As you all know for us design must not only have a function: everything must have a purpose and reason. And so it follows that cutting down a perfectly healthy tree and letting it stand in the corner of our flat for a couple of weeks before throwing it away, just isn't an option for us. Which is why the (smow) Christmas Tree is made from Algue by Ronan and Erwan Bouroullec. Although intended as a room divider, Algue is versatile enough to perform a range of functions - including that of a
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If Christmas is a time for family, then Christmas is also surely a time to buy your gifts from a family business. Currently being run by the 5th generation, Thonet have not only been responsible for the introduction and development of bent wood and steel tube furniture - two of the most important genres in the history of furniture design - but continue to support and develop young designers and so may just also discover the next big genre..... Thonet S 333 by Holger Lange Back in February
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The Vitra stand at Orgatec 2010 was dominated by the work of two design studios: Antonio Citterio and Ronan and Erwan Bouroullec. In addition to presenting new variations of their Alcove Sofa and Playns workstation, Vitra also unveiled the Bouroullec's new Communal Cells modular partition/interior architecture system and their High Meeting Table Apart from discussing the brothers forthcoming yacht project, we also talked about, the new Vitra products, what the Bouroullec's own office looks
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Although he was not showing any new products at Orgatec 2010 Alberto Meda used the show to catch up a little on what other designers were up to. And when we caught up with Alberto Meda on the Vitra stand we learned something wonderful: Alberto Meda uses the same office chair as the (smow)blog crew... (smow)blog: Unless we've missed something you aren't showing anything at Orgatec 2010? Alberto Meda: No, but I am working on a new product with Vitra, but that is not yet ready and so I am
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Although the public face of Vitra is unquestionably their "Home Collection", for decades the backbone of the company has been their office furniture division. Consequently a central feature of Vitra's daily work involves developing new approaches to office design and attempting to predict what will be important for office workers in the coming years. In 1991 Vitra commissioned the designers Michele de Lucchi, Ettore Sottsass and Andrea Branzi to develop some plans for future office design.
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What would Christmas be without hats? Father Christmas, his elves, Bing Crosby, Frank Sinatra, Dave Hill.... Even the shepherds and wise men. All bemillinered. And so what could be a more festive gift than a hat rack and/or hooks. Hut Ab by Konstantin Grcic for Moormann Hut Ab is both German for "Hats Off" and a genial space saving coat and hat rack by Konstatin Grcic. When not in use Hut Ab can be folded flat and stored. When in use, Hut Ab offers numerous options for hanging and holding
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Just as the Man in the Corner Shop was famously satisfied with his life until the Boss from the Factory turned up to buy cigars - so too were we content with our life until 00:42 this morning. Because then we received the invitation to Frank and Oliver's next exhibition in Zürich: „Schöne neue Welt - American Mid-century Design“ On their many trips through North and Central America Oliver Müller and Frank Landau have acquired a unique collection of objects. In the exhibition „Schöne neue Welt
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Last Saturday - 13.11.2010 for the sake of all Internet archaeologists who find this post in 120 years - Museum Boijmans in Rotterdam opened the first Hella Jongerius retrospective in her native Holland. And we weren't there. It was a regrettable, but unavoidable, situation. Fortunately our global network is almost as large as that of the American secret service and so we were able to send a few friends on our behalf. An interactive exhibition, Misfit not only features works by Hella
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For thousands of men worldwide November ceased to exist in 2003. Since then its all September, October, Movember. Movember? - MOustache / noVEMBER. By the organisers own admission the idea started as an alcohol induced attempt to re-introduce the moustache - and yes the initiators are Australian - and has now evolved into a global event to raise money and awareness for and about prostate cancer. In 2009 some 255,755 men spent Movember cultivating their top lip and in doing so raised some
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(smow)chair All this looking at, talking about and writing about other people's design, has left us yearning to get on with completing our own furniture project: (smow)chair. As already stated, the basic form and idea were developed in the (smow)warehouse here in Leipzig. The hard work was then done at the Vitra Design Museum Cardboard Furniture Workshop in Weil am Rhein. In conjunction with every exhibition at the Vitra Design Museum a programme of events is organised that aims to expand
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Amongst the plethora of new products launched by Vitra at Orgatec 2010 in Cologne was HAL, a new shell chair series by British designer Jasper Morrison. Over a cup of tea we spoke to Jasper Morrison about HAL, Vitra - and what his own office looks like. (smow)blog: Your presenting your new shell chair series HAL here at Orgatec, how long was the development phase? Jasper Morrison: About three years, with a lot of effort going into the form of the shell and the performance of the shell.
