... had things not continued apace in June. A month which saw us trawl trough Berlin with Niek Wagemans looking for material with which to build a bar for the Dutch Embassy, rub shoulders with some very glamorous individuals at Design Miami Basel and, most importantly, test the new Vitra Slide Tower in Weil am Rhein.
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If we remember correctly, the only Irish designer we have ever included in these pages is Eileen Gray. That may soon change because 2015 has been officially designated the year of Irish Design. Coordinated by the Design & Crafts Council of Ireland "Irish Design 2015" promises a year long series of exhibitions, fairs and conferences both in Ireland and overseas which aim to foster dialogue and collaboration and thus, so hope the organisers, encourage design led investment in Ireland and so
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On one of the very few occasions over the past 12 months when we've put down our axes and stepped, temporarily, back from the coalface of design culture that is the smow blog, we found ourselves on a cool September evening drinking Voll Damm bier underneath Barcelona Design Museum. No, not like that. It was positive. Our hotel was just round the corner and after a hard day on the beach we fancied an urban stroll and subsequently found a nice place to enjoy our Voll Damm against the backdrop
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We recently posted on current research which suggests that not only is sitting for long periods detrimental to our health, but that sport and movement cannot compensate for the negative effects of prolonged sitting. Taking such research as their starting point Amsterdam based architecture/philosophy studio Rietveld Architecture-Art-Affordances, RAAAF, and artist Barbara Visser created the somewhat polemically titled animation "Sitting Kills" from which they have now developed the installation
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Until February 8th 2015 the Deutsches Architektur Zentrum, DAZ, in Berlin is presenting the exhibition "The Urburb: patterns of contemporary living" Developed by Ori Scialom, Dr. Roy Brand and Keren Yaela Golan The Urburb was Israel's contribution to the 2014 Venice Architecture Biennale and aims to place the current state of urban planning and architecture in Israel in context of historical developments. To this end The Urburb features four so-called sand printers - industrial plotting
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Just as it seems that the press conference ahead of the opening of the Martin-Gropius-Bau Berlin's new exhibition, "VKhUTEMAS – A Russian Laboratory of Modernity", is approaching its end, yet another, final, question is posed. Martin-Gropius-Bau Director Gereon Sievernich smiles warmly and responds with a very good natured "My, have you all got a lot of questions today!" Yes. Unsurprisingly. Exhibitions, or indeed any form of academic presentation, about the Russian art school VKhUTEMAS
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One of the advantages of having been running our "5 New Design Exhibitions" series for over a year is that we now possess what we can optimistically refer to as an "archive" And looking in that "archive" we discover that for December 2013 we recommended four exhibitions in Germanophone countries and one in Holland. And for December 2014 we're doing the same. It's not deliberate; it is just the case that only museums and galleries in Germany appear to open design and architecture exhibitions
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While it is widely understood that Leipzig is currently the most important European centre in terms of on-line designer furniture retailing, less well understood is that the town has always been an important European centre for innovative approaches to the sale and distribution of contemporary furniture. The exhibition F.G. Hoffmann - Court Carpenter and Entrepreneur at the Grassi Museum for Applied Arts Leipzig aims to rectify that. Born in 1741 on the estate of Puschwitz Manor, Sachsen,
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Until February 22nd the Berlin Gallery Haus am Waldsee is presenting the exhibition "Architectural Utopia Reloaded", a retrospective dedicated to the experimental architecture collective Haus-Rucker-Co. Haus-Rucker-Co - Architectural Utopia Reloaded at Haus am Waldsee, Berlin Established in Vienna in 1967 by the architects Laurids Ortner and Günter Zamp Kelp together with the artist Klaus Pinter, Haus-Rucker-Co principally concerned themselves with the creation of a new understanding of
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For an institution associated with so many interesting and important figures in the UK furniture industry, there is a remarkable dearth of information on the London College of Furniture. Most of what there is relating to the, obviously fabled, music instrument making department. And so it is perhaps more appropriate than fitting that to mark the 50th anniversary of the London College of Furniture an exhibition celebrating the institution is being staged by its successor Sir John Cass Faculty
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Much as Andy Warhol predicated we'd all be famous for 15 minutes, he also understood we'd all be dead forever. And that he dealt with the inevitably of death in all its poetic, brutal and unjust facets in works of art every bit as lively, critical and complex as those he created to deal with the vagaries of celebrity, trash culture and consumerism can currently be experienced in the exhibition "Andy Warhol – Death and Disaster" at the Kunstsammlungen Chemnitz. Much like displaying a
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Following three years closure and an investment of some four million Euros the Kunstgewerbemuseum Berlin - Berlin Museum of Decorative Arts - is once again open to the public. In addition to architectural and interior design adaptations and conversions by Berlin based architects KUEHN MALVEZZI and refreshed displays chronicling the development of popular culture since the middle ages, the past three years have also brought the museum a permanent fashion section and new dedicated special
