With furniture, as with so much in life, it is rarely the showy, high profile, works, or individuals, that teach us most, but those works, and those individuals, who in their anonymity and modesty accompany us in invisible silence. Or rather the anonymous and quiet could teach us most, if we spent less time being distracted by, letting ourselves willingly be distracted by, the noise of the showy. With the project Monobloc author and director Hauke Wendler, and a team of co-collaborators,
read more
It is perhaps indicative of the differing receptions to and estimations of design in the former West Germany and the former East Germany that while Dieter Rams' Ten Principles of good design are revered as if cast in stone, Karl Clauss Dietel's Five Big Ls of good design have barely seen the light of day since November 1989. A popular focus on the former West which tends to popular understandings of design from West Germany as being valid and authentic and laudable, while design from East
read more
As all familiar with the peculiar and idiosyncratic method by which these dispatches are produced will appreciate, come March 30th 2019 there will be a few fundamental changes, as the smow blog team are forced to abandon our familiar home on the internet and create a new one for ourselves in the analogue wastelands of the (dis)United Kingdoms. And as Brexit's unregulated shadow casts itself ever deeper, indelibly, suffocatingly, over the smow blog office, our thoughts turn, somewhat
read more
As we are sure you will appreciate we tend to shy away from recommending anything we haven’t seen and/or tested ourselves. That said, the following five exhibitions, all opening in November, caught our attention. And certainly seem worth checking out..... "mein reklame-fegefeuer. herbert bayer. werbegrafik 1928 - 1938" at Bauhaus Archiv Berlin, Germany Appointed in 1925 as the first director of the printing and advertising workshop at Bauhaus Dessau the Austrian artist and typographer
read more
Expansion. It's not always good. Waistlines. Overdrafts. Weeks since you last phoned your mother. For example wouldn't be good. Business expansion is however good. And the best news is that (smow) continues to expand. Following on from the "original" (smow)rooms in Leipzig and Chemnitz, the (smow) online designer furniture store opened its virtual doors in 2008 before in 2012 (smow) Stuttgart joined the family. 2013 has already seen the launch of (smow) Erfurt, and since early October
read more
We’re almost too late, almost, but until November 8th the AIT ArchitekturSalon Cologne is presenting the exhibition, Alison and Peter Smithson – The Art of Inhabitation. A reworked version of the London Design Museum’s 2003 exhibition “Alison and Peter Smithson – From the House of the Future to a House of Today”, “The Art of Inhabitation” explores the work and legacy of two of the most important post-war British architects through just one facet of the extensive canon: private houses. A facet
read more
Industrial design as any fool know is a prime example of the North's cultural superiority. Nurtured by science and encouraged by wealth traditional crafts moved ever more towards industrial production to meet the ever more complex wishes of society until the creation of goods for mass production became an industry in its own right. That this is absolute tosh was made perfectly clear by Charles & Ray Eames in their 1958 "India Report" in which they describe a burgeoning industrial production
read more
On September 3rd the Ungers Archiv für Architekturwissenschaft Cologne present the latest edition of their Ex Libris series. This time Ex Loco. In Bremen. As we noted in a previous Ex Libris post, "... much as the Internet is full of spam until you start looking for something, so to is a library just a lot of old paper until you read the books". And in this sense the Ungers Archiv für Architekturwissenschaft Cologne regularly invite architecture luminaries to select a work from the archive's
read more
On Friday March 22nd the Ungers Archiv für Architekturwissenschaft Cologne present a new edition of their Ex Libris series. We first discovered Ungers Archiv when we visited the exhibition Stool 60 by Alvar Aalto during IMM Cologne 2013. And we're very impressed, especially by the library, or as we put it "...one of the most comprehensive and enchanting private architecture libraries you’re likely to come across." However much as the Internet is full of spam until you start looking for
read more
We're obviously not going to claim that dezeen track what we're up to, however.... Hot the heels of our brief, succinct, exploration of the current state of the British design industry, dezeen - the leading UK based design and architecture portal - have teamed up with Hackney Council and curator/critic Beatrice Galilee to organise a day dedicated to design from the London Borough of Hackney. A chance, if you like, to get a feel not only for what is currently happening in the London design
read more
Back in September droog "released" a diamond studded car tyre as part of their Fantastical Investments project. We fear the good folks at ECAL/University of Art & Design Lausanne may have taken the project a bit too literally, for as we learned the other day they offer a Master of Advanced Studies in, wait for it, you won't believe us: Luxury Industry & Design Honestly. Luxury Industry & Design Forget everything you learned from our post on "Warum Gestalten ?" at the HFBK Hamburg. The
read moreFor most people naming Swiss designer furniture producers is as much of a challenge as naming famous Belgians or happily married English footballers. USM Haller being the equivalent of Belgium's Hergé. However the Confoederatio Helvetica has a lot more to offer than Fritz Haller's genial system. And a lot more to offer than modular steel and chrome. One of the greatest contrasts to USM Haller is the cabinet maker Röthlisberger. Founded in 1928 Röthlisberger's first contact with the global
read more
A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the subject of illegal copies of design classics. Or better put when is a design classic a design classic? At the HGB Leipzig Rundgang in February we were confronted with an unexpected and somewhat unusual interpretation of the question in the form of "Eames Lounge Chair" by George Brückmann. And were immediately hooked. And not only we were impressed by Brückmanns work, In
read more
Anyone who has ever visited an art gallery with an elderly relative will be familiar with the phrase "I could do that!!" A phrase that is normally followed up with "Is that really art?" Amongst designer furniture philosophers - and elite group to which we like to think we belong - the parallel question is "Is that really design?" Regularly one is confronted with "concept pieces" that are, if one is honest, art. They may be packaged and marketed as designer furniture. Are however art.
