On Wednesday October 22nd the exhibition "Martino Gamper - design is a state of mind" opens at the Pinacoteca Agnelli in Turin. Curated by London based, Italian born designer Martino Gamper, design is a state of mind premièred at the Serpentine Sackler Gallery London over the summer of 2014 and is in effect two exhibitions in one. In the first Martino Gamper presents a series of shelving systems dating from the 1930s to the 21st century; a collection of shelving systems that not only present
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Back in the day when the CD was new and exciting we remember watching a breakfast TV host spread honey on one to demonstrate how indestructible they were. Other CDs were attacked with keys, dowsed in hot coffee and stood on. These days we all know much better. CDs are destructible. We've seen the light. And at Dutch Design Week 2014 you can can see the light a recycled CD emits. Or at least the luminescence produced by a mass of recycled CDs in the thoughtfully and intelligently formed
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Proving that Eindhoven is full of old factories, but that they are not necessarily all former Philips factories, Sectie C is a former industrial estate on the eastern edge of Eindhoven that has become home to a, seemingly, thriving community of creatives. Featuring a nice mix of creative genres and small businesses Sectie C's real charm is the way the tenants have colonised the available space just as vegetation does in derelict industrial estates: offices constructed under the rafters like
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It is very rare that one comes across an object where a manufacturer has combined two independently developed products into one. And even rarer that we like such an object. Our natural resistance reaction is to say, No. No. Not on our watch. Begone. We were however instantly taken with the so-called Blumenampel Edition by Zascho Petkow and Birgit Severin for Berlin based Atelier Haussmann. Possibly because initially we didn't know its provenance. That only became clear in conversation with
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In 1951 the German designer Wilhelm Wagenfeld created a glass punch bowl for Württembergische Metallwarenfabrik, WMF: the clou of which is a glass tube which passes through the lid and down to the bottom of the bowl. The ideas being to fill this tube with ice, when the ice, inevitably, melts the resulting water remains separate from the punch, can be thrown away and replaced with fresh ice. Thus ensuring your punch remains chilled, and unadulterated, until the last drop. A revolution in its
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Ever since Ronan and Erwan Bouroullec released their Alcove Sofa for Vitra in 2006 ever more furniture objects have appeared on the market which promise the owner the opportunity to create flexible room partition solutions. To create rooms within rooms and provide a place in which to separate yourself from a home that is becoming ever more an office. To find safety in the midst of the unending data, information and sensory flood. Or just amongst the kid's mess. And with very few exceptions,
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Despite what popular myth may have you believe, the Design Academy Eindhoven is not alone responsible for Eindhoven's current status as one of the most important design city's in Europe. But love it or loath it there is no getting away from the Design Academy's influence on the development of contemporary European design. And so of course on Eindhoven's current status as one of the most important design city's in Europe. Consequently the annual Design Academy Graduate Show is one of the
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At an otherwise disappointing presentation of projects by students from the TU Graz Institute of Spatial Design during Vienna Design Week, a genuine stand out project was the valet Servant by Katharina Wernig. Brazenly contradicting the position we took with Fidelio by Christian Spiess that a chair is the most natural form for a valet, Katharina Wernig has opted instead for a side table-cum-valet. Or at least side table-cum-semi-valet. For while in our book a valet must include an option for
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Much like crisps, cardboard furniture is something with which we have a very troubled relationship. However whereas with crisps the problem is saying no: with cardboard furniture it is saying yes. We know that cardboard furniture makes sense, or at least can make sense. We even once developed our own cardboard chair, the (smow) chair But most cardboard furniture simply doesn't appeal to us. There is invariably something about the form, the construction or a pig ugly aesthetic we simply
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In 1907 a loose association of German architects, artists and industrialists joined forces as the Deutsche Werkbund - the German Industrial Association. Principally established with the aim of helping German industry adapt to the technological advances of the age and so help them both prepare for the forthcoming industrialisation and ensure that the coming challenges were met with high quality products and healthy, happy workers, the Deutsche Werkbund founders were additionally motivated by a
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Just to be clear: Despite posting twice about them in little over week, we're not paid to do PR for Budapest based architecture/design collective Architecture Uncomfortable Workshop. We've never even met AU Workshop. Nor spoken to AU Workshop. Nor had Email contact with AU Workshop. However, during our 2014 Danube Design Voyage we have been introduced to numerous examples of the collective's work. And have generally been very impressed with what we have seen. Such as their table which was
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At Bratislava Design Week 2014 Jakub Pollág and Václav Mlynář a.k.a. Studio deFORM re-premièred their Transmission light family; "re-premièred" because although initially created in 2012 for Prague based Kavalierglass, since earlier this year the lamp family have been part of the portfolio of another Czech glass manufacturer, Lasvit. Constructed from a series of concentric glass structures which become ever more elongated as their diameter shrinks, the Transmission lamps present an