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Explaining the background to their contribution to Stylepark's Being Home 4+4 installation programme at Orgatec Cologne 2014 Marcel Besau and Eva Marguerre a.k.a. Besau Marguerre stated their belief that the best ideas rarely strike at the desk and that, and in particular in a home office context, any space is a potential work space. The garden, for example. On the balcony. In the dining room. Or in the kitchen. And so why not take the kitchen into the office. So, or similar, is possible
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As older readers will be aware, one of our all time favourite projects is, was and probably always will be the majestic Spore Vase by Paulo Sellmayer. Not just because as an object it teaches us so much about contemporary society and the absurdity of the perceived control we have over the natural world; but because through discovering and dissecting Spore Vase we learned and understood an awful lot about our job and our responsibilities. Since we saw Spore Vase in Smalle Haven in Eindhoven we
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Until December 20th the Paris dépendance of Galerie kreo is presenting an exhibition dedicated to the vivacious variety of contemporary wooden furniture design. Presented under the sparklingly original title "only wood" the exhibition presents a mix of previously displayed objects and new works. Amongst the older works on show a special mention must go to the Woodwork lamp by BIG-GAME, a work premièred at Galerie kreo's 2008 La Liseuse exhibition, the Cork #3 storage system by Martin Szekely
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"The belief that New York needs a Museum of Modern Art scarcely requires apology. All over the world the rising tide of interest in the modern movement has found expression not only in private collections but also in the formation of great public galleries for the specific purpose of exhibiting permanent as well as temporary collections of modern art. That New York has no such gallery is an extraordinary anachronism. The municipal museums of Stockholm, Weimar, Düsseldorf, Essen, Mannheim,
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Given the urban-centric view of the world most of us posses it's all to easy to forget that social and cultural change, and the associated problems, challenges and opportunities they bring, aren't limited to our cities. An exhibition of photographs of the Ostrach valley in Bavaria by local photographer Christian Heumader attempts to reinforce this point. Presented at the Schwäbisches Bauernhofmuseum Illerbeuren near Kempten im Allgäu as part of the Architekturforum Allgäu's LandLuft programme,
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Cohesion is a concept with which we are very familiar. Largely because it is a state we never achieve. Much like the geometry's asymptote never touches its associated curve, so to do our lives approach cohesion, without ever achieving such a condition. It remaining something tantalisingly ahead of us. Infinitely so. And so it was with a particular personal interest we viewed the new 2014 Dutch Invertuals' exhibition: Cohesion. As is traditional with Dutch Invertuals the participating
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We don't consider ourselves slouches when it comes to the effort we make in regards of presenting ourselves at Orgatec Cologne, but we do have to doff our ornately feathered caps to the colleagues at Stylepark. In keeping with their curated "Featured Editions" programme at IMM Cologne where design studios are asked to create an installation around a given design object, for Orgatec 2014 Stylepark asked four designers to create a 12 sqm presentation reflecting their interpretation and
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It's now been twelve months since we decided to start recommending upcoming architecture and design exhibitions based on nothing more substantial and reliable than a press release or a PR agency text. A year in which we have recommended 60 exhibitions which sounded good, sounded worth visiting, sounded entertaining. Most of those that we subsequently visited were. A fact that has encouraged us to continue. And so to celebrate "5 New Design Exhibitions" first birthday, 5 New Design Exhibitions
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Established in 1998 by the artist couple Anna and István Regős as a gallery/shop in the cellar of their house in the Hungarian town of Szentendre, since 2013 Palmetta Design have operated a second gallery in Budapest where, in addition to offering a selection of international design items for sale, they present a regularly changing programme of art and design exhibitions. For Budapest Design Week 2014 that of course meant a design exhibition and specifically "Entrance Hall" a showcase of works
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For just about as long as Thonet have been producing furniture one of the company's most important designers has been "Thonet Design Team", a description we've always considered to be a rather disparagingly sterile and unnecessarily nebulous description for Thonet's team of in-house designers. Every serious contemporary furniture manufacturer has an in-house design team who are responsible for both helping adapt external designers works to the company's production patterns and also creating
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In 2010 the spectacularly sinister sounding Hungarian Ministry of Human Capacities launched a programme to help promote products made in workshops employing persons with disabilities; and since 2013 the Segítő Vásárlás label - Design that Helps - has been coordinated by the Salva Vita Foundation. In June 2014 the Salva Vita Foundation organised a "Design Date" event which brought participating workshops and Hungarian design studios together with the aim of fostering new co-operations and
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Much as we all like to assume we all know everything there is to know about modernism, and convinced as we all are that we can name all the important protagonists and their key works. We largely can't. We can largely scratch the surface of modernism and name a handful of the best known protagonists and name a few of their better known works. Just how little the vast majority of us truly understand about modernism is currently being laid bare in the exhibition "Der entfesselte Blick – Die
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