In our post on the Drawers Table by 45 Kilo for My Kilos we noted "any product that can appear as fresh, contemporary and universally deployable six years after its release as it did on day one is, as a general rule, good." And what about a table which appears as fresh, contemporary and universally deployable 61 years after its release as it did on day one? Such is the case with the ess.tee.tisch t-6500 from Swiss manufacturer Horgenglarus. Originally launched by Horgenglarus in 1954 as the
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As regular readers will be aware, for us there are two characteristics which define a proper desk: drawers and an endlessly large surface area on which to spread out and indulge in your work/life balance. Characteristics perfectly embodied by Drawers Table by design studio 45 Kilo for Berlin based brand My Kilos. What however is particularly pleasing and endearing about Drawers Table is that despite its wonderfully spacious dimensions, the well thought through design and carefully reduced
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Much as we tend to shy away from "Designer of the Year" awards, the presentation of German architecture and design magazine A&W's Designer of the Year award is always an early highpoint of the Passagen Cologne Design Week. Principally because it invariably results in a compact yet informative exhibition from and about the selected designer. An exhibition that is perhaps never independent nor critical, but which always provides an accessible overview of the designers oeuvre. Following on from
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Our favourite Portuguese designer TM Rui Alves is making his IMM Cologne début this year, with a new prototype under his own name and an old smow blog favourite being launched by Danish manufacturer Menu. Premièred as "Tailor Sofa" at Salone Satellite 2013 and now renamed Lounge Sofa by Menu the work initially caught our attention on account of being a "deliciously effortlessly reduced down piece [which] combines a turned wooden frame with a pressed felt seat to create a sort of simplified
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Following on from system design at the MAKK and the more autonomous product design featured at Objects in Between, we bring you an exhibition in Cologne presenting a third product design category: the collection. Whereas systems require a connector, a universal node, collections can be considered a series of related products which although created in the one context need not have a connection. Other than having been created in the same context. For their Passagen Cologne 2015 exhibition
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Following on from the success of smow Cologne's Passagen Design Week début in 2014 with the USM Haller exhibition Facetten, 2015 sees a presentation of tables from the German manufacturer ASCO. Established in 1998 with the aim of developing tables which radiate a timeless elegance, the ASCO collection combines table tops in a range of hardwoods with bases constructed from wood, metal or concrete to produce objects that are as domesticated as they are rustic and individual as they are
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Such was the quality of the new products we saw during our autumn tour they kept us going well into November; indeed it wasn't until a cold dank Friday in Chemnitz ahead of the opening of the exhibition Andy Warhol – Death and Disaster at the Kunstsammlungen Chemnitz, that we even realised it was November.
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......and continued over Budapest and on to Berlin - where amongst other delights we partook of the exhibitions Sensing the Future: László Moholy-Nagy, die Medien und die Künste at the Bauhaus Archiv Berlin and Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum - and onto Cologne for the Orgatec office furniture trade fair.
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... had things not continued apace in June. A month which saw us trawl trough Berlin with Niek Wagemans looking for material with which to build a bar for the Dutch Embassy, rub shoulders with some very glamorous individuals at Design Miami Basel and, most importantly, test the new Vitra Slide Tower in Weil am Rhein.
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May may have been slow in the past. May. For aside from DMY Berlin, Fritz Haller in Basel, Niek van der Heijden in Berlin, and Wilhelm Wagenfeld in Bremen we also got to visit Nürnberg and the new archaeology museum in Chemnitz. And so all things considered May 2014 may go down as one of our busiest months ever.....
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As all old thesauruans know "April" is merely a synonym for "Milan" And lo despite all promises to the contrary April 2014 once again found us in Lombardy, where, amongst other objects and exhibitions, we were very taken with the Alexander Girard reissues revealed by Vitra, the exhibition of Meisenthal Glassworks at the Institut Francais and the new Rival chair by Konstantin Grcic for Artek. Away from Milan April 214 saw us get to know the work of Pascal Howe at the DMY Design Gallery Berlin,
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According to our pictorial review of March 2013 it was "a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau….. its amazing we found time to actually write anything……." March was 2014 was the same. Just replace "Stuttgart, Chemnitz, Weimar, Dessau" with "Frankfurt, Münsingen, Berlin, Weil am Rhein" It also explains the large number of half-finished drafts from March. Obviously we didn't find time to write everything!
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Cold as February 2014 unquestionably was, we managed to warm ourselves with exhibitions looking at the 1920s medial representation of Bauhaus Dessau, the life and works of Marianne Brandt and the work of Berlin based designer Birgit Severin. And got all excited by some USM window fittings!