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On the opening day of Orgatec we managed to grab a quick 10 minutes in an Alcove Sofa with Erwan Bouroullec. Aside from not showing us what was in his sketch book, Erwan told us about one of the brother's forthcoming projects. A sail boat. Yeah, yeah we thought, the cheeky Breton is having a bit of fun with the naive (smow)blog crew. A sail boat! However, and despite our doubts, we're professionals and so we sought independent verification. The problem with the secretive world of
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At the 2010 Marianne Brandt Contest, Halle based designer Caspar Huckfeldt won the (smow)/Vitra Special Prize for his "Damensattel" In essence a removable plastic saddle that attaches to the crossbar, Damensattel allows a bike passenger to carried sitting side saddle. Think of the scene with "I'm singing in the rain" from Butch Cassidy and the Sundance Kid and you've got the idea. In selecting Damensattel the Vitra judges praised the design as being "a real charmer" that draws people
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Timely to the end of our rantings against the current state of Danish design - the Danish Design Centre in Copenhagen recently hosted the Danish Design Prize awards 2010/11 In his introduction the Danish Design Centre CEO Christian Scherfig asks " ... what is good design in the 21st century ?" The DDCs answer is 11 prize winners from 17 nominations in 4 categories. Whereas most would have also been good design in the 20th century, and a couple even in the 19th, all of the featured designs
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Although the Marianne Brandt Contest is on the surface about Marianne Brandt, the awards ceremony in Chemnitz on Friday stood very much under a different star. "Chemnitz - Stadt der Moderne"/ "Chemnitz - The Modernist City" Every single official speech rammed home the message; "Chemnitz - Stadt der Moderne" being repeated ad nauseum ad infinitum in the hope that if one said it often enough it may just come true. "I want a pony !" "I want a pony !" "I want a pony !" "I want a pony !" "I want
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As already stated our visit to Copenhagen and CORE 10 was without question one of our more disappointing trips. Largely because of the complete lack of imagination, innovation or indeed quality that we found. It's certainly a phenomenon in all walks of life. What do you mean? Well, at one point, you've got it, then you lose it. And it's gone forever. All walks of life. Georgie Best, for example, had it, lost it. Or David Bowie or Danish design. Danish design. Some of their modern stuff's
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For one of Denmark's most celebrated designers Verner Panton spent considerably little time in Denmark; and many most of his celebrated works were realised abroad. That said Copenhagen is full of reminders of Verner Panton, his life, his work and his passions. And so during our brief visit to the Danish capital we took the opportunity to meet up with one his Vitra Panton Chairs for a guided tour of Verner Panton's Copenhagen. Our tour began, as did Panton's association with Copenhagen, at
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The motivation for the (smow)chair began with Chairless by Alejandro Aravena for Vitra. Although a truly delightful product we were somewhat irritated by the fact that the design for Chairless wasn't that, well, "chairless" : rather replaces the tensions within a chair with the tensions in the users body. The user becoming the chair and consequently limited in their movement while using Chairless. But because the "chairless" concept so impressed us we decided to take the opportunity
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August 20th marks the 100th anniversary of the birth of Finnish architect/designer Eero Saarinen. Eero Saarinen had - in all probability - very little career choice other than that of architect: Not only was his father Eliel Saarinen one of Finland's most celebrated architects, but two of his uncles followed the same profession. In addition his mother, Loja Gesellius Saarinen, was a sculptress and textile designer. Eero Saarinen spent his first 13 years in his birthplace, Kirkkonummi on the
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Time was when social networking for businesses meant cocktail parties, tennis clubs and the Freemasons. Time Was. However Time Is and in the modern commercial world social networking means Facebook, Twitter, X-ing et al Not only as a marketing tool but also as an increasingly important instrument for communicating with customers, gathering feedback and handling criticism. In addition a recent survey by Edison Research among twitter users in the USA indicated that for many consumers
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A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the subject of illegal copies of design classics. Or better put when is a design classic a design classic? At the HGB Leipzig Rundgang in February we were confronted with an unexpected and somewhat unusual interpretation of the question in the form of "Eames Lounge Chair" by George Brückmann. And were immediately hooked. And not only we were impressed by Brückmanns work, In
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The second semi-final of the 2010 (smow) designer furniture World Cup was for many design critics the most interesting match of the competition Charles and Ray Eames against Egon Eiermann. Not only because of the international stature of the two design teams; nor because of the important role that both played in the development of industrial and furniture design in their home nations. The critical interest was much more if - and when yes to what extent - Egon Eiermann's approach would mirror
read moreTo close the group phases of the 2010 (smow) designer furniture world cup one of the most anticipated contests: Charles and Ray Eames against Ronan and Erwan Bouroullec. With everything to play for the Bouroullec brothers opened with an adventurous Slow Chair for Vitra before producing a wonderful Alcove Sofa. Neither attempt was quite good enough to break through a solid Eames defence; although were good enough to keep Charles and Ray Eames on the back foot and so prevent them making any
read moreThe familiar nature of Group D was continued with this meeting of two grandees of the international designer furniture circuit: Eero Saarinen and Alexander Girard. With both still having an outside chance of qualifying for the semi-finals the start was edgy and imprecise. Alexander Girard however was first to find his rhythm and came close with an intricate Names fabric. Eero Saarinen responded with a clever Grasshopper chair, a move which produced the most delightful Millerstripe
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