Richard Lampert is no newcomer to the world of kids designer furniture: products such as the Eiermann Children's desk - a reduced, child friendly version of the Egon Eiermann table frame - or the Turtle kids swivel chair by Peter Horn having become established family favourites. However, irritated by the general lack of high quality, designer furniture available for children, Richard Lampert decided to initiate his own range - with the help of a wonderful array of young international design
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One of the things that separates the world of independent product designers from the commercial giants is the level of cooperation and community that exists. Whereas one can't really imagine, for example, Vitra and Fritz Hansen jointly presenting Verner Panton re-issues at a trade fair; among young and independent designers there are fewer such hang-ups. And even a few "cooperatives" - for want of a better phrase - who regularly put on collective shows during design weeks and on the fringe
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One of the unfortunate weaknesses of IMM Cologne is the general lack of new products on show - either at the fair itself or out and about at the fringe events. That's not 100% IMM's fault rather the collective failing of a furniture industry that continues to focus, almost paranoid, on the Milan Design Week. Fortunately there are one or two producers who are prepared to use IMM to launch new products - including Augsburg based Müller Möbelfabrikation. Perhaps most eye catching of Müller
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As with all furniture trade fairs IMM annually gives part of the floor space over to young, up and coming, designers. In three themed sections "d3 Design Talents" offers space for design colleges - d3 Schools - those further on the way to establishing themselves - d3 Professionals - and a competition - d3 Contest. "Space" is however not only a relative term - but one that cannot be defined by physical measurements. As we learned on the journey to Congress-Centrum Ost! d3 Design Talents : d3
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While critics denounce such as an easy and obvious way to generate content - for us reviewing the past year is an important step in planning our activities for the coming year: where to go, who to talk to, what to sit on and, just as importantly, what to ignore or give up. The only real problem for us is that in preparing such we realise just how much material we haven't had the chance to use - and so receive an impression of how much more material we will acquire in the coming year. Heck!
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Fear not, we've still got a duffel bag full of products and stories from our week in Cologne to bring you. However we feel it only right to quickly review the 2010 IMM Cologne. Elsewhere we've read that there were no trends to be found at IMM. Which for us is positive. Trends have no place in the furniture business. Trends imply that the role of furniture is to meet some pre-ordained assumption on the part of the consumer as to what their furniture should look like, how it should behave
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It's not often a product impresses us so much it causes us to swear; but Becherlicht by Martin Neuhaus had such an affect on us we spent our first four hours at Designers Fair cursing like trawlermen who had just hauled a case of whisky on board. Honestly the looks we got. But it was worth it. Because Becherlicht is already well on its way to being our product of the year. Light shining though a plastic beaker throws a coloured shadow onto a surface. The idea is so simple, yet only works
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There is little doubt as to who the most popular furniture producers with the exhibitors here in Köln are.... Vitra and Kartell. Two producers whom the Messe Köln sadly can't attract to the show in their own right. And that despite the fact that all the snack bars here in Köln Messe use Maarten van Severen's genial .03 On the stands here however we've seen, for example, Panton Chairs being used to augment otherwise tasteless bedroom suites and the classic Vitra DSR by Charles and Ray Eames
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"You can't have a light without a dark to stick it in" Arlo Guthrie's quote features on interror.be in conjunction with the product sevenup - a light that ironically proves that although a dark can be helpful to a light ... it aint a pre-requisite. Reminiscent of Rody Grauman’s 85 lamps for droog - just with only seven bulbs and with the bulbs elegantly held apart form one another - sevenup is a wonderful modern interpretation the classic chandelier. Stripped to the bare essentials - cables,
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To celebrate their 50th birthday the German furnishings magazine "Schöner Wohnen" have produced a small book entitled "Das Buch der Klassiker“ ("The book of classics") in which the magazine present their 400 furniture and accessory classics. And an exhibition of the selected items forms the basis of the Schöner Wohnen stand here in Cologne. Aside from familiar faces such as Vegetal by Ronan and Erwan Bouroullec from Vitra or the Castore lamp by Huub Ubbens und Michele De Lucchi for
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In a previous life Patrick Frey created one of our favourite Moormann products: Kant. And we think he may have done it again with Nook his new stool for vial. Manufactured in a single piece from VarioLine - an injection moulded plastic - the folded form is held together by an aluminium catch in the base. The tension generated in the VarioLine give Nook its stability and durability. In addition, thanks to the nature of the VarioLine Nook is weather and UV resistant and so can be used just
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Students. They're a bit like the monsoon rains in Bangladesh. Cause havoc and distress, yet without them out them human life would eventually cease to be. And so we put up with them, because they are the future. Weirdly. Consequently the Cologne exhibition centre cellar, as are all cellars at such trade fairs, is currently rammed full of design students. Under the combined title: [D³] Design Talents the IMM organisers have combined three streams: [D³] Contest- a contest [D³] Professionals
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On Wednesday a tweet fluttered into our (smow)twitter from @imm_cologne with the information that the Munich based producer ClassiCon had decided to return to IMM Cologne. Which in the wake of the shock we received on our first day here in Köln didn't go unnoticed among the thousands of invites to cocktail parties and sumptuous buffets at some of Cologne's finer addresses we're forced to deal with. Established in 1990 from the dying embers of the 1898 established "Vereinigte Werkstätten für
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According to the advertising information "The leaning lamp stresses the relationship between light and architecture by its generous gesture" That as may be, for us luca lean by maigrau is one of those genially executed design concepts that separate the chaff from the rye. Items leaning against walls is no new concept. Alone Moormann could create a category dedicated to furniture items that are supported by architectural supporting structures. But wheels aint new either...what is new is new
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As with all major furniture trade fairs, Cologne also has it's fringe events; indeed throughout they city museums, shops and other businesses have taken the opportunity to present some aspect of modern furniture. Not as much as one finds in Milan during the Saloni week; but an awful lot more than Leipzig manages during Designers Open. Sadly. The main "off-messe" focus is Designers Fair in .... well were not entirely sure what. That the building housing Designers Fair was previously some
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Here's something that doesn't happen to us everyday... finding a product good, without even knowing what it's called. Or indeed who makes it. We discovered these delights in Hall 7. And there great. Just Great. You can sit on them. You can lie on them. You can hide in them. You can relax on them. You can work on them. You can sleep on them. Theoretically you could use them as a form of summer house; assuming you lived in a warm climate. It's not that unusual that a product causes
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Designed in 2005 for the French producer Ligne Roset, Facett by Ronan and Erwan Bouroullec will be familiar, at least tactility, to all who know the Bretonnian Brothers Alcove Sofa for Vitra. A winner of a RED DOT award in 2005 the Facett armchair is part of a small range of living and dining room furniture that also features a sofa and dining chair. While garish orange/yellow isn't always our favourite colour, Facett simply wouldn't work in any other colour scheme. And exactly because the
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Shortly before the IMM opened the German Furniture Association announced that the production of furniture in Germany fell by 10% last year. And if what is on show in Cologne is the very best the German furniture consumer can look forward to in the coming 12 months - expect a further reduction. And by a lot more than 10% Truly, truly ugly. Imagine hell decorated by the devil with a really, really bad hangover - and your getting near to what we endured in some halls this afternoon. Indeed
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