read more
Perhaps best known for her numerous co-operations with Le Corbusier, the Parisian architect and designer Charlotte Perriand played an instrumental role in developing the European modern movement: Not least as Charlotte Perriand is credited with converting Le Corbusiers modern furniture ideas into reality and so establishing the tradition of minimal, bent chrome steel tube and leather furniture. Among the most famous of these collaborations are the from Cassina produced LC4 Chaise Longue, LC2
read more
It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
read more
Although in the course of his career Verner Panton worked with numerous designer furniture producers, his name is undoubtedly most closely associated with Vitra. Not least because of his seminal Panton Chair. The exhibition "Panton by Vitra" at Wasserschloss Klaffenbach in Chemnitz offers visitors an insight into the life and work of one of the most important and influential post-war European designers. While still a student Verner Panton worked in Arne Jacobsen's Copenhagen office and
read more
Because our article on the new London bus has been delayed by a broken water main at Tooting Bec, we've decided instead to do an impression of a typical London bus user. "Typical, wait ages and then two come along at once! I blame Ken Livingstone!" Ahead of the opening of the Dieter Rams retrospective "Less and More: Das design ethos von Dieter Rams", yesterday saw the opening of a second exhibition dedicated to the life and work of a former Braun designer. The Werkbund Archive Berlin's
read more
When asked by the (smow)boss yesterday why we appeared to be doing so little work, quoting Dieter Rams we replied with a tired repetition of one of our favourite design related jokes: "Less, but better" "Good design is honest" replied (smow)boss with an irritating accuracy. "Good design is unobtrusive" we muttered under our breath, before skulking off to the warehouse. This coming weekend the Dieter Rams retrospective "Less and More: Das design ethos von Dieter Rams" opens at the Museum
read more
On Thursday April 29th the exhibition "gute aussichten - junge deutsche fotografie 2009/2010" opens at the Haus der Photographie, Hamburg. Established in 2004 as a platform for supporting young, talented photographers gute aussichten has developed into one of Germany's most important and respected contemporary photography prizes. This years exhibition features the work of the 8 artists - Georg Brückmann (HGB Leipzig); Philipp Dorl, (FH Bielefeld); Sonja Kälberer, (HGB Leipzig); Ute Klein,
read more
No, we don't handle the PR for Ronan and Erwan Bouroullec. We would like to. But we don't. It's just the Brothers are not only among the most assiduous contemporary designers, but they also keep producing work that needs to be presented. For one reason or another. Such as Lianes, a lamp that forms part of their new show at Galerie Kreo in Paris. Galerie Kreo has in a way become a sort of "Haute couture" stomping ground for Ronan and Erwan Bouroullec. Ronan and Erwan Bouroullec's first
read more
On account of the horrendous hotel prices demanded during design week the (smow)blog team camp in Milan. And that despite last years near-drowning episode. This year the decision was a real blessing. Spared the torment of those trapped by Eyjafjallajokull at Milan Airport our return journey this year took us via Weil am Rhein, Vitra and the VitraHaus. What a difference the weather makes! When we were there for the opening in February architect Jacques Herzog commented, somewhat solemnly,
read more
While we are in Milan enriching the good and fair minded hoteliers of the north-Italian Metropolis; life here in Germany will continue in its normal, non-bloodsucking, non-money grabbing way. Oh yes, we're bitter. And we don't believe that all the other Milan attendees find the hotel prices fair. Just they are too cowardly to publicly complain. Milan Design Week is a rip off and everybody knows it. Just know one dare speak it..... However, back to the topic in hand. Thursday 15th April
read more
For people who spend most of their working lives sat at desks, publishers and authors have a frightening disregard for comfort when it comes to chairs. Or at least they do if the furniture we saw at the 2010 Leipzig Buchmesse was a measure of the industry norm. Cheap folding chairs, cheap copies of designer furniture classics being presented as originals and general cheap tat as far as the eye could see. Fortunately one or two of the exhibitors seemed better informed. Below a few snapshots
read more
