In 2016 the Breton capital Rennes hosted four exhibitions of, by and from Ronan and Erwan Bouroullec; one of them Rêveries Urbaines - Urban Dreams - is now on show at the Vitra Design Museum in Weil am Rhein Ronan & Erwan Bouroullec - Rêveries Urbaines, Vitra Design Museum In the European design calendar late September/early October is Vienna Design Week and the opening of the winter/spring temporary exhibition in the Vitra Design Museum, Weil am Rhein. And thus our annual outing on the
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The winners and nominated projects from the 2016 International Marianne Brandt Contest can be viewed in an exhibition in Chemnitz. International Marianne Brandt Contest 2016 Exhibition, Chemnitz Museum of Industry Time was we couldn't write about Chemnitz without making a cynical comment, an alleged joke. Time was. These days we not only travel voluntarily, and regularly, to Chemnitz but have begun to understand aspects of the town's character, aspects which on account of our previous
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Understanding materials has helped contemporary society develop as it has. And remains as relevant today as ever. If not more so. Ergo material education is as relevant as ever. If not more so. Object Lessons. The Story of Material Education in 8 Chapters at the Werkbundarchiv - Museum der Dinge Berlin "We daily call a great many things by their names, without ever inquiring into their nature and properties; so that, in reality, it is only their names and the things themselves with which we
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O hushed October morning mild, Thy leaves have ripened to the fall; Tomorrow’s wind, if it be wild* You'd be well advised to take yourself off to one of the following new architecture and design exhibitions....... (With apologies to Robert Frost) * Robert Frost - October (1913) "How Should We Live? Propositions for the Modern Interior" at the Museum of Modern Art, MoMA, New York, USA Whereas lifestyle magazines and lifestyle blogs are very keen to tell us how we should live, architects
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Dessau and Rotterdam may appear unlikely brothers in arms; however, an exploration of the towns' architectural connections helps explain International Modernism. Stiftung Bauhaus Dessau present The Simultaneity of Modernism The Bauhaus School building by Walter Gropius in Dessau is, arguably, the best known and most popular example of International Modernist architecture in Germany The Van Nelle factory by Johannes Brinkman and Leendert van der Vlugt in Rotterdam is, arguably, the best known
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With their WerkBundStadt project the Werkbund Berlin aim to redevelop an industrial site in northern Berlin into a future orientated inner-city quarter. How can be explored in a new exhibition. WerkBundHaus Berlin Established in 1907 as an amalgamation of designers and manufactures, primarily with the intention of improving the quality of German industrial production - "Made in Germany" being at the end of the 19th century more an insult and synonym for shoddy tat than the quality guarantee
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August in Edinburgh is Festival, Fringe & Edinburgh College of Art Masters Degree Show. We enjoyed one of the three…… Edinburgh College of Art Occasionally, very, very occasionally, we genuinely think it might be us. Genuinely think there might be nothing wrong with the number of events during Milan Design Week. Genuinely think there is nothing wrong with the number of stages at the Glastonbury Festival. Genuinely think there is nothing wrong with the number of ice cream flavours on offer.
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(a+b)÷a = a÷b ≡ harmony? Or, the contemporary relevance of the Golden Ratio In addition to those artificial laws decreed by state and church our lives are also defined by innate laws, those of mathematics, physics, chemistry, biology and Murphy. But is there a law of harmony? A law which defines perfect proportions and thus the ideal form of any object? Proponents of the Golden Ratio would answer yes. With their exhibition Divine Golden Ingenious. The Golden Ratio as a Theory of Everything?
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Slowly but surely September is becoming Europe's summer. Whereas July and August increasingly fail to produce anything even vaguely "summery", we can always rely on September to deliver long balmy afternoons, and even longer, balmier, nights. Often juxtaposed with crisp, misty mornings under a fresh blue sky. It's almost as if September knows that once it is gone, autumn will grasp us by the shoulders and drag us, selfishly, into winter. As if September knows it is our last refuge. "Get out
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If a central component of the Bauhaus philosophy was, in essence, to make art useful for industrial production and thus give art a contemporary relevance and function, what to do in a post-industrial world?* The answer from the German art historian and architecture theorist Heinrich Klotz was to unify art with digital technology, and thus give art a contemporary relevance and function. Or the Zentrum für Kunst und Medientechnologie Karlsruhe, to give it its formal name; and an institution
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Although geographically the (hi)story of Vitra begins in Basel, spiritually it begins in America and arrives in Switzerland in 1957 with the licences to produce works by US designers such as Charles and Ray Eames, George Nelson, Isamu Noguchi and Alexander Girard; and then grows over the subsequent decades under the influence of the close co-operations which thus developed, for all those with George Nelson and Charles and Ray Eames. Given this close affinity with and to America it was perhaps
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As East Berlin's Art and Design College the Kunsthochschule Berlin Weissensee was in many ways symbolic of East Germany's difficult relationship with Bauhaus and the legacy of inter-war functionalism. On the one hand the DDR needed the reduced, cost effective, mass-market, industrial objects striven for during the period. On the other a need to define a new, socialist, tradition for the new, socialist, state meant an almost dogmatic rejection of everything associated with the pre-war "Germany",
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"Does the world really need ever more chairs?", is arguably the question we are most regularly asked. Alongside, "What do you actually do all day?" The answer to the second question depends on who posed it, in how far we hope to impress them or in how far we fear they may stop us doing what we do were they to discover what that actually is. The answer to the first question is "Yes" Or "Yes, if the new chair represents an advance over existing chairs" A chair being not something you sit on,
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On the steps leading to the entrance of the Hochschule für Gestaltung Schwäbisch Gmünd is embossed "Ich will Designer werden" - "I want to be a designer." With the criticism from Schwäbisch Gmünd alumni Markus Jehs concerning the quality of the discourse in global design education still ringing in our ears, we felt a very real need to grab a marker pen and add ", because..." We didn't. That would have be vandalism. Although if we're correctly informed graffiting on design schools is allowed,
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Such are the vagaries of the autumn/spring cycle in the global design exhibition industry, and it is an industry people, let's not fool ourselves otherwise, August is traditionally a very lean month: curators are on holiday, critics are on holiday, exhibition designers are on holiday, protagonists are on holiday. Who wants to open an exhibition? The following five museums. That's who.......... "Dream out Loud" at the Stedelijk Museum, Amsterdam, Holland Whereas museum exhibitions generally
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The 18th century Prussian Monarch Friedrich der Große, or Alte Fritz - Old Fritz - as he is popularly known, has many claims to fame, not least of which is his promotion and advancing of the cultivation of the potato in the lands under his command, thus making him responsible for the tuber's contemporary popularity in northern Germany. And hence his other title: The Potato King. Friedrich was also a patron of the applied arts and handicrafts and in 1763 took over Johann Ernst Gotzkowsky's
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An important commercial, financial and administrative centre since the middle ages Cologne has contributed greatly to the development of European society, culture and politics, while with the Kölner Dom the city is home to not only one of the largest Gothic cathedrals in Europe, and thus one of the most important religious institutions on the continent, but posses an excellent example of logical, considered, coherent, urban planning: by building the cathedral on a raised platform directly next
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With its postal address of "Am Weissenhof 1" it should come as no surprise that the Akademie der Bildenden Künste, ABK, Stuttgart was not only the first building on that now fabled site on Stuttgart's Killesberg, but also that it played a role, when albeit a relatively small one, in helping create the fable: Professor Adolf Schneck designing two of the houses, the school's workshops, under the supervision of Hilde Zimmermann, being responsible for the kitchen of one of Schneck's houses, while
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For reasons which we believe are in some form or other closely related to Ley Lines, or similar, all long distance trains in Germany pass through the station Kassel-Wilhelmshöhe. It's not a situation over which Deutsche Bahn have any control, is rather a natural phenomenon, or as Louis H. Sullivan would no doubt phrase it, "This is the law" Thus we have passed through Kassel a lot. Without ever having visited the city. A situation we rectified this year with a visit to the Rundgang end of term
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Born and raised in Grand Rapids, Michigan, a town famous for some 150 years as a, if not the, centre of American furniture production, it is perhaps not surprising that Tom Newhouse choose to pursue a career in furniture design. Upon graduating in 1972 from the School of Art and Design at the University of Michigan in Ann Arbor, Tom Newhouse took up a position as a staff designer with Herman Miller, a situation he himself refers to as a "marvellous beginning", before in 1978 he established his
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Tulga Beyerle, Director of the Kunstgewerbemuseum Dresden, once gave us a piece of advice, the context of which we've long since forgotten, but not the content "only work with people you like" Much as we have tried to follow Tulga's sage advice, such are the slings and arrows of outrageous fortune under which we suffer, we haven't; unlike, we presume, Tulga who has now gone one step further and transformed the premise into the exhibition Friends + Design. Friends + Design at the
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"Photography is the medium par excellence of our time. As a visual means of communication, it has no equal."1 So wrote the American photographer Berenice Abbott in 1941. How she set about proving such can be explored in the exhibition Berenice Abbott – Photographs at the Martin-Gropius-Bau Berlin Berenice Abbott - Photographs at the Martin-Gropius-Bau Berlin Born in Springfield, Ohio in 1898 Berenice Abbott initially, and only very briefly, studied journalism at Ohio State University before
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Inaugurated in July 212 BC* the Ludi Apollinares were Roman games staged in honour of Apollo and featuring a mix of chariot racing, plays, dances and ritual sacrifice. The following five new exhibitions opening in July 2016 may lack the excitement of the chariot race, but in many respects are much more appropriate means by which to celebrate the Greco-Roman God of the arts, poetry, music and knowledge. And no gilded ox, goat or heifer need suffer. "Fast Forward: The Architecture of William
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Being principally an office furniture fair NeoCon doesn't really attract "fringe events" the way home furnishing focussed trade fairs do; office furniture, allegedly, lacking much of the flair, emotion and excitement of its domestic relatives. In the past however the so-called Guerrilla Truck Show did attempt to provide an alternative, more independent, take on design, than the sanitised corporate vision presented at NeoCon. Staged during NeoCon week in Chicago's Fulton Market district the
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