In the exhibtion A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. But not sit on them. In the presentation Stühle zum (Be)Sitzen on the first floor landing of the Grassi Museum für Angewandte Kunst, Leipzig, there is more than A Chair and You can look at them, study them, explore them, converse with them. And sit on them. Thirteen chairs which unite more than just thirteen
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Italy A Peninsula; A Commonwealth; A Context Striding out into the Mediterranean Sea the contemporary commonwealth of Italy, for all its apparent unity, and for all its superficially stable, pastoral, political landscape, is very much a volatile, fervid synthesis of innumerable independent Stati and Popoli; independent Stati and Popoli whose individual characters and perspectives helped form not only the contemporary Italy, but together define the (hi)story of furniture design in the
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Front An Anna; A Sofia; A Charlotte; A Katja; A Conduit. According to the sacred Köttbullar of Ikea, the quadruplets Anna af Front, Sofia af Front, Charlotte af Front and Katja af Front were born and raised on the island of Konstfack to the west of Stockholm, the ancestral home of the Swedish af Fronts, an island as famed for its horses, monkeys and brightly painted houses as its af Fronts, and where the kvartett took their first steps in product and furniture design, that hereditary
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"It's not possible to define a style in my work"1, opined once the Italian architect and designer Gae Aulenti. With the exhibition Gae Aulenti: A Creative Universe, the Vitra Design Museum Schaudepot don't contradict that opinion, but do provide for a framework for considerations on its validity...... Gae Aulenti: A Creative Universe, Vitra Design Museum Schaudepot Born in Palazzolo dello Stella (Udine) on December 4th 1927 Gaetana "Gae" Aulenti studied architecture at the Politecnico
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Born in Leverkusen Glen Oliver Löw initially studied Industrial Design at the University of Wuppertal before moving to Milan in 1986 where he completed a Masters degree at the Domus Academy. Following his graduation from the Domus Academy Glen Oliver Löw remained in Milan where he took up a position with Antonio Citterio, becoming a partner in the practice in 1990, and developing a wide range of projects for companies as varied as, amongst others, Vitra, Kartell and Flos. In 2000 Glen Oliver
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"Plastic was equivalent with America for us. Only Bakelite came from Europe. Right? But after the war, everything plastic came to Italy from the States. Purely commercial stuff, but every year a new material came on the market", recalled Italian architect and designer Anna Castelli Ferrieri in a 1997 interview, "We wanted to try out what all can be made with these new materials"1 And try she did. With an élan that resulted in an enviable portfolio of products that have not only become
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It's probably indicative of the transiency of the contemporary furniture business, but during the recent Maison & Objet in Paris, Milanese manufacturer Kartell celebrated 10 years of the lamp Bourgie by Ferruccio Laviani. Time was when 10 years was but the blink of an eye for a lighting design object; these days, objects that survive a decade are the grand old men of the company's portfolio. To celebrate ten years of Bourgie Kartell asked 14 designers to re-imagine Ferruccio Laviani's
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A few years ago the (smow) blog telephone rang..... "Good morning is it possible to speak to Philippe Starck please?" enquired the caller. "I'm sorry he's not here at the moment" we replied, truthfully, if not altogether helpfully. "When will it be possible?" came the inevitable follow-up. "We're not really sure, he's not here in Leipzig that often", we responded, truthfully if, again, not altogether helpfully, "you're probably better phoning the Paris office they tend to be better
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On Tuesday April 30th 2013 Queen Beatrix of the Netherlands steps down as head as the House of Orange. And Posterous closes down. One going voluntarily to ensure an smooth transition of power. The other being closed by its new owners as part of a brutal and unjust conflict for supremacy in the social media market. We discovered Posterous in 2010 by pure change, were instantly hooked by the effortless simplicity with which one could post and so Posterous became our platform of choice for all
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On Monday September 5th the Universität der Künste Berlin designtransfer centre hosted a talk with the Italian designer, design critic, design linguist and, somewhat paradoxically, design disdainer, Enzo Mari. Preparing for the event we read page upon page about the man, his ideas, his work but mainly about his well documented rants against.... well pretty much everything as far as we could ascertain. Which made the sight of a gentle, elderly man, walking amongst the audience, shaking hands
