August 20th marks the 100th anniversary of the birth of Finnish architect/designer Eero Saarinen. Eero Saarinen had - in all probability - very little career choice other than that of architect: Not only was his father Eliel Saarinen one of Finland's most celebrated architects, but two of his uncles followed the same profession. In addition his mother, Loja Gesellius Saarinen, was a sculptress and textile designer. Eero Saarinen spent his first 13 years in his birthplace, Kirkkonummi on the
read more
Time was when social networking for businesses meant cocktail parties, tennis clubs and the Freemasons. Time Was. However Time Is and in the modern commercial world social networking means Facebook, Twitter, X-ing et al Not only as a marketing tool but also as an increasingly important instrument for communicating with customers, gathering feedback and handling criticism. In addition a recent survey by Edison Research among twitter users in the USA indicated that for many consumers
read more
A recurrent theme, not only here in the (smow)blog but also in general throughout the (smow) global network is the subject of illegal copies of design classics. Or better put when is a design classic a design classic? At the HGB Leipzig Rundgang in February we were confronted with an unexpected and somewhat unusual interpretation of the question in the form of "Eames Lounge Chair" by George Brückmann. And were immediately hooked. And not only we were impressed by Brückmanns work, In
read more
The familiar nature of Group D was continued with this meeting of two grandees of the international designer furniture circuit: Eero Saarinen and Alexander Girard. With both still having an outside chance of qualifying for the semi-finals the start was edgy and imprecise. Alexander Girard however was first to find his rhythm and came close with an intricate Names fabric. Eero Saarinen responded with a clever Grasshopper chair, a move which produced the most delightful Millerstripe
read more
After the strenuous match against Alexander Girard, France decided to rest Ronan and Erwan Bouroullec for the match against Eero Saarinen. Their replacement, the enfant terrible of contemporary French design Philippe Starck however failed to match the old Finnish master; too often Philippe Starck strove forward with fairly predictable and poorly considered approaches. Eero Saarinen was able to make use of the gaps produced by Philippe Starck to good effect scoring with his Tulip Chair and a
read more
It may not be the most universally recognised example of either Charles Eames' nor Eero Saarinen's canon however their 1940 "Conversation Chair" is without doubt one of the more important examples of 20th century furniture design. Designed for the New York Museum of Modern Art's "Organic Design in Home Furnishings" competition the Conversation Chair was a concept piece and Eames' and Saarinen's first attempt at moulding synthetics. At that time however the technology lagged somewhat behind
read more