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Although it is probably fair to say that today Bauhaus is best remembered for its architects and designers, art played a central role in the institution's programme. Albeit a central role which today is often over shadowed by the legacy of those artists who taught at Bauhaus. To rectify this situation the Stiftung Bauhaus Dessau are presenting "Bauhaus. The Art of the Student", an exhibition which explores both Bauhaus' importance as an art college and also looks beyond the likes of Lyonel
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Having announced in our introductory Bratislava Design Week post that we are in favour of a global network of regional design weeks that focus on local designers, we did of course start our coverage of Bratislava Design Week 2014 with a product designed by a Swiss designer and manufactured by an Austrian company. In our defence Fidelio by Christian Spiess was being displayed as part of the exhibition "Work is all around" and as such was in Bratislava because curators Lubica Husta and Viera
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Whether 'tis nobler in the muscles to suffer The slings and arrows of short telomeres, Or to rise up against a sea of troubles, And by standing, extend them? In addition to articles on the wonders of handmade Swedish butter, the problems of supermarket etiquette and ill thought through editorials on the Scottish referendum, the English newspaper "The Guardian" occasionally publishes readable articles, one such being Dr Luisa Dillner's recent "Is sitting down bad for my health?" Citing
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In context of a 2014 summer semester project students from Vienna Technical University's Department for 3D Design and Model Construction were asked to develop a project which explored artificial light's potential to define a given space, and which in particular should encourage people to gather there. The results are being presented during Vienna Design Week in what is, without question, one of the best designed exhibitions at this years festival: a blacked out lower ground floor space in
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"What was the best moment of your life?" ask Cologne based Pell Architekten in the introduction to their contribution to smow Cologne's forthcoming exhibition Waidblicke, "Has it been or is it still to come? OK, but along the way there's been good moments. Where were they?" Where indeed.... Since October 2013 smow Cologne have been resident in the city's Waidmarkt - The Woad Market - a location that can trace its history back to the Roman occupation of the modern Colonia and which achieved a
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According to Christian Holmsted Olesen, Hans J. Wegner's famous JH540 Valet Chair with its coat hanger shaped backrest and pop up seat almost never saw the light of day. Following its presentation at the 1951 Copenhagen Carpenters Guild Exhibition Wegner decided he didn't actually like the four legged chair after all, and announced that it shouldn't be produced. However King Frederik IX had seen it, was fascinated by both concept and design and demanded that it be produced. He wanted one. He
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In context of Cape Town's tenure as World Design Capital 2014 Franco-Austrian design and architecture studio Celia-Hannes spent six weeks on the Cape of Good Hope working with local residents and craftsman on questions surrounding contemporary living conditions and furniture. The first results of the cooperation are being presented during Vienna Design Week 2014 at design gallery harald bichler_rauminhalt. And no, it wasn't some neo-colonial "white man come help" project, or at least wasn't
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In our 5 New Design Exhibitions for October 2014 post we noted the revolutionary construction techniques Ludwig Mies van der Rohe employed in his Villa Tugendhat Brno and Barcelona Expo Pavilion projects from 1929-30; in both cases the roof being fully supported by the outer walls thus freeing the interior walls of their load carrying function and as such allowing for a more open room division. At that time a genuinely new idea. Over thirty years after realising these works Mies van der Rohe in
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As we alluded to in our post from Vienna based design studio chmara.rosinke's Passionswege 2013 project with Wäscheflott, we've not always been the biggest fans of the work of chmara.rosinke. Or better put Ania Rosinke and Maciej Chmara a.k.a. chmara.rosinke have regularly produced projects which have, in one way or another, caused us to roll our eyes helplessly skywards. On the other hand chmara.rosinke have also regularly impressed us. The aforementioned project with Wäscheflott being one
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Time was when the candlestick maker was an important profession. No candlestick. No light. Or at least no secure light. These days with our fancy electric lighting candlesticks tend to be reduced to one of those quaint historical artefacts. Something every designer and craftsman tries at least once in their career, but a relatively safe place where they can experiment and try things out without necessarily having to produce anything good. No one is going to judge you by a candlestick. A
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As we've often noted in these pages, the future will be analogue. That's not to say that we will turn our backs on all our modern technology, but much more as technology takes over ever more aspects of our daily lives and as we understand what technology can do and how best to harness it, not only will we be freed to concentrate on those things which genuinely matter to us but we will have ever more freedom to organise and lead our lives as we want, freed from the conventions and constraints
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As many of you will be aware, among the myriad of things that regularly get our goat, architecture photography is right up there. Architecture photography and the way the modern digital media fawningly reproduce every heavily photoshopped image that lands in their inboxes. The camera does lie. But then it always has, and as we noted in our post from the exhibition New Architecture! Modern Architecture in Images and Books at the Bauhaus Archiv Berlin, even in the days of analogue photography
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