As all old thesauruans know "April" is merely a synonym for "Milan" And lo despite all promises to the contrary April 2014 once again found us in Lombardy, where, amongst other objects and exhibitions, we were very taken with the Alexander Girard reissues revealed by Vitra, the exhibition of Meisenthal Glassworks at the Institut Francais and the new Rival chair by Konstantin Grcic for Artek. Away from Milan April 214 saw us get to know the work of Pascal Howe at the DMY Design Gallery Berlin,
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According to our pictorial review of March 2013 it was "a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau….. its amazing we found time to actually write anything……." March was 2014 was the same. Just replace "Stuttgart, Chemnitz, Weimar, Dessau" with "Frankfurt, Münsingen, Berlin, Weil am Rhein" It also explains the large number of half-finished drafts from March. Obviously we didn't find time to write everything!
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For just about as long as Thonet have been producing furniture one of the company's most important designers has been "Thonet Design Team", a description we've always considered to be a rather disparagingly sterile and unnecessarily nebulous description for Thonet's team of in-house designers. Every serious contemporary furniture manufacturer has an in-house design team who are responsible for both helping adapt external designers works to the company's production patterns and also creating
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"When", we asked in context of the Grassi Leipzig exhibition Sitting – Lying – Swinging. Furniture from Thonet, "does an exhibition about Thonet chairs become a sales promotion for Thonet chairs?" In the case of the Grassi exhibition, we concluded, it doesn't. When however does a blog post about a Thonet exhibition becomes an advertisement for Thonet chairs. Round about now. For by way of celebrating the Sitting – Lying – Swinging, an exhibition on "home turf" as it were, (smow) have teamed
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By way of a 1st of May, International Workers' Day, special...... in Milan Ronan Bouroullec told us that the brother's new chair Uncino for Italian produce Mattiazzi was inspired by and loosely based on the very first wooden office chairs. An excellent example of what he meant can currently be enjoyed at the exhibition Sitting – Lying – Swinging. Furniture from Thonet at the Grassi Museum for Applied Arts, Leipzig. A comparison: Uncino by Ronan and Erwan Bouroullec for Mattiazzi vs. an 1875
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Standing in the Leipzig Grassi Museum for Applied Arts, surrounded by 150 years of Thonet chair history, Peter Thonet, x-times-great grandson of company founder Michael Thonet and until his recent retirement company CEO, is clearly a very satisfied man, "It makes one proud to be able to look back on a collection of objects that have not only been important for the company, but which have also, occasionally, written design history" Few visiting the new Grassi Museum exhibition "Sitting – Lying
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April 2014, as every April we can ever remember, means Milanese purgatory. Apparently it is meant to cleanse the soul, purify our thoughts and generally mitigate for the sins of the past, and so allow us to proceed to higher plains and greater virtues. And boy must we have sinned. We can't remember exactly when, far less how. We just hope we enjoyed it at the time. Because now we are paying. When, if, we return these are the new design exhibitions we're planning on visiting to help us
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If we were to be completely honest we would have to admit that although we were aware of the name "Ferdinand Kramer", it wasn't until Frankfurt based manufacturer e15 launched a series of Kramer re-editions at Milan 2012 that we actually paid any serious attention to the man and his work. Something we are very thankful for. Born in Frankfurt in 1898 Ferdinand Kramer undertook a foundation architecture course in Munich before joining Bauhaus Weimar in 1919. Disillusioned by the lack of a
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Our coverage of IMM Cologne 2014 may be reaching its conclusion, but we still have a few gleaming gems to bring you, the brightest of which was to be found on the Thonet stand: the new S 1200 desk by Randolf Schott from and with the Thonet Design Team. While classic Thonet desks such as Marcel Breuer's S 285 can work very well in a contemporary home office and/or as an informal place of work in a living room, they do bring with them a certain formal heaviness owing to their abstraction from
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On Monday January 13th the European design circus rolls into the new year with the opening of IMM Cologne 2014 and Passagen 2014, and against our natural inclinations we'll be there, or as Ride so nearly put it; "If we've seen it all before, Why's this train taking us back again? If we don't need anymore, Why's this train taking us back again?" Yes, the rent has to be paid. But there are easier ways to earn a living than spending a week in January on the banks of the Rhein questioning your
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January 2013 was, as every January, dominated by IMM Cologne, and all that that entails. In particular IMM Cologne 2013 brought us Ronan and Erwan Bouroullec's investiture as A&W Designers of the year and a delightful Alvar Aalto Stool 60 exhibition at Ungers Archiv für Architekturwissenschaft. January 2013 was in addition the opening of the exhibition "Extraordinary Stories About Ordinary Things" at the Design Museum London.....
