" is the exhibition Konstantin Grcic - Panorama which opened at the Vitra Design Museum, Weil am Rhein on Friday March
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The North wind doth blow and we shall have snow, And what will poor robin do then, poor thing? He'll sit in a barn and keep himself warm And hide his head under his wing, poor thing. Or, and much more sensibly, take himself off and visit one of the new design exhibitions opening during March. And so not only keep himself warm but also informed, entertained and inspired. Our selection from the new, robin friendly, openings in March features an homage to East German concrete architecture in
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With the winter solstice behind us and the days growing noticeably longer, the Vitra Design Museum exhibition Lightopia draws slowly towards its natural end. But before the lights finally go out on March 9th there are still a few genuine highlights in the Fringe programme to be enjoyed, including on Thursday January 23rd a talk with and about the Milan based designer Richard Sapper. Born in Munich in 1932 Richard Sapper has worked with and for companies as varied as Daimler-Benz, Kartell,
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Following the pains and tribulations of Milan, June is a time to relax. To enjoy design once again. This year we did that at DMY Berlin, Design Miami Basel at with the new Vitra(mini)Haus in Weil am Rhein....
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IMM Cologne kept us busy into February, but the month also saw the opening of an Eileen Gray retrospective in Paris, a visit to the Louis Kahn exhibition at the Vitra Design Museum and the sad passing of James Irvine....
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There is an old adage about turning problems into chances, of every cloud having a silver lining, of every thorn having its rose. One of the best examples of such is the Vitra Campus in Weil am Rhein. In the wake of a 1981 fire at the Weil am Rhein production site, Vitra found themselves needing to quickly rebuild. And needing a fire station. The first problem was solved by Nicholas Grimshaw with his Production Hall. The second by Zaha Hadid with her Fire Station. In the intervening 30+
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At the recent Designtage Brandenburg Design Conference Vitra Design Museum Chief Curator Mateo Kries held the opening keyword speech. Under the title "Open Design! Why we need to reinvent design" Mateo Kries extended the thoughts presented in his 2010 book "Total Design" to explore where design is going, what are going to be the important themes in the future, and so by extrapolation explore the contemporary nature of the term "design". For as the spray paint on the walls so often says: "How
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