As the name implies the Light + Building Trade Fair in Frankfurt is largely about architectural lighting rather than domestic lighting or office lighting; were it largely about the later it would be called "Light + Living" or "Light + Working" It's called Light + Building. And as such the biggest stands belong to company's you will never have never heard of unless you spend your days planning the construction of hotels, hospitals, shopping centres et al and searching for appropriate
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Clearly vexed by a critical review in Architectural Forum of his friend Alexander Girard's Santa Fe house, Charles Eames wrote a short letter on December 26th 1956 to the magazine's editor Walter McQuade: "Alexander Girard is interested in the quality of everything and does not hesitate to act on this interest, personally and immediately. Such action could not possibly result in a cliche; and not being cliche demands an explanation. The answer perhaps is in Girard's total involvement in
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With the exhibition, The World of Charles and Ray Eames at the Barbican Art Gallery London coming to an end, it is most timeous that the Art & Design Atomium Museum, ADAM, Brussels are offering through their new exhibition Eames & Hollywood an opportunity to explore in a little more detail one of those many, many Eames' Worlds. And no, not film. Photography. Eames & Hollywood at Art & Design Atomium Museum, ADAM, Brussels Formally opened in December 2015 ADAM is a new design museum for
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"All in the wild March morning I heard the angels call, It was when the moon was setting, and the dark was over all; The trees began to whisper, and the wind began to roll, And in the wild March morning I heard them call: "Stop romanticising and visit a design exhibition!!!!" (The May Queen by Alfred, Lord Tennyson. With apologies) Were Alfred, Lord Tennyson around in March 2016, here’s five new design exhibitions we could recommend..... Alexander Girard. A Designer's Universe at the Vitra
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As a "consumer goods" trade fair devoted to tableware, accessories, gifts, light-bulbs with filigree filaments, and the like, Ambiente Frankfurt is not a trade fair to which we feel a particularly empathy. Indeed one could go as far as to say that with its hall upon hall of products who's reason for existence we question and the hollow echo of "Lifestyle", "Trend", "Innovation" and "Buy me! Buy me! Buy me and you'll rise to a social status you could previously never dream of attaining" which
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In our interview with Marcel Kabisch, founder of and creative force behind German label Feinserie, he told us that what interested him in design, and part of his motivation to study design, was the idea of "bringing a certain intelligence into a product", and of achieving "an efficiency in design" Principles which are elegantly displayed in his new Griffbereit Chair. In many ways an extension of an idea begun with his award winning Griffbereit Stool/Side Table, the Griffbereit Chair is formed
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"This is a job of work whose goal is precision, delicacy, amiability and attentiveness: being attentive to people, uses, buildings, trees, asphalt or grass surfaces, to what already exists. It's a matter of causing the least inconvenience or no inconvenience at all. It's a matter of being generous, giving more, facilitating usage and simplifying life"1 These words stand not only in the centre of the exhibition "Studio Plus. Druot, Lacaton & Vassal: Transformation as an architectural manifesto"
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On February 5th 1916 Cabaret Voltaire opened in Zürich; consequently, 2016 sees the city celebrate the 100th anniversary of arguably Switzerland's most important contribution to global culture - Dada. It is therefore very fitting that 2016 also sees the city host a retrospective of the English designer Jasper Morrison. No. Honest. Jasper Morrison Thingness at the Museum für Gestaltung, Zürich Born in London in 1959 Jasper Morrison initially studied Design at Kingston Polytechnic before
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In addition to the exhibition of their work in Cologne, the A&W Designer of the Year crown also allows the recipient to select one young designer for the so-called A&W Mentor Prize: essentially a chance to invite a young designer whose work they admire to share the spotlight with them. Previous mentees have included Stefan Diez, selected in 2005 by Richard Sapper, Oskar Zieta, selected in 2011 by Tokujin Yoshioka, and the very first mentee, Konstantin Grcic, selected by Achille Castiglioni in
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2016 being as it is a leap year, February 2016 is graced with an extra day, and the global design and architecture museum community have jumped at the opportunity granted by the extra 24 hours to organise a record number of new design and architecture exhibitions. Reducing the selection down to five wasn't easy; but does mean that if you don't like our choices have a quick look at what is opening in Herford, New York, Zürich, Eindhoven, or, once again Zürich.... You're bound to find something!
