What would IMM Cologne week be without the official enthronement of the A&W Designer of the Year? One day shorter and one exhibition poorer say we. Following on from Patricia Urquiola in 2012 and Ronan & Erwan Bouroullec in 2013 the 2014 A&W Designer of the Year is Werner Aisslinger. And as tradition demands his work is currently being celebrated in an exhibition in the Kölner Kunstverein. In