When we mentioned it last year it was just intended as a cheap pun. But slowly we can see a lot of sense in changing the name of the annual end of year exhibition at the Bauhaus University Weimar to Autumnery. For as with Summaery 2011, Summaery 2012 wasn't. And although we had the feeling that this years show was less extensive than last years, we still found plenty to distract us from the unseasonal weather. Among the highlights for us were the results of the classes "Falter" which
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One of the objects that has been following us around the international designer furniture circus this past year or so has been Flatmate by Michael Hilgers. The idea is very simple. Much like the chair project "The Half" by Studio Sailing to Mars, Flatmate takes the standard storage sideboard we all know - and reduces its dimensions. And in doing so creates a very familiar object in an equally unfamiliar scale. Unlike "The Half" the reduction is not geared towards ergonomic efficiency but
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The history of furniture design is strewn with works that briefly graced the public stage before vanishing without the honour of a curtain call. Crawl through the cellar of any major furniture producer and you'll find them; the perfectly mummified remains of genuine design classics that failed to transform their creative majesty into hard cash. Such as the so-called "Girard Group" by Alexander Girard. Although best known for his textile and wallpaper designs Alexander Girard wasn't averse to
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There is a 1961 poster by the Stuttgart designer Hanns Lohrer for Porsche which depicts a Porsche 356B framed by pair of skis and a fur hat. The image cries out Sean Connery era James Bond. Refined, exclusive, self-confident, a little bit cheeky .... and highly desirable. Together with the other works in the "The Perfect Sporting Partner" series the poster is a delightful testament to Lohrer's ability to produce work that perfectly matched the client's brief without compromising himself
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One of the defining images of DMY Berlin 2012 was without question Andrea Brena sitting cross-legged on his stand, up to his elbows in brightly coloured material and knitting with his arms. A sight that, as one can imagine, always attracted a crowd as numerous as it was curious. Although outwardly about knitting with your arms, the central theme of Knitted Army is much more about redefining the personal connection between user and object. About reclaiming furniture from the cold, dark cave
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July is famously the month we escape the tight constraints of the professional design circus and head out to annoy design students at their annual end of year shows. Only to come back not only in awe at the quality of some of the works we have seen; but confident in the bright future of the German design community. Whereas our tour traditionally keeps us safely within the confines of the former DDR - this year we're including Stuttgart. Design? Stuttgart? We know. Stuttgart! But lest we
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We were famously first drawn to the work of Belgian designer Tim Baute aka Interror.be via a lamp he showed at Designers Fair Cologne 2010. And his SevenUp, a moody and reduced down chandelier, remains one of our reference products. Tim is however a metalworker by training and so it was good to see him presenting a new steel product range for his debut at DMY Berlin. And although named after the B-2 Bomber, the range doesn't have its origins in the secretive world of military aviation, but
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It's fair to say that until visiting DMY Berlin 2012 the only design object we knew from Rosenheim was Nils Holger Moormann's Volvo. However at Tempelhof Airport the students from the Interior Design department of the Hochschule Rosenheim demonstrated that the southern German town can also produce slightly more contemporary works. On an interesting and nicely varied DMY stand the two highlights for us were the table "T#9" by Rebecca Schmidhuber and the kitchen system "Stangenware" by Nina
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We're obviously not going to claim that dezeen track what we're up to, however.... Hot the heels of our brief, succinct, exploration of the current state of the British design industry, dezeen - the leading UK based design and architecture portal - have teamed up with Hackney Council and curator/critic Beatrice Galilee to organise a day dedicated to design from the London Borough of Hackney. A chance, if you like, to get a feel not only for what is currently happening in the London design
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When all's said and done Marcel Breuer's 1927 Wassily Chair is nothing more than a couple of bits of material stretched over a metal frame. Giandomenico Belotti's 1960 Spaghetti Chair is nothing more than some PVC cord stretched over a metal frame And so on first impressions there is nothing new about "Upholstered Chair" by Jooyeon Lee. Damn those first impressions............... Created as her Diploma project at the Aalto University Helsinki, "Upholstered Chair" is a lounger created from
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Older readers will remember our fascination and admiration for Scolyt by Marco Merkel after we saw it at the UdK Berlin Rundgang 2011. Marco has now developed things a little further, reduced the scale and is presenting the project at DMY Berlin 2012. We're still lovin' it. And not just because of the beauty of the end results. But because of the thinking and process behind the project. We're fairly certain there is absolutely no useful application of the process, other than creating such
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One of the reasons we've never got on well with trends is because ultimately he who shouts loudest is perceived as being the best, most innovative or most important. DMY Berlin 2012 demonstrates that is not the case. While in Hangar 4 the main sponsor screams his marketing budget at full volume; about 40 metres away two FH Potsdam graduates are quietly presenting much more interesting and socially relevant objects. And much as we'd like to proclaim that their minimal, non-intrusive stand
