We remember very clearly the first time we saw the work of Berlin design studio llot llov: it was at Designers Fair Cologne 2010, back in the day when the exhibition was held in the fading glory of the so-called Rheintriadem. Walking down a corridor, invariably trying to decide what we wanted for lunch, we glanced, more or less unconsciously, into one of the rooms and there hanging in the corner, radiating an unmistakable self-confident grandeur, was the macramé "flower cocoon" Lucille.
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In our post on the Drawers Table by 45 Kilo for My Kilos we noted "any product that can appear as fresh, contemporary and universally deployable six years after its release as it did on day one is, as a general rule, good." And what about a table which appears as fresh, contemporary and universally deployable 61 years after its release as it did on day one? Such is the case with the ess.tee.tisch t-6500 from Swiss manufacturer Horgenglarus. Originally launched by Horgenglarus in 1954 as the
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Parallel to the exhibition MAD ABOUT LIVING – 24 Designers from Brussels, Cologne is hosting an exhibition which nicely highlights one of the major differences between Belgian designers and their Dutch colleagues in terms of designing furniture and other domestic products Whereas Belgian designers simply produce furniture, Dutch designers produce concepts. OK we're generalising, and to be fair we do know a lot, a few, some, Dutch designers who produce perfectly "normal" furniture. But for the
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Presumably for reasons of brand unity the German Design Council's D3 Design Talent Contest for young designers has been renamed the Pure Talents Contest: a name that connects it with the very successful Pure segment - Pure Village, Pure Editions, Pure Startup - Cologne Trade Fair introduced to IMM furniture trade fair a couple of years ago, and also creates a nice link between those, generally, more contemporary producers in the Pure segment and the, generally, more contemporary young
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If we're correctly informed, and let's be honest we're not always, 2014 saw the Belgian General Consulate in Cologne host their first Passagen Design Week exhibition with an excellent showcase of new and less new works by Atelier Bonk and Cas Moor. Buoyed by the success of that experience for Passagen 2015 the Consulate is hosting the exhibition MAD ABOUT LIVING - 24 Designers from Brussels. Organised by the Brussels regional creative promotion agency, MAD Brussels, and staged in the fire
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As regular readers will be aware, for us there are two characteristics which define a proper desk: drawers and an endlessly large surface area on which to spread out and indulge in your work/life balance. Characteristics perfectly embodied by Drawers Table by design studio 45 Kilo for Berlin based brand My Kilos. What however is particularly pleasing and endearing about Drawers Table is that despite its wonderfully spacious dimensions, the well thought through design and carefully reduced
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Much as we tend to shy away from "Designer of the Year" awards, the presentation of German architecture and design magazine A&W's Designer of the Year award is always an early highpoint of the Passagen Cologne Design Week. Principally because it invariably results in a compact yet informative exhibition from and about the selected designer. An exhibition that is perhaps never independent nor critical, but which always provides an accessible overview of the designers oeuvre. Following on from
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Our favourite Portuguese designer TM Rui Alves is making his IMM Cologne début this year, with a new prototype under his own name and an old smow blog favourite being launched by Danish manufacturer Menu. Premièred as "Tailor Sofa" at Salone Satellite 2013 and now renamed Lounge Sofa by Menu the work initially caught our attention on account of being a "deliciously effortlessly reduced down piece [which] combines a turned wooden frame with a pressed felt seat to create a sort of simplified
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For a town which, we would assume, boasts the highest density of designers in Europe, and which hosts one of the continent's more eclectic Design Weeks, Eindhoven in January is a very lonely place for the design devotee looking for an exhibition in which to wile away a spare afternoon. Fortunately those exhibitions which are running "out of season" offer enough substance to keep you curious, questioning and satisfied for many a January to come, exhibitions such as Matter of Life. Growing new
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Following on from system design at the MAKK and the more autonomous product design featured at Objects in Between, we bring you an exhibition in Cologne presenting a third product design category: the collection. Whereas systems require a connector, a universal node, collections can be considered a series of related products which although created in the one context need not have a connection. Other than having been created in the same context. For their Passagen Cologne 2015 exhibition
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The nature of product design, and for all furniture design, being what it is, we all have a predisposition to categorise products and objects. Chair. Table. Lamp. Tea pot. For example. Yet, quite aside from the fact that we all invariably use products for purposes other than than that intended, the chair as the makeshift step ladder, the wine glass and makeshift candle holder or the Biro as makeshift knife, why should a product only have one function? Can it not have two or more without
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Following on from the success of smow Cologne's Passagen Design Week début in 2014 with the USM Haller exhibition Facetten, 2015 sees a presentation of tables from the German manufacturer ASCO. Established in 1998 with the aim of developing tables which radiate a timeless elegance, the ASCO collection combines table tops in a range of hardwoods with bases constructed from wood, metal or concrete to produce objects that are as domesticated as they are rustic and individual as they are
