On several occasions in the past month we have repeatedly seen a similar scene. A scene that has made us cry. Lovely houses, truly wonderful, carefully considered constructions in idyllic locations - and then in the garden, furniture that the owners have obviously bought, possibly as an after thought, from their local garden centre. Just looking at some of the chairs made our upper thighs go numb from discomfort. And as for that recliner yesterday in Berlin!!!! People, gardens are there to
read more
Knowing that they needed to defeat Fritz Haller's stable and flexible USM Haller system in order to advance the Italians choose to stick with Antonio Citterio for this all or nothing encounter. Setting quickly to work Antonio Citterio rolled out a succession of office chairs; including the Oson CE, Axess and T-chair for Vitra. However regardless of what Antonio Citterio tried, Fritz Haller always found a combination to match and ultimately took a 1:0 lead with a beautifully finished Haller
read moreFollowing Verner Panton's red card against Fritz Haller, Denmark were forced into a change and so Arne Jacobsen lined-up against Maarten Van Severen. And although this was never going to be a high-tempo encounter the crowd in Johannesburg did become somewhat impatient at the incredibly slow pace of the competition. With both designers endlessly reworking and perfecting their pieces it was well into the second half before the first attack developed: a neat Ant Chair from Arne Jacobsen giving
read more
Parallel to its exhibitions the Vitra Design Museum organises workshops designed not only to accompany the exhibitions but much more to expand on them and so offer participants a new, active, insight into the theme. Or at least an aspect of the theme. For the current exhibition "Essence of Things. Design and the Art of Reduction" this means, among others, workshops on cardboard furniture production. Cardboard is without question one of the more challenging products that one can choose for
read moreCharles Rennie Mackintosh was greatly influenced by Japanese design and this encounter against Isamu Noguchi quickly developed into a masterclass of subtle, self-confident, organic design. Charles Rennie Mackintosh took an instant lead with his complete interior ensemble for the Willow Tea Rooms. In particular the Willow Chair seemed to distract Noguchi through its familar, yet foreign narrative. Isamu Noguchi recovered however and drew level with his Freeform Sofa and Ottoman before moving
read moreDespite the rumours flying around ahead of this match, England stuck with Jasper Morrison rather than pitting Tom Dixon against Ron Arad. Whereas many would have relished the opportunity to have witnessed the two masters of "real" industrial design going head to head the Morrison/Arad encounter was every bit as entertaining. Unmoved by Ron Arad's Bookworm, Jasper Morrison concentrated on his chair work and took the lead with his Basel chair for Vitra; a simple move that produced the deserved
read moreIf ever a designer furniture contest could be compared to a game of "rock-paper-scissors" then surely Hella Jongerius against Frank O. Gehry. The Mistress of Materials against the King of Solid Constructions. And so developed this match. Frank Gehry applied all his radical geometry to try to find a way through the Dutch defence; but found himself continually hindered by the fact that natural material forms are always more sustainable than artificially generated: Or put another way Hella
read more
Ronan and Erwan Bouroullec are without doubt two of the brightest stars in the international designer furniture heaven. And two of the most omnipotent. Something which however may slowly change. Ronan Bouroullec in the VitaHaus, Weil am Rhein Following their initial breakthrough with Cuisine désintégrée ( Disintegrated kitchen ), an concept piece by Ronan Bouroullec that was taken on by Italian producer Capellini in 1998, Ronan and Erwan Bouroullec went on to develop projects with companies
read more
Both Ronan and Erwan Bouroullec as well as Alexander Girard had to wait a long time for their opening match in this years (smow) designer furniture world cup - but for the sell out crowd in Pretoria the wait was more than worth it. Although born in New York, Alexander Girard qualifies for Mexico on account of the Wooden Doll side of his family tree. Opening up with an impressive selection of traditional southern Portuguese patterns Girard was initially confused as the Bouroullec brothers
read moreFollowing his ankle injury Cesare "Joe" Colombo was replaced for this match by Antonio Citterio, one of the most experienced designers in the Italian squad. Opening with a quick Mobil for Kartell Antonio Citterio quickly reinforced this with a Follow Me for Vitra. Despite the intensity of the opening Citterio couldn't break Maarten Van Severn's legendary calm and the doyen of Belgian furniture design responded with an elegant LCP for Kartell and MVS Chaise for Vitra combination and so
read more
One of the high points of Verner Panton's career came in Switzerland when in Vitra he finally found a producer for his Panton Chair. Today however there was no room for sentiment and Panton came out fighting. Picking up where he left off against Joe Colombo Verner Panton attempted a quick plastic combination, his Barboy however going just wide. Fritz Haller remained as composed and sturdy as ever, the flexibility of his classic USM Haller system allowing him to respond to whatever move Verner
read moreThere is a very familiar flair to Group D and this opening encounter pitted three old friends against each other; Eero Saarinen and Charles and Ray Eames. The three have been close friends since the start of their careers and the common influences and experiences were clearly visible in many of their early approaches. The longer the contest ran however the more the differences appeared and the more each side could set their individual tone and make use if their individual strengths. For all