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In 1808 Napoleon had a problem. Or better put, in 1808 Napoleon had a whole continent of problems. Spain, Austria, Finland, England, Russia, Germany, Turkey. Noone it seemed was behaving in a manner that fitted with Napoleon's grand, global plans. How, for example, was he ever to find the time to conquer India if Europe wouldn't just quietly accept French domination? In an attempt to, at least partially, find a way out of the chaos a meeting was organised with Tsar Alexander I of Russia to
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There are only very few furniture manufacturers who can claim to have been major players in two fundamental furniture design revolutions. Thonet is one of them. And if we're honest, the only one we can currently name. Although the Thonet story begins in 1819, the story only really begins to "pick up steam" in 1859 when Michael Thonet perfected his warm wood bending process. The result of over twenty years development, heartbreak, experimentation, bankruptcy, fleeting success and brutal
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Since establishing their own design studio in Stuttgart in 1994 Markus Jehs and Jürgen Laub have quietly gone on to become two of the busiest and most successful German product designers of their generation. With a client portfolio that includes the likes of Thonet, Wilkhahn, Fritz Hansen, Authentics or Belux Jehs+Laub are just at home with designing office furniture as with domestic furniture, lighting and accessories. And in a career splattered with international awards the highlight
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As many of you know we officially gave up reporting on private design awards a couple of years ago - for us the emphasis in such awards is more often than not too heavily biased towards generating income for the organisers rather than helping or otherwise furthering the designers and their works. And as such don't merit our support. While some awards are obviously more honourable than others; we decided ignoring all would be fairest. However as Angela Merkel continues to teach us: what is
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As we've said before, and will never tire of repeating, the Thonet back catalogue harbours an unparalleled treasure trove of design classics. And certainly enough interesting and challenging designs to keep half-a-dozen contemporary furniture companies in business for the next decade or two. Fortuitously just as Iceland's fisherman don't try to maximise profit by catching as many fish as possible as quickly as possible, so to do Thonet choose not to raid the archive every couple of months in
read moreAt the risk of upsetting furniture historians, wood is probably the longest serving material in furniture design. It is also one of the most deceptively complex and hard to work materials in furniture design. For all bending, shaping and moulding pieces of solid wood is a process that has long fascinated and infuriated designers and architects in equal measure. From Michael Thonet's ground breaking research in the 19th century, over the efforts of Alvar Aalto, Marcel Breuer or Charles Eames
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This past week it's been hard to escape images of a bentwood bike purporting to have been created by a London based artist for German furniture manufacturer Thonet. We choose not to run the story. Something about it troubled us from the beginning. The fact that only computer generated, rendered, images were available, for example. Plus knowing what we know about Thonet, it just didn't make sense. Didn't feel like Thonet. Wasn't right. And now the confirmation from Frankenberg, it's all a
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Was it not Pulp who in 1995 prophesied that the world would soon be dominated and controlled by mis-shapes, mistakes and misfits: the great silent majority who feel themselves intimidated by their alleged imperfections and deviations from society's norm. If only they could realise that they were so numerous, that they have something to offer and that society's imposed ideas of perfection were our modern golden calf, their future would be so promising..... Under the title "Misfits Revisited"
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Much as Gerrit Rietveld's career is publicly reduced down to the Rood-blauwe stoel, so too is it all to easy to imagine Marcel Breuer spent his days doing nothing more than creating chairs and tables from bent steel tubing. Indeed start typing the name "Marcel Breuer" into google and the all-knowing, all-seeing algorithm will only offer you "Marcel Breuer Chair", "Marcel Breuer Wassily Chair" and "Marcel Breuer Biography" as searches. That the public impression of Marcel Breuer should be so
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Much like those who doubted that the Stone Roses would ever get back together; there are also those who doubt we will ever make it to a Depot Basel show. Until now it was the case that the shows inevitably fell at periods when we were otherwise engaged. And the opening of Depot Basel No. 5 on March 23rd was no different. However, this time we're hopeful we can make it, because the show runs until May 5th. Longer than usual, but then they are also showing more than usual. The "main"
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In addition to showing "From Aalto to Zumthor Furniture by Architects" the Museum für Angewandte Kunst Köln is also showing off it's new acquisitions: 10 early Michael Thonet stools and a rare work from Jacob and Josef Kohn. Plus 2 monumental pieces of modern abstract metal furniture: "2 R Not" by Ron Arad and "Bell Metal Horse Chair" by Satyendra Pakhalé The Thonet chairs are currently being displayed in a special showcase that wonderfully portrays the development of Michael Thonet's work.
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If Christmas is a time for family, then Christmas is also surely a time to buy your gifts from a family business. Currently being run by the 5th generation, Thonet have not only been responsible for the introduction and development of bent wood and steel tube furniture - two of the most important genres in the history of furniture design - but continue to support and develop young designers and so may just also discover the next big genre..... Thonet S 333 by Holger Lange Back in February
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For us the Wiener Palais Liechtenstein is a building with almost religious meaning. For it was, in many ways, the place where Michael Thonet got his first big break - and so the point from where the Thonet story starts to turn and to become a success story. Some have Mecca, others Bethlehem - and we have a 17th century garden residence in north Vienna. All of which speaks volumes for the quality of our social lives. For the Vienna Design Week, in contrast, the Liechtenstein Museum is the
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