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The history of civilisation is in many respects a history of man understanding natural systems, for example, the inner workings of the human body, the principles of evolution or the nature of the solar system. Each understanding bringing us further forward and opening new possibilities. Similarly the history of industry and economics is the history of man developing systems. Back in 1895 William Painter, head of the Crown Cork & Seal company gave King Camp Gillette the advice that if he
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As we noted in our post from the exhibition Der entfesselte Blick – Die Brüder Rasch und ihre Impulse für die moderne Architektur at the Marta Herford, the (hi)story of architecture and design is often more about the protagonists you don't know than the ones you do. Such as the pioneering Dutch architect and designer Piet Klaarhamer: an early teacher of and influence on Gerrit T. Rietveld, one of the intellectual forefather's of Dutch modernism, and a man largely forgotten by history. In an
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Until February 22nd the Kunstsammlungen Chemnitz is presenting the exhibition Andy Warhol: Death and Disaster, according to the organisers "the first European museum exhibition devoted exclusively to this topic" Correct. The first European museum exhibition. But not the first European exhibition devoted exclusively to this topic. On January 13th 1964 Andy Warhol's first solo exhibition in Europe opened at Galerie Ileana Sonnabend in Paris. Although officially titled "Warhol", the exhibition
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As many of you will be aware, back in November we struggled to find five design exhibitions opening in December for our monthly 5 New Design Exhibitions feature. We've now, somewhat spectacularly, found a sixth. In the highly unlikely setting of Gorinchem, a town of some 35,000 inhabitants in central Holland. Under the title Van stoelen bezeten - Obsessed by Chairs - the Gorcums Museum in Gorinchem is currently presenting an exhibition of some 90 objects which according to the organisers
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As any fool know, Germany's most important contribution to art, architecture and design education was established in Weimar in April 1919. However, some three and half years before Walter Gropius welcomed the first students to his Bauhaus college, a further Germanic education institution was established, an institution which just as with Bauhaus took a new, modern, progressive, approach to art, design and architecture education yet an institution which in comparison to Bauhaus is still
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With ever more of our fellow train passengers displaying acute symptoms of over exposure to cheap Glühwein it can only mean that December is upon us. And the end of one the genuinely more enjoyable smow blog years. Indeed its fair to say 2014 was one of those years that makes you consider if its not time to hang up the old travelling socks and seek a more sedate, sedentary, existence. A fitting moment perhaps, but the correct decision? We've a couple of days to decide. And to accompany us
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Such was the quality of the new products we saw during our autumn tour they kept us going well into November; indeed it wasn't until a cold dank Friday in Chemnitz ahead of the opening of the exhibition Andy Warhol – Death and Disaster at the Kunstsammlungen Chemnitz, that we even realised it was November.
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......and continued over Budapest and on to Berlin - where amongst other delights we partook of the exhibitions Sensing the Future: László Moholy-Nagy, die Medien und die Künste at the Bauhaus Archiv Berlin and Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum - and onto Cologne for the Orgatec office furniture trade fair.
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Following on from the relative inactivity of August September saw us wind back up towards the 2014 autumn design festival season. But before everything kicked of in Vienna, we enjoyed the exhibitions Okolo Offline Two – Collecting at the Kunstgewerbemuseum Dresden, Useful Exhibition by Sanghyeok Lee at the DMY Design Gallery Berlin, Alvar Aalto – Second Nature at the Vitra Design Museum and enjoyed a lovely chat with architect Eberhard Lange on the restoration of Egon Eiermann's Wohnhaus
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Nothing scares us quite like January. It wouldn't be so bad if convention didn't insist on the additive progression of the year. If the number could just remain the same we'd be fine with January. But no. Come the first of January comes further confirmation of our inevitable mortality. Thanks January! To comfort us, five particularly promising sounding new design and architecture exhibitions opening in January 2015...... "SYSTEM DESIGN. Über 100 Jahre Chaos im Alltag" at the Museum für
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August being holiday month our principle focus was board sports: Woody Skateboards for the summer and silbærg snowboards for the coming winter. And when not trying to dislocate our virtual collarbones we found time to bring you an interview with Daphna Laurens and a warning from the colleagues at smow Australia.
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Thanks to a unnecessarily long journey through Sachsen-Anhalt in an unnecessarily warm bus, July 2014 will remain indelibly scorched in our collective memory. On a professional note, July 2014 also saw the exhibitions Unter Zwischen im Ampelhaus, Oranienbaum and Summer Break VA / Neue Arbeiten at Direktorenhaus Berlin, and of course the flood of student exhibitions that arise every summer.
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