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Luddites! Not a phrase normally associated with (smow) To the best of our knowledge no (smow)employee has ever smashed an iPad or capped a WiFi service in protest at the creeping and increasingly obsessive proliferation of technology into our lives. Despite that, the early summer weeks in the (smow)HQ were dominated by the preparation and production of the very first (smow)catalogue. That's print catalogue. So on paper. With ink. Luddites? Au contraire nos amis! Not only is the
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As part of Stockholm Design Week 2011 Kartell presented the magazine rack Front Page by Stockholm design studio Front. Clever word play and all..... Although formally launched at Milan 2010 Front Page is only now making it's way into the shops and as such presented a wonderful excuse for a Front "home gig". Having already worked with producers such as Moroso, Established & Sons or moooi, Front Page is Front's first product for and with Kartell. At the product launch in the Stockholm
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Time was when social networking for businesses meant cocktail parties, tennis clubs and the Freemasons. Time Was. However Time Is and in the modern commercial world social networking means Facebook, Twitter, X-ing et al Not only as a marketing tool but also as an increasingly important instrument for communicating with customers, gathering feedback and handling criticism. In addition a recent survey by Edison Research among twitter users in the USA indicated that for many consumers
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August 6th marks the 90th anniversary of the birth of the Italian architect, designer and Kartell co-founder Anna Castelli Ferrieri. Despite initial flirtations with modernism, including a trip to Paris to visit Le Corbusier, the young Anna Castelli Ferrieri was drawn ever more to the Italian neo-rationalism - especially that practiced by Franco Albini. And although Kartell products may not be physically reminiscent of the work of Albini, the ethos behind the company and its approach to
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Although the majority of Ron Arad's work could squash most of Isamu Noguchi's, he played fair and held back from producing a Well-Tempered chair, preferring instead to work on variations in plastic. Despite some good Infinity Bottle Rack, Lovely Rita and Bookworm work for Kartell, Isamu Noguchi's constantly high standard Akari lamp variations held the Israeli at bay and the final 0:0 was a just result. The Group C table and all Group C results can be found
read moreFollowing his ankle injury Cesare "Joe" Colombo was replaced for this match by Antonio Citterio, one of the most experienced designers in the Italian squad. Opening with a quick Mobil for Kartell Antonio Citterio quickly reinforced this with a Follow Me for Vitra. Despite the intensity of the opening Citterio couldn't break Maarten Van Severn's legendary calm and the doyen of Belgian furniture design responded with an elegant LCP for Kartell and MVS Chaise for Vitra combination and so
read moreAlthough stylistically worlds apart both Ron Arad and Charles Rennie Mackintosh are united by their individual and uncompromising style and approach to design. As expected it was Charles Rennie Mackintosh who made the stronger start, taking a 1:0 lead with his Argyle Chair - a brave break form contemporary convention and a deserved lead. Ron Arad's attempts at stemming Mackintosh's dominance largely lacked the required precision and all landed wide of their intended target. Late in the second
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Day two of the 2010 (smow) designer furniture World Cup and the first all female match: Patricia Urquiola against Hella Jongerius. As expected Urquiola started in her typical robust, voluminous fashion as demonstrated by her work with the likes of B&B Italia, Cassina or Molteni & C. Against the more wily, formally adventurous Jongerius, however, Urquiola advanced only slowly with her classic "lounge" approach. Switching to a more synthetic "Kartell" Approach seemed to offer Urquiola more
read moreThe opening match of the 2010 (smow) designer furniture World Cup pitted not only two of the great design nations against each other, but two of the most influential post-war European designers: Verner Panton and Cesare "Joe" Colombo. In a brave early move Verner Panton attempted to go solo with his Bachelor chair, Colombo managing to counter at the last minute with his Armchair Modell 4801 for Kartell. Following further good build-ups and clever uses of plastics, Joe Colombo eventually took
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