With furniture, as with so much in life, it is rarely the showy, high profile, works, or individuals, that teach us most, but those works, and those individuals, who in their anonymity and modesty accompany us in invisible silence.
Or rather the anonymous and quiet could teach us most, if we spent less time being distracted by, letting ourselves willingly be distracted by, the noise of the showy.
With the project Monobloc author and director Hauke Wendler, and a team of co-collaborators, offer us all an opportunity to focus on, and learn from, an object we’ve all seen and used, but only rarely, if ever, openly engaged with…….
It is perhaps indicative of the differing receptions to and estimations of design in the former West Germany and the former East Germany that while Dieter Rams’ Ten Principles of good design are revered as if cast in stone, Karl Clauss Dietel’s Five Big Ls of good design have barely seen the light of day since November 1989.
A popular focus on the former West which tends to popular understandings of design from West Germany as being valid and authentic and laudable, while design from East Germany is reduced, denigrated, to cartoon Ostalgie.
With karl clauss dietel. die offene form Walter Scheiffele and Steffen Schuhmann allow one to approach more probable understandings both of the (hi)story of design in the former East Germany and of Karl Clauss Dietel’s position in the (hi)story of design, and in doing so stimulate a re-evaluation of the receptions to and estimations of design in and from East Germany…….
As all familiar with the peculiar and idiosyncratic method by which these dispatches are produced will appreciate, come March 30th 2019 there will be a few fundamental changes, as the smow blog team are forced to abandon our familiar home on the internet and create a new one for ourselves in the analogue wastelands of the (dis)United Kingdoms.
And as Brexit’s unregulated shadow casts itself ever deeper, indelibly, suffocatingly, over the smow blog office, our thoughts turn, somewhat inevitably, to the furniture we may find ourselves engaging with in an all too palpable future.
Will we even have furniture? Or will be forced to refer to the neolithic tribes of Skara Brae and their intuitive and innovative use of stone?
Possibly.
However it may not come that far, for, and despite whatever other deficits and callowness it has, Whitehall does have experience in securing the supply of furniture in times of national emergency: the Utility Furniture Scheme of the 1940s…….
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