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Whereas in years past we would have just blithely stated that January, as ever, saw us in Cologne for IMM Cologne and the Passagen design festival. January 2014 saw in context of the Passagen deign week the first in-store exhibition in the smow Cologne store: Facetten - a presentation devoted to domestic uses of the USM Haller modular furniture system. Elsewhere in Cologne we were very taken with Objects and the Factory, Design Flanders and Alle Metalle / All Metal. In addition January 2014
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As many of you will be aware, for us no post about 20th century American design is complete with the addition of alcohol and George Nelson. And so by way of a reprise to our recent post celebrating Isamu Noguchi's birthday, we present, with thanks to Stanley Abercrombie's ever excellent and easily recommendable George Nelson biography, George Nelson's recollections on Isamu Noguchi and his role in the creation of the famous Ball Clock. An anecdote that in addition beautifully highlights the
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Explaining the background to their contribution to Stylepark's Being Home 4+4 installation programme at Orgatec Cologne 2014 Marcel Besau and Eva Marguerre a.k.a. Besau Marguerre stated their belief that the best ideas rarely strike at the desk and that, and in particular in a home office context, any space is a potential work space. The garden, for example. On the balcony. In the dining room. Or in the kitchen. And so why not take the kitchen into the office. So, or similar, is possible
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Whereas the vast majority of successful and popular furniture designers have an architecture or handcraft background, there are naturally exceptions. One of the best known and most fascinating being without question the sculptor and artist Isamu Noguchi. Born on November 17th 1904 in Los Angeles as the first and only child of the American writer Leonie Gilmour and the Japanese poet Yone Noguchi, the young Isamu was raised in Japan until 1918 when he was sent to the Interlaken boarding school
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On seeing a lamp grace a Jean Prouvé desk on the Vitra stand at Orgatec 2014 we termed it "a genuine reminder that good design is often the simplest solution" On seeing a lamp grace a Jean Prouvé desk in the VitraHaus, we concurred. Quietly noting that it was, in addition, "a genuine reminder that a good name is often the simplest solution" Plug Lamp by Form Us With Love for Ateljé Lyktan is both those things. Packaged in the most delightful and engaging object. A desk lamp with an
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On Friday October 24th the winners of the Saxony Design Award 2014 - the Sächsischer Staatspreis für Design 2014 - were announced at a, no doubt, suitably grand ceremony in Leipzig. Ran under the motto "Mehr Wert durch Design" - "More value through design" - the 2014 edition of the biennial contest looked for projects which help illustrate the potential of design in our modern post-industrial industrial economy. And which we suspect, although it wasn't explicitly stated, was intended to
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For just about as long as Thonet have been producing furniture one of the company's most important designers has been "Thonet Design Team", a description we've always considered to be a rather disparagingly sterile and unnecessarily nebulous description for Thonet's team of in-house designers. Every serious contemporary furniture manufacturer has an in-house design team who are responsible for both helping adapt external designers works to the company's production patterns and also creating
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At the risk of overusing the phrase "a concept that grows on us the more XXXX adds to it" and so reducing a genuine sign of respect to irrelevant dribble: Stefan Diez's New Order system for HAY is a concept that grows on us the more Stefan Diez adds to it. What began life as relatively simple contemporary shelving system is being presented at Orgatec 2014 as a fully fledged office system. We've always liked New Order, but the more it grows, the more it appeals. Apart from the systems
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In comparison to the annual IMM Cologne furniture fair the corridors and halls of the Messe Cologne always seems curiously empty at the biennial Orgatec office furniture trade fair. Until that is one reaches the Vitra stand. And the crowds. The almost congenital attraction of Orgatec visitors to Vitra is unquestionably related to the high-calibre roster of international designers responsible for the Vitra office programme. At Orgatec 2014 that programme has been extended by, amongst other
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As already noted, until Friday October 31st smow Cologne are presenting the exhibition Stadt-Land-schafft. Making use of smow Cologne's generous window space and even more generous Waidmarkt frontage, Stadt-Land-schafft presents eight interpretations of urban topology and the conflict/synergy between our natural and our built environments. And so, for example, Aachen based K2 Architekten present the installation Barb[el] which reflects on how city and countryside merge with one another without
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Whether 'tis nobler in the muscles to suffer The slings and arrows of short telomeres, Or to rise up against a sea of troubles, And by standing, extend them? In addition to articles on the wonders of handmade Swedish butter, the problems of supermarket etiquette and ill thought through editorials on the Scottish referendum, the English newspaper "The Guardian" occasionally publishes readable articles, one such being Dr Luisa Dillner's recent "Is sitting down bad for my health?" Citing
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