read more
It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
read more
Day two of the 2010 (smow) designer furniture World Cup and the first all female match: Patricia Urquiola against Hella Jongerius. As expected Urquiola started in her typical robust, voluminous fashion as demonstrated by her work with the likes of B&B Italia, Cassina or Molteni & C. Against the more wily, formally adventurous Jongerius, however, Urquiola advanced only slowly with her classic "lounge" approach. Switching to a more synthetic "Kartell" Approach seemed to offer Urquiola more
read moreThe (smow) designer furniture world cup always throws up some interesting matches, and Konstantin Grcic against Frank Gehry was always going to be a highly entertaining spectacle: experience against youth, minimalist straightforwardness versus radical non-conformity. From the very first minute the inability of Konstantin Grcic to get to grips with the non-linear forms created by his opponent was obvious and Frank Gehry quickly established a 1:0 lead, largely thanks to some brilliant
read moreAlthough this encounter was never going to be as extravagant as the opening match, Fritz Haller and Maarten Van Severen fought a tense, minimalist battle in Durban. Fritz Haller's style has changed little since he broke onto the international design scene in the 1960s and his trademark mini, midi, maxi approach ensured a typically solid Fritz Haller performance. Maarten Van Severen's occasional forays were always very well considered and perfectly executed; yet, despite .03 or .04 excellent
read moreThe opening match of the 2010 (smow) designer furniture World Cup pitted not only two of the great design nations against each other, but two of the most influential post-war European designers: Verner Panton and Cesare "Joe" Colombo. In a brave early move Verner Panton attempted to go solo with his Bachelor chair, Colombo managing to counter at the last minute with his Armchair Modell 4801 for Kartell. Following further good build-ups and clever uses of plastics, Joe Colombo eventually took
read more
Although in the course of his career Verner Panton worked with numerous designer furniture producers, his name is undoubtedly most closely associated with Vitra. Not least because of his seminal Panton Chair. The exhibition "Panton by Vitra" at Wasserschloss Klaffenbach in Chemnitz offers visitors an insight into the life and work of one of the most important and influential post-war European designers. While still a student Verner Panton worked in Arne Jacobsen's Copenhagen office and
read more
If we're honest - and when are we not - the news caused more than little unrest in (smow)blog HQ: Last Wednesday the VitraHaus in Weil am Rhein greeted it's 100,000th visitor. And that in only 12 weeks! And with the VitraHaus now looking likely to attract more the 500,000 visitors in its first year, Herzog and de Meureon's structure is well on its way to becoming one of Germany's leading tourist attractions. Lovely! Admirers and fans of the VitraHaus can interact and share photos, tips and
read more
In conjunction with the current exhibition "The Essence of Things. Design and the Art of Reduction" the Vitra Design Museum are running a series of summer workshops. "The Essence of Things. Design and the Art of Reduction" deals, as the name implies, with "reduction" in design: principally the reasons for reduction in design - be they technical, aesthetic or philosophical. Using this as the basis, the workshops encourage participants to think "reduced" and for all to create useful products
read more
On account of the horrendous hotel prices demanded during design week the (smow)blog team camp in Milan. And that despite last years near-drowning episode. This year the decision was a real blessing. Spared the torment of those trapped by Eyjafjallajokull at Milan Airport our return journey this year took us via Weil am Rhein, Vitra and the VitraHaus. What a difference the weather makes! When we were there for the opening in February architect Jacques Herzog commented, somewhat solemnly,
read more
In the past we have often talked about airports, airport design and airport furniture. And not just because we want to demonstrate how much we travel and how often we are in airports. But because we find it just as important that high-quality furniture is available in public spaces as in the home or office. If you think your office furniture is well used - imagine the stress your average airport chair is put under. From March 23rd until March 25th Europe's largest airport terminal
read more
Despite the many disadvantages, problems and general chaos budget airlines have brought into our previously well structured and ordered lives, they have brought one clear advantage: The opportunity to visit really remote airports. More through necessity than freewill, thousands of air travellers now find themselves avoiding the likes of Heathrow, Charles de Gaulle or Frankfurt am Main Airport, and instead experiencing the delights of Klagenfurt, Tampere or Altenburg. At least in all modern
read more
There is little doubt as to who the most popular furniture producers with the exhibitors here in Köln are.... Vitra and Kartell. Two producers whom the Messe Köln sadly can't attract to the show in their own right. And that despite the fact that all the snack bars here in Köln Messe use Maarten van Severen's genial .03 On the stands here however we've seen, for example, Panton Chairs being used to augment otherwise tasteless bedroom suites and the classic Vitra DSR by Charles and Ray Eames
read more