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Back at Milan 2009 we stumbled by chance across "My Bauhaus is better than yours", an exhibition featuring works by a group of Bauhaus University Weimar students. Although not unimpressed by what we saw, indeed we remember finding one or the other project very good, the majority of the works were for us a little too "student", a little too obvious, which is not a criticism, it just meant we didn't feel the need to write about the exhibition. Seven years, and a legally obliged change of name
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2016 sees Augsburg based manufacturer Müller Möbelfabrikation celebrate their 20th anniversary, and to mark their round birthday the company have gifted themselves, and by extrapolation us all, a new round(er) form. Round(er) for despite their inherent quadraticness Müller Möbelfabrikation objects have always had a curvaceous soul; be that as expressed through the subtle contours of the grandiose TB 229 desk from the company's original 1996 Classic Line collection, or more obvious as with, for
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According to Brigitte Eiermann her late husband, the German architect and designer Egon Eiermann, would work so long on a furniture design project until he could say "Das ist nicht besser zu machen" - "That cannot be improved". It was, so Frau Eiermann, rare that he said such, so great was his striving for perfection. Everything could, somehow, be improved.1 However we imagine Egon Eiermann would be very satisfied with the new table trestle Egon from Stuttgart based manufacturer Richard
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For reasons known only to the IMM 2016 organisers the numerous segments composing the "Talents" section - that section of IMM Cologne devoted to younger designers and design students - have been scattered thought the exhibition halls. In past years they were, generally, all collated in one hall, which was all very pleasant, convenient and social. This year it is a bit here, a bit there, bit over there. And even when they do appear in the same exhibition hall then in a completely unrelated,
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As we noted in our post from the 2015 Garden Unique Youngstars competition, the contemporary outdoor furniture market is a largely forgotten world as far as quality design is concerned. And as we also noted, it needn't be. At IMM Cologne 2016 Thonet are presenting with the new All Seasons collection their alternative vision. Thonet @ IMM Cologne 2016 The (hi)story of Thonet furniture is, as with the wider (hi)story of furniture design, essentially one of indoor furniture. Although not
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2016 sees the 20th anniversary of German architecture and design magazine A&W's "Designer of the Year Award." Following on from previous recipients including Achille Castiglioni in 1997, Paola Navone in 2000, Gaetano Pesce in 2006 and more recently Werner Aisslinger in 2014 and Michele De Lucchi in 2015 the 20th recipient is Jasper Morrison. And that, joyously, means a Jasper Morrison exhibition during the 2016 Passagen Cologne interior design week. A&W Designer of the Year 2016 - Jasper
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There can be little argument that nature is, was and always will be the best designer, the most efficient designer: largely because nature never does anything unnecessary. Louis H. Sullivan, for example, saw the evidence that "form ever follows function" in the fact that "all things in nature have a shape, that is to say, a form, an outward semblance, that tells us what they are ... they are so characteristic, so recognizable, that we say, simply, it is “natural” it should be so"1; for the
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Radio is without question the most universal and democratic of all media, in many ways we are all raised on radio. Who doesn't remember lying in bed with your covers pulled up over your head? Radio playin' so no one can see. And when things haven't gone so well have we not all sat alone and watched its light, our only friend through teenage nights. Over the years, and regardless of at which station on life's highway we've found ourselves, radio has always been there for us, made us laugh, made
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Since 2014 the Room + Style "lifestyle" fair in Dresden has been extended, if not enhanced, through the presentation of the Staged Design Award exhibition. Organised by the Dresden based creative agency Paulsberg, Staged is open to young designers from Germany, Poland and the Czech Republic and seeks to not only reward outstanding creativity but also explain contemporary design and creativity to a wider public and thus attempt to increase an understanding and acceptance of what contemporary
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December is famously a half month - no one does anything useful in the second half of the month, unless eating, drinking and stressing can be considered useful! We however managed to more than fill the first half of December 2015 with Berlin based Bora Hong's cosmetic surgery of the Eames LCW, the architecture of Ferdinand Kramer in Frankfurt and a very long chat with Köln International School of Design director, and neuen Deutschen Design protagonist, Wolfgang Laubersheimer. Cosmetic Surgery
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November 2015 was a month of exhibitions, including Konstantin Grcic at the Grassi Museum Leipzig and Anton Corbijn at C/O Berlin, but we did also find time for a very long chat with Budapest designer András Kerékgyártó about life as a contemporary Hungarian designer. The Work Space, as seen at Konstantin Grcic – Panorama, Grassi Museum for Applied Arts Leipzig Biela by András Kerékgyártó Moderne in der Werkstatt - 100 Years Burg Giebichenstein Kunsthochschule Halle @ Kunstmuseum
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Normally October is all about design festivals, October 2015 wasn't. On the one hand we weren't at that many this year, and on the other those we were at didn't impress us that much. What did impress us was the new collection by Ateliers J&J. Oh yes! In addition October 2015 saw us consider questions of housing provision at Wohnungsfrage at the Haus der Kulturen der Welt Berlin, the oeuvre of Charles and Ray Eames at the Barbican Art Gallery in London and Art Nouveau at the Kunst und Gewerbe
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We know. We know. It's January. Everyone just wants to sit at home feeling poor, fat and unloved....... Much more productive, and rewarding, would be a visit to an architecture and design exhibition, here five new exhibitions opening in January 2016 which particularly caught our attention. "The Inhuman Factor" at Falkenberg Museum, Falkenberg, Sweden If we're completely honest we have no idea where Falkenberg is. Or at least didn't. We've checked. It's a little bit south of Gothenburg. On
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The end of design's summer hibernation is traditionally marked by the opening of the Vitra Design Museum's winter exhibition, which for 2015/16 is the fulminate The Bauhaus #itsalldesign Elsewhere September 2015 saw us discuss photographing Le Corbusier with Margret Hoppe, the challenges as young designer in Berlin with Gunnar Søren Petersen, how design can be used for social change with Pepe Heykoop ...... and become completely obsessed with a steel horse from Prague. Vitra Design Museum:
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