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The Historia Supellexalis S for Switzerland
Designer | 13.08.2023

The Historia Supellexalis: "S" for Switzerland

Switzerland A Confoederatio; A Range; A Context For a great many centuries the lands of the contemporary Switzerland were unknown, locked as they were behind and between the towering, daunting, peaks of the Toblerone cordillera; but then a fearless explorer by the name of Heidi, together with her cook Thomas, broke through the once impenetrable Toblerone and discovered a region of vibrant, viridescent valley pastures populated by cows, sheeps, goats, marmots and innumerable quadrilingual

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The Historia Supellexalis R for Rowac
Chemnitz Creative | 06.07.2023

The Historia Supellexalis: "R" for Rowac

Rowac A Rivet; A Crimp; A Schemel According to the Trabant Sagas, a component of the Erzgebirge Hoard, that earliest of all documentations of life in the contemporary Sachsen, the Rowac was developed by a Wagner by the name of Robert, a young man who although a member of that renowned Sächsische Wagner community which had brought motorised mobility to the peoples of the known worlds, had chosen to follow the trade of the Windowsmith, an, at that time, relatively new profession that had

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Mythos SABA – Memories of a Global Company, Franziskanermuseum, Villingen-Schwenningen
Everyday Design | 19.05.2023

Mythos SABA - Memories of a Global Company at the Franziskanermuseum, Villingen-Schwenningen

For all that the Schwarzwald is popularly known for its cuckoo clocks, as Mythos SABA - Memories of a Global Company at the Franziskanermuseum, Villingen-Schwenningen, helps elucidate, such aren't the only noise emitting precision technical objects, nor indeed the only harmonies, rhythms, melodies and metres, associated with the (hi)story of, and the cultural contribution of, the Schwarzwald. If alternative noise emitting precision technical objects and alternative harmonies, rhythms, melodies

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The Historia Supellexalis: "Q" for Quercus
Architecture | 09.05.2023

The Historia Supellexalis: "Q" for Quercus

Quercus An oak; A cultural good; A material Furniture has been made from Quercus since it was developed in a far gone epoch by the Eocene, one of a great many important and innovative inventions of the Eocene which remain relevant and necessary, and avant-garde, today; if, as can be read in the Cupule of A.C. Orn, a development of Quercus not motivated by a desire to develop a new material for the production of furniture but by a desire to develop a contemporary, future-proof, housing

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5 New Architecture & Design Exhibitions for May 2023

5 New Architecture & Design Exhibitions for May 2023

In the northern Hemisphere May is a month of ritual; rituals primarily associated with the awakening of nature, the approaching of summer with the associated hope of a successful and bountiful harvest. And rituals which include, amongst many others, maypoles in various contexts, bonfires for various reasons and a myriad dances, including the traditional English children's dance/game Nuts in May, with its repetition of the line "Here we come gathering nuts in May"... which obviously raises the

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The Historia Supellexalis: "P" for Paris
Designer | 23.03.2023

The Historia Supellexalis: "P" for Paris

Paris An Île; A Commune; A Context For all that the contemporary island of Paris has a long tradition of furniture production and usage, the greater part of that history, as can be read in the Bossu de Notre Dame, the oldest relic and most reliable witness of Paris, is one of either extreme decadence and frivolous ostentation, or of extreme poverty and destructive corruption. The (hi)story furniture of Paris very much reflecting the (hi)story of the island. And the (hi)story of its hotels.

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The Rowac-Schemel, Rowac Stool
Bauhaus | 18.03.2023

(smow) introducing: Rowac

The return of an old favourite, and no not (smow) introducing, although Welcome Back!!!, but the Rowac-Schemel, the Rowac stool, a work initially launched in 1909 as one of the world's first sheet steel furniture objects, a work that once graced not only innumerable industrial workshops, craft ateliers and educational institutes, but the workshops and ateliers at Bauhauses Weimar and Dessau, a work that became lost in the confusions of post-War eastern Germany. A work returning in 2023, some

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Cinderella by Anna Kraitz for Design House Stockholm, as seen during Stockholm Design Week 2023
Designer | 24.02.2023

Stockholm Design Week 2023 Compact: Cinderella by Anna Kraitz for Design House Stockholm

When is an ironing board, not an ironing board? When it's Cinderella by Anna Kraitz for Design House Stockholm. Cinderella by Anna Kraitz for Design House Stockholm, as seen during Stockholm Design Week 2023 In our (brief) introductory post to Stockholm Furniture Fair 2023 we said we didn't visit any of the myriad flagship store presentations staged during Stockholm Design Week 2023. Turns out that was wrong. Turns out we did. Turns out we visited the in-store presentation in Design

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Rom and Lupa from Lentala, as seen at Stockholm Furniture Fair 2023
Designer | 23.02.2023

