Ronan and Erwan Bouroullec are without doubt two of the brightest stars in the international designer furniture heaven. And two of the most omnipotent. Something which however may slowly change. Ronan Bouroullec in the VitaHaus, Weil am Rhein Following their initial breakthrough with Cuisine désintégrée ( Disintegrated kitchen ), an concept piece by Ronan Bouroullec that was taken on by Italian producer Capellini in 1998, Ronan and Erwan Bouroullec went on to develop projects with companies
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The careers of Konstantin Grcic and Patricia Urquiola could barely be more different; whereas Patricia Urquiola has steadily and confidently moved through the traditional Italian designer furniture producers, Konstantin Grcic has skipped from cult producer to cult producer with only the occasional diversion into the mainstream of European designer furniture producers. Opening with a Hut Ab for Nils Holger Moormann, Grcic then complimented this with an ES shelving system for Moormann before
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Both Ronan and Erwan Bouroullec as well as Alexander Girard had to wait a long time for their opening match in this years (smow) designer furniture world cup - but for the sell out crowd in Pretoria the wait was more than worth it. Although born in New York, Alexander Girard qualifies for Mexico on account of the Wooden Doll side of his family tree. Opening up with an impressive selection of traditional southern Portuguese patterns Girard was initially confused as the Bouroullec brothers
read moreFollowing his ankle injury Cesare "Joe" Colombo was replaced for this match by Antonio Citterio, one of the most experienced designers in the Italian squad. Opening with a quick Mobil for Kartell Antonio Citterio quickly reinforced this with a Follow Me for Vitra. Despite the intensity of the opening Citterio couldn't break Maarten Van Severn's legendary calm and the doyen of Belgian furniture design responded with an elegant LCP for Kartell and MVS Chaise for Vitra combination and so
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One of the high points of Verner Panton's career came in Switzerland when in Vitra he finally found a producer for his Panton Chair. Today however there was no room for sentiment and Panton came out fighting. Picking up where he left off against Joe Colombo Verner Panton attempted a quick plastic combination, his Barboy however going just wide. Fritz Haller remained as composed and sturdy as ever, the flexibility of his classic USM Haller system allowing him to respond to whatever move Verner
read moreThere is a very familiar flair to Group D and this opening encounter pitted three old friends against each other; Eero Saarinen and Charles and Ray Eames. The three have been close friends since the start of their careers and the common influences and experiences were clearly visible in many of their early approaches. The longer the contest ran however the more the differences appeared and the more each side could set their individual tone and make use if their individual strengths. For all
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It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
read moreAlthough stylistically worlds apart both Ron Arad and Charles Rennie Mackintosh are united by their individual and uncompromising style and approach to design. As expected it was Charles Rennie Mackintosh who made the stronger start, taking a 1:0 lead with his Argyle Chair - a brave break form contemporary convention and a deserved lead. Ron Arad's attempts at stemming Mackintosh's dominance largely lacked the required precision and all landed wide of their intended target. Late in the second
read moreFor 26 years James Irvine has been quietly and unassumingly influencing European industrial design. Immediately after graduating from the London Royal College of Art in 1984 James Irvine moved to Milan to take up a position with the Olivetti design studio. And has pretty much been in the north Italian metropolis ever since. In 1992 James Irvine left Olivetti and since then has worked with companies as varied as Artemide, B&B Italia, Whirlpool, Magis and WMF. Among his most public projects is
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With Royal Ascot in "full flight" and the All England Championships at Wimbledon beginning om Monday, the summer season is here and with it long evenings in the garden, on the terrace or on the balcony. Lovely. And so it was guaranteed no coincidence that we saw the wonderful Shadylace by Chris Kabel for Droog at DMY Berlin last week. For having reached a comfortable, and somewhat overweight, middle age we now feel justified in owning such a treasure. Not only does Shadylace stylishly
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Although in the course of his career Verner Panton worked with numerous designer furniture producers, his name is undoubtedly most closely associated with Vitra. Not least because of his seminal Panton Chair. The exhibition "Panton by Vitra" at Wasserschloss Klaffenbach in Chemnitz offers visitors an insight into the life and work of one of the most important and influential post-war European designers. While still a student Verner Panton worked in Arne Jacobsen's Copenhagen office and
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Because our article on the new London bus has been delayed by a broken water main at Tooting Bec, we've decided instead to do an impression of a typical London bus user. "Typical, wait ages and then two come along at once! I blame Ken Livingstone!" Ahead of the opening of the Dieter Rams retrospective "Less and More: Das design ethos von Dieter Rams", yesterday saw the opening of a second exhibition dedicated to the life and work of a former Braun designer. The Werkbund Archive Berlin's
