There are people here at (smow)HQ who believe this story is nothing more than PR gag. But they are the same people who don't believe that we have Eames Elephants to help with deliveries. Fools. At the Geneva International Motor Show Thonet, in conjunction with HEICO Sportiv and Volvo today launched a new gear shift knob. Created exclusively for the new Volvo C70 by HEICO Sportiv and the new Volvo S60, the Thonet gear shift lever is crafted from oak, beech or walnut - possibly also a metal
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As you know we here at smow(blog) aren't fans of complicated designer furniture. Really aren't. Less is more - so the grand theologian of post-war European design Dieter Rams - and let form follow function. That's us. A side table or bedside unit need, normally, do nothing more than support a cup, glass or magazine. Now you could add numerous extras to your table or you could - as with Müller Möbelfabrikation - bend some steel into the shape you want. In 1926 Mart Stam bent some steel
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Despite the many disadvantages, problems and general chaos budget airlines have brought into our previously well structured and ordered lives, they have brought one clear advantage: The opportunity to visit really remote airports. More through necessity than freewill, thousands of air travellers now find themselves avoiding the likes of Heathrow, Charles de Gaulle or Frankfurt am Main Airport, and instead experiencing the delights of Klagenfurt, Tampere or Altenburg. At least in all modern
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Following our visit to the #VitraHaus this coming Friday, the (smow)wintertour 2010 then proceeds, by ski, along the alps to Aschau im Chiemgau, Bavaria and a visit to Nils Holger Moormann and the, so-called, Moormann Haus. Constructed in 1859 by the Bavarian star architect/stage designer team of Christian Jank and Eduard Riedel, who later went on to find wider acclaim with the construction of Schloss Neuschwanstein, the Moormann Haus was built to commemorate the presentation by Maximilian
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Zeeland, Michigan, 1969 Ten years ago Charles and Ray Eames revolutionised the world of chair design with their "aluminium Chair" range. And now they hope to do it again. In one of the most eagerly anticipated announcements of the year, Charles and Ray Eames today unveiled their new product range: soft Pad “soft Pad is our most advanced technology in a magical and revolutionary device” declared a proud Charles Eames as he unveiled the new range to the specially invited journalists in the
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G'day! What with all the excitement about the new iSlate, we missed Australia Day yesterday. And so wanted to use today to write a post involving words like "Sheila", "Sheila", "I can see the pub from here!" and "Sheila" Then we discovered that we'd also missed the announcement of the shortlist for the 2010 Australian International Design Awards. And that seemed a much better subject than lazy international stereotypes. The "Architectural and Interior" products section of the 2010 Awards
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In what is quite possibly the most eagerly anticipated announcement of 2010, Apple Supremo Steve Jobs will unveil the companies latest product in San Francisco on Wednesday. Rumoured the be called iSlate, or possibly iPad or iTablet, the product is expected to combine the functionality of the iPhone with that of the iMac in a flat, transportable, keyboardless computer; thus allowing the user to write, draw and calculate anywhere. In effect a chalkboard for the 21st century. Hence the name.
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Fear not, we've still got a duffel bag full of products and stories from our week in Cologne to bring you. However we feel it only right to quickly review the 2010 IMM Cologne. Elsewhere we've read that there were no trends to be found at IMM. Which for us is positive. Trends have no place in the furniture business. Trends imply that the role of furniture is to meet some pre-ordained assumption on the part of the consumer as to what their furniture should look like, how it should behave
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There is little doubt as to who the most popular furniture producers with the exhibitors here in Köln are.... Vitra and Kartell. Two producers whom the Messe Köln sadly can't attract to the show in their own right. And that despite the fact that all the snack bars here in Köln Messe use Maarten van Severen's genial .03 On the stands here however we've seen, for example, Panton Chairs being used to augment otherwise tasteless bedroom suites and the classic Vitra DSR by Charles and Ray Eames
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To celebrate their 50th birthday the German furnishings magazine "Schöner Wohnen" have produced a small book entitled "Das Buch der Klassiker“ ("The book of classics") in which the magazine present their 400 furniture and accessory classics. And an exhibition of the selected items forms the basis of the Schöner Wohnen stand here in Cologne. Aside from familiar faces such as Vegetal by Ronan and Erwan Bouroullec from Vitra or the Castore lamp by Huub Ubbens und Michele De Lucchi for
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In a previous life Patrick Frey created one of our favourite Moormann products: Kant. And we think he may have done it again with Nook his new stool for vial. Manufactured in a single piece from VarioLine - an injection moulded plastic - the folded form is held together by an aluminium catch in the base. The tension generated in the VarioLine give Nook its stability and durability. In addition, thanks to the nature of the VarioLine Nook is weather and UV resistant and so can be used just
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On Wednesday a tweet fluttered into our (smow)twitter from @imm_cologne with the information that the Munich based producer ClassiCon had decided to return to IMM Cologne. Which in the wake of the shock we received on our first day here in Köln didn't go unnoticed among the thousands of invites to cocktail parties and sumptuous buffets at some of Cologne's finer addresses we're forced to deal with. Established in 1990 from the dying embers of the 1898 established "Vereinigte Werkstätten für