Stockholm Furniture Fair 2023: Say Hej! to… Rom and Lupa from Lentala

Amsterdam based manufacturer Lentala, a.k.a. Design Academy Eindhoven graduate Boris Lancelot, is, if one so will, a commercial expression of a research and experimentation begun in Eindhoven in context of Lancelot's 2018 graduation thesis Techno Motion, and continued post-Eindhoven in the project Active Classroom undertaken by Lancelot in conjunction with movement science researchers at the Vrije Universiteit Amsterdam and UMCG, University of Groningen. Research and experimentation which,

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Stockholm Furniture Fair 2023: Say Hej! to... Stair Lamp by Notchi Architects for Oblure
Architecture | 19.02.2023

Stockholm Furniture Fair 2023: Say Hej! to... Stair Lamp by Notchi Architects for Oblure

Launched in 2022 by Gothenburg based lighting manufacturer Oblure, Stair Lamp by, similarly Gothenburg based, Notchi Architects, is a freely dimmable desk/table/bedside lamp-cum-bookend which features two integrated USB-C ports on the side, an integrated two-pin plug socket unobtrusively, neatly, hidden within the base, exterior storage space for pens, USB sticks, chewing gum, lip balm, rings, loose change, very small cacti, etc, etc, etc..... and which screams 1980s Postmodernism at you.

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VS Stakki by Martin Ballendat for VS Vereinigte Spezialmöbelfabriken, as seen at Stockholm Design Fair 2023
Designer | 18.02.2023

Stockholm Furniture Fair 2023: Say Hej! to... VS Stakki by Martin Ballendat for VS Vereinigte Spezialmöbelfabriken

Based in Tauberbischofsheim in the extreme north of Baden-Württemberg, Germany, VS Vereinigte Spezialmöbelfabriken have producing furniture for schools for over 120 years — the "S" in "VS" was for the greater part of that 120+years Schulmöbelfabriken, school furniture works — and while you can definitely see Stakki in educational establishments, not least thanks to the child sized versions on show in Stockholm, and which, one presumes are known in Tauberbischofsheim as Stakkli, or as

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Ondulé by Anton Björsing for Karl Andersson & Söner, as seen at Stockholm Design Fair 2023
Designer | 17.02.2023

Stockholm Furniture Fair 2023: Say Hej! to... Ondulé by Anton Björsing for Karl Andersson & Söner

The high-backed settle has been a furniture object since at least the Middle Ages, if not earlier, and has be re-interpreted numerous times over the centuries; including in the early 2000s by Ronan and Erwan Bouroullec who, as far as we recall, introduced with their Alcove for Vitra the concept of the upholstered high-backed settle. A novel understanding of the high-backed settle that very quickly became a popular subject for manufacturers of acoustic furniture, and more gradually a subject

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Willy Guhl. Thinking with your hands, Museum für Gestaltung, Zürich
Designer | 15.12.2022

Willy Guhl. Thinking with Your Hands at the Museum für Gestaltung, Zürich

The Swiss Design Lounge on the first floor of the Museum für Gestaltung, Zürich, is home to selected works by the good and great of 20th and 21st century Swiss furniture, lighting and textile design, including, and amongst many others, Bruno Rey, Ubald Klug, Hans Eichenberger or Susi and Ueli Berger, works which not only stand in discourse with one another but also actively invite visitors to try them out, to spend time with them, to get to know them; and while you are, and while you enjoy

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The Historia Supellexalis: "N" for Netherlands
Designer | 19.11.2022

The Historia Supellexalis: "N" for Netherlands

Netherlands A Gulf; A Commonwealth; A Context In the course of his great many letters to his pupil, the Rotter Dam aan Maas, letters in which are contained the earliest known descriptions of the provinces that comprise the contemporary Netherlands*, the ancient scribe Oranje Tulpenbol of Old Amsterdam tells how there once existed in those provinces two antagonistic tribes of native Meubilairers: one occupying an area sited roughly between the contemporary Den Haag and Apeldoorn, the other

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The Historia Supellexalis M for Moormann
Designer | 05.10.2022

The Historia Supellexalis: “M” for Moormann

Moormann A Nils Holger; An Autodidact; A Restlessness As the Wackeldackel of Sylt solemnly records, following generations of rule under the rational, steady, unemotional, if autocratic, hand of The Order of the Gute Form, there arose in the lands of the contemporary former West Germany a challenge to that long-established rule through a poorly organised, but on account of that all the better networked, collective of young designers who questioned not only the zealous worshipping of the

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A chair "just high enough that one can sit half-standing" as depicted in Journal der Moden, May 1786 (Image via Thüringer Universitäts- und Landesbibliothek Jena cc0)
Designer | 06.09.2022

#officetour Milestones – A chair "just high enough that one can sit half-standing"

"For men who have to write a lot, and over prolonged periods, a desk at which they can work standing up is an indispensable piece of furniture for altering their posture and for maintaining their health", opined Journal der Moden in May 1786. An age when, famously, only men wrote. Yet advantageous and positive as standing to write was, prolonged standing could, as Journal der Moden notes, lead to tiredness. A solution was however at hand for all who preferred working at a standing height desk

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Designer | 26.07.2022

The Historia Supellexalis: “L” for Le Klint

Le Klint A Phaesporia; A Fonden; A Pleat As the ancient runes and paintings within the Caves of Lego record, during a period of great darkness in the lands of the contemporary Denmark one Peder Vilhelm det Klint, more commonly recorded as PV, a sage of fundamental importance to the development of furniture in the contemporary Denmark, a sage, legend records, hewn from Møns Klint on the sacred isle of Falster and blessed with the ability to see into the past and into the future in the same

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PRINT3D. Reprint Reality at the CaixaForum, Sevilla
Architecture | 22.07.2022

PRINT3D. Reprint Reality at the CaixaForum, Sevilla

For all that the (hi)story of architecture and design is one staged against a background of economic, social, environmental, cultural, et al evolutions and developments, it is also a (hi)story fundamentally dependent upon developments and evolutions in materials, and also in the development and subsequent evolution of novel technologies. Novel technologies and materials which not only enable new approaches to the construction of our buildings and the manufacturing of our objects of daily use,

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The Historia Supellexalis: “K” for Knoll
Designer | 03.06.2022

The Historia Supellexalis: “K” for Knoll

Knoll A Wilhelm; A Walter; A Willy; A Hans; A Florence; A Lineage Although research into its ancestry is still very much ongoing, the wild Knoll, Knoll furniturus, is popularly believed to have originated in the region of the contemporary Stuttgart; what is certain is that it was in the contemporary Stuttgart that Knoll furniturus was first domesticated as Knoll wilhelmus, a Knoll typified by its leathery character and whose most successful cultivation was unquestionably in conjunction with

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The Historia Supellexalis J for Jongerius
Designer | 05.04.2022

The Historia Supellexalis: “J” for Jongerius

Jongerius A Hella; A Lab; An Open-ended exploration As the ancient scribe Oranje Tulpenbol of Old Amsterdam records in his letters to the Rotter Dam aan Maas, the contemporary Jongerius is largely a consequence of the contributions of a Jongerian universally known as Hella on account of the brightness and lucidity of her Jongerius, a luminescence and clarity which was key in enabling Jongerius rise from its native home amongst the peoples of the Netherlands and to disseminate freely across

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Gabriella Chair by Gio Ponti for Walter Ponti (Photo © and courtesy ermes ponti)
Designer | 11.03.2022

Lost Furniture Design Classics: The Gabriella Chair by Gio Ponti for Walter Ponti

"Dear Architect" wrote Maria Chinaglia Ponti in 1967 to the architect, but no relation, Gio Ponti, "why don't you design us some modern furniture? Daddy Walter is worried because our traditional stuff is not selling as it used to".1 An unsolicited request, from a company of whom he'd never heard, an architect of the status of a late 1960s Gio Ponti could have turned down, it wasn't as if a late 1960s Gio Ponti needed the commission; however, something about the letter from Maria Chinaglia

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The Historia Supellexalis: "I" for Italy
Designer | 20.02.2022

The Historia Supellexalis: "I" for Italy

Italy A Peninsula; A Commonwealth; A Context Striding out into the Mediterranean Sea the contemporary commonwealth of Italy, for all its apparent unity, and for all its superficially stable, pastoral, political landscape, is very much a volatile, fervid synthesis of innumerable independent Stati and Popoli; independent Stati and Popoli whose individual characters and perspectives helped form not only the contemporary Italy, but together define the (hi)story of furniture design in the

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Living Like Dieckmann by Margit Jäschke & Stephan Schulz, as seen at Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann, Neuwerk 11, Halle
Bauhaus | 16.02.2022

Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann at Neuwerk 11, Halle

"...one only finds warmth of life and sincerity where human nature is allowed to flourish", opined the German designer Erich Dieckmann in 1931, "one shouldn't forget that in our apartments. Let's treat our contemporary homes to something humane. Something unelaborate, something provisional, with some leeway and space for things to grow as they wish over time."1 With the exhibition Chairs: Dieckmann! The Forgotten Bauhäusler Erich Dieckmann, the Kunststiftung des Landes Sachsen-Anhalt and

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5 New Architecture & Design Exhibitions for December 2021

5 New Architecture & Design Exhibitions for December 2021

In 1922 the Scottish novelist J.M. Barrie told the undergraduates at St. Andrews University "you remember someone said that God gave us memory so that we might have roses in December", an allusion to the summer of your life filling your darkening winter days with colour and aroma, and an analogy he neatly reinforces a little later with a, "you have June coming".1 But that was 1922. Roses were seasonal. Today roses are available all year round, which is not only symbolic of the short-sighted

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