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If we're honest - and when are we not - the news caused more than little unrest in (smow)blog HQ: Last Wednesday the VitraHaus in Weil am Rhein greeted it's 100,000th visitor. And that in only 12 weeks! And with the VitraHaus now looking likely to attract more the 500,000 visitors in its first year, Herzog and de Meureon's structure is well on its way to becoming one of Germany's leading tourist attractions. Lovely! Admirers and fans of the VitraHaus can interact and share photos, tips and
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In conjunction with the current exhibition "The Essence of Things. Design and the Art of Reduction" the Vitra Design Museum are running a series of summer workshops. "The Essence of Things. Design and the Art of Reduction" deals, as the name implies, with "reduction" in design: principally the reasons for reduction in design - be they technical, aesthetic or philosophical. Using this as the basis, the workshops encourage participants to think "reduced" and for all to create useful products
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Noise isn't something that we here in Leipzig's Lower-East Plagwitz Village have to worry too much about. The loudest it gets here being when the frogs sing their morning chorus around the lake. However, within the (smow)office, as with in all offices, it can get loud - telephones, typing, coffee machines, Eames House Birds, laptop coolers. All the normal office noises that conspire to create a background wall of sound. Whereas long-term exposure to such background office noise is
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On account of the horrendous hotel prices demanded during design week the (smow)blog team camp in Milan. And that despite last years near-drowning episode. This year the decision was a real blessing. Spared the torment of those trapped by Eyjafjallajokull at Milan Airport our return journey this year took us via Weil am Rhein, Vitra and the VitraHaus. What a difference the weather makes! When we were there for the opening in February architect Jacques Herzog commented, somewhat solemnly,
read moreLast week we vented our spleen on the ridiculous hotel prices in Milan during design week. And against an international design industry that blindly accepts such as part of the annual fun. We owe James Irvine an apology. James Irvine is obviously a man of principle who is prepared to raise his voice against the Milan hotel industry. And so thank you James Irvine! Hopefully the rest of the furniture industry will follow your lead and in a couple of years we can all tweet #Bologna2012 or
read moreWorking as a furniture designer is a lot like working as a musician or an author. You establish a reputation and then hope to attract someone to publish/produce your work. However, whereas authors and musicians tend to work exclusively with one publisher/label for prolonged periods, furniture designers generally develop products for numerous producers simultaneously. Or at least the leading ones do. In Milan we caught up with Ronan Bouroullec and here he briefly decribes what he enjoys about
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While we are in Milan enriching the good and fair minded hoteliers of the north-Italian Metropolis; life here in Germany will continue in its normal, non-bloodsucking, non-money grabbing way. Oh yes, we're bitter. And we don't believe that all the other Milan attendees find the hotel prices fair. Just they are too cowardly to publicly complain. Milan Design Week is a rip off and everybody knows it. Just know one dare speak it..... However, back to the topic in hand. Thursday 15th April
read moreWe don't have to go to Milan to visit Moormann. We can just go to Aschau. But we do enjoy visiting Moormann in Milan, because they always make that little more effort. After Moormann's 2009 Saloni Milano stand with Liesmichl, Strammer Max, Steckling et al, 2010 is looking a little more reserved. That said Else is already promising to be one of the highlights of Milan 2010 for us. Else is not a Moormann employee, lovely as they all are, but a new shelving concept by Werner Gasser. As you
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The undisputed highlight of the Kartell stand at Saloni Milano 2009 was the cat and mouse game with the special forces Kartell had hired to prevent visitors taking photographs. Despite the Kartell stand taking up an area half the size of Lombardy, the highly trained troops proved particularly efficient and we, for example, were forced to camp out overnight in a disused fox hole just to get a quick snap shot of the Dr NOs. Judging by the pre-Saloni press, this year is going to be even more fun.
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Having sold everything, including our kidneys and the neighbours cat, we can finally afford to pay for a hotel in Milan. "Is it really worth it?" ask the pensioners, students and lawyers who gather in front of the (smow)blog flat every March to buy our possessions and so help us finance the life of luxury enjoyed by that special class of bloodsucker that is the Milanese hotelier. "No" answer we. "But what are we to do?" And indeed what are we to do. One need only look at the press photos
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Congratulations to Vial, Patrick Frey and Polymerpark for winning a 2010 iF Matrial Award At the moment we can't actually say any more - because details of exactly what they have won is top secret until the official prize ceremony in Hannover on April 20th. But well done. More details can be found at Nook by Patrick Frey for Vial or at the (smow) Nook page.
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In the past we have often talked about airports, airport design and airport furniture. And not just because we want to demonstrate how much we travel and how often we are in airports. But because we find it just as important that high-quality furniture is available in public spaces as in the home or office. If you think your office furniture is well used - imagine the stress your average airport chair is put under. From March 23rd until March 25th Europe's largest airport terminal
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