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Richard Lampert promised a celebration of Herbert Hirche's 100th birthday here in Cologne; and in the end could "present" the late Prof. Hirche with an award for "Classic Innovation" in the 2010 Interior Innovation Awards. The jury, featuring amongst others the Milan based British designer James Irvine and the London based Japanese designer Tomoko Azumi, selected Hirche's 1957 "GFK Schalensessel für die Interbau Berlin" ( a fibre glass armchair Hirche created for the 1957 "Interbau"
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Truth be told we'd expected a bit more bravery from our favourite Amsterdam anarcho-artisans. But no, no tree-trunk bench on the droog presence in Cologne. At least there was people - in comparison to their stand at ICFF 2009 in New York where they made do with a shadylace. High-point for us, however, was without doubt the Rag Chair. And especially the woman who sat on it, looked at her companion and said "Hard as stone!!" And Rag Chair is; which is of also why it is comfortable. The
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Our preparations for the 2010 IMM in Cologne are advancing apace and one particular highlight looks like being the Richard Lampert stand which will be celebrating the 100th birthday of Herbert Hirche. Born in Görlitz Hirche is in many ways the "forgotten" Bauhaus student; and that despite his considerable contribution to post-war architecture and design in Germany. After completing his carpentry apprenticeship Hirche enrolled in Bauhaus Dessau in 1930 and moved with the school to Berlin
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We don't know how it is with you, but with us there is always- but always - someone who does things effortlessly more successfully than us. Whether its passing exams or negotiating an escalator: they turn up everywhere. And so it came us no real surprise when checking our (smow)flickr account we discovered that the most viewed picture is not one of the many excellent photographic essays lovingly formed by the (smow)blog collective, but a quick snapshot taken by the (smow)boss while on a visit
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Italian design is, if we all close our eyes for a minute or two and be brutally honest, a lot like English football or French cooking - it's continued association with a particular quality and geniality is largely due to the number of non-Italians(English/French) who have continually contributed to the tradition and so kept it modern, kept it fresh and kept it exciting. Danish design is Danish because only Danes are allowed to do it - Italian design is universal because any one can do it:
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...and the mistletoe and wine will almost certainly be in abundance - so why not give someone the gift of time this Christmas. Puns, we love 'em One of the true greats of clock design was former Herman Miller design director George Nelson and his classic 1950s clock designs are a gift that one can always give with confidence. A new addition to the range is the three Ceramic Clocks; designed in the early 1950s but which never entered production. On the basis of drawings and other technical
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In the world of designer furniture there are few designers for who "home" and "family" played such a central role as Charles and Ray Eames. From the design of their "Eames House" as a combined living and working space for a young family and on through their many works for and with children, Charles and Ray Eames always presented themselves as "domestic" rather than "industrial" designers. And so it is little wonder that so many of their designs can be so easily recommended as Christmas gifts.
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A few weeks ago we premiered our new film featuring USM Haller in the leading role. This however was not our stars first major film role. In 2001 USM Haller starred alongside John Travolta, Hugh Jackman and Halle Berry in the film "Swordfish". And just as during our production USM Haller also proved to be real diva on the "Swordfish" set and was responsible for various delays during the filming. Most notably in the famous scene when a Hummer breaks through a plate glass window. The script
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Students. We love em! But slightly better than students are poor graduates. For just as a man alone in a forest at night must rely on all his wit and inventiveness to find warmth and food, so must a designer taking his first tentative freelance steps rely on all his talents and intuition as a designer not to freeze to death. Or starve. So, or at least similar, is how we like to imagine Eero Aarnio developing probably his most defining design: the Ball Chair Helsinki. 1962. The young Eero
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On 03.11.1989 the Vitra Design Museum opened. On 09.11.1989 the Berlin Wall "fell". Coincidence? Almost certainly. But while the Vitra Design Museum may not be able to claim responsibility for the end of the DDR, it can look back on a remarkable 20 year history and proudly profess to have helped popularise designer furniture and furniture designers. Initially established as a location where Vitra chairman Rolf Fehlbaum could display his extensive collection of contemporary designer
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One of the most exciting moments of our trip to the ICFF, New York was our visit to the droog flagship store in SoHo. For those who don't know droog, firstly forget everything you accept about the separation between art and furniture design. And then having convinced yourself there is no divide imagine your Dutch and design something. OK droog also have some fantastic "normal" designs - but their real strength is pushing the borders of absurd until they become the most obvious thing ever.
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Back in June we started a campaign to encourage election officials to improve the furnishing of their polling stations. We can't claim a great deal of success, or indeed any, but we remain committed to the cause and so will be using Sundays General Election here in Germany to further promote our demand for more stylish and aesthically pleasing polling stations. However, in comparison to the local election where we made use of the practical Eames Elephant from Vitra as our urn, for the more
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