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If we're honest we can't remember if the Vitra Design Museum exhibition "The Essence of Things: Design and the Art of Reduction" has a section devoted to ergonomics. If not, they may need to extend it to include "The Half" by Finnish/Korean design collective Studio Sailing to Mars. Initially developed with musicians in mind, "The Half" is... half a chair Proportionally. Not physically. Through the reduced form the sitter is more or less forced to adopt a more positive posture - one simply
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Egon Eiermann allegedly once began work on a series of coffins for a Berlin funeral company. The series was sadly never realised, but we can well imagine in which direction Eiermann would have gone.... On the Farmer's Creativity by Agri-expo Yunlin stand at DMY Berlin 2012 is an object that approaches the subject with a little more agility. Return by Sa' Bella Design / Sally Lin is an urn. An urn made of recycled paper, the walls of which are impregnated with seeds. As the paper
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One of the real joys of the first few days of DMY Berlin 2012 has been catching up with Stephan Schulz. Not just because Stephan is without question the product designer we know with the healthiest attitude to the whole circus, and as such after a few minutes in his company you no longer fear the workload that lies ahead. But also because we'd been looking forward to seeing his new Domestic Landscape collection. A collection that as the press material so promisingly begins "... transports
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144th birthdays aren't occasions all celebrate; however, because Charles Rennie Mackintosh ties in so nicely with so many of the themes we've covered in the past weeks it seems like an occasion we can't ignore. Born in Glasgow on June 7th 1868 Charles Rennie Mackintosh trained as an architect with John Hutchinson before moving to the larger company Honeyman & Keppie following his qualification in 1889. In 1890 Mackintosh was given his first solo project, designing an extension for the back
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Much as Gerrit Rietveld's career is publicly reduced down to the Rood-blauwe stoel, so too is it all to easy to imagine Marcel Breuer spent his days doing nothing more than creating chairs and tables from bent steel tubing. Indeed start typing the name "Marcel Breuer" into google and the all-knowing, all-seeing algorithm will only offer you "Marcel Breuer Chair", "Marcel Breuer Wassily Chair" and "Marcel Breuer Biography" as searches. That the public impression of Marcel Breuer should be so
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Parallel to "Gerrit Rietveld – The Revolution of Space" the Vitra Design Museum Gallery is staging an exhibition exploring some of the central themes of the great Dutch modernist's work: experimentation, recycling, working in unison with your materials. Under the title "Confrontations - Contemporary Dutch Design Live", five Dutch design studios will each collaborate with a company from the Basel metropolitan area to develop an object or installation using the respective firm's principle
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If your going to organise an exhibition called "The Revolution of Space", there is probably no more fitting location than Frank Gehry's "revolutionary spaced" Vitra Design Museum building in Weil am Rhein. Unless that it is your exhibition happens to be dedicated to Gerrit Rietveld a man whose canon is principally defined by linear, regular, sober forms. Then you might think twice. The Vitra Design Museum have risked the contrast and consequently visitors to "The Revolution of Space" are not
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We're almost at the end of our Milan 2012 coverage. Not because we've run out of themes; but have run out of time. In the coming weeks we've got the opening of the Gerrit Rietveld exhibition at the Vitra Design Museum, the opening of the Marcel Breuer Exhibition at Bauhaus Dessau, Belgrade Design Week, DMY Berlin, Design Miami Basel, and all in addition to a couple of further interviews in connection with "British Design" at the V&A London and "Bauhaus: Art as Life" at the Barbican Art
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As reported elsewhere in these pages, there is a great deal of hope in the UK that the 2012 Summer Olympics will provide fresh impulse for the UK design industry. Something we doubt. But then, what do we know. No honestly. What do we know? And so we've taken the opportunity in recent weeks to talk to some people who are much better placed than us to asses the situation, not just in terms of the opportunities presented by the Olympics, but more generally about the state of the UK design
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It's probably fair to say the biggest surprise at Salone Satellite 2012 was seeing Rui Alves aka My Own Super Studio. Because we thought 2011 had been the last year he was allowed to exhibit. Turns out we can't count. And that the rules for Salone Satellite are a lot more complicated than even we were aware. Fortunately. For in addition to the chance to catch up with Rui, he also had new projects with him. While most industry attention of late has been focused on his Lapa chair, for us the
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As regular readers will know one of our favourite design festivals is Vienna Design Week. And one of our all-time favourite Vienna Design Week projects is LacesLamp by Antoinette Bader. Because it delt so playfully with statics. And believe us, we've suffered for statics. And so anything that presents it as something to be enjoyed is to be celebrated. Consequently it was a particular joy to discover Antoinette at Salone Satellite 2012 with three new projects: projects which although
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At Milan 2011 Moormann presented the prototype of Pressed Chair by Harry Thaler. At Milan 2012 the market ready version was/is being officially unveiled. Last year Nils Holger Moormann enthused at great length about Pressed Chair. And so to complete the story, ahead of Milan 2012 we caught up with Harry Thaler in his London studio to learn more about both him and the background to Pressed Chair. (smow)blog: To begin with maybe a little to your background. If we're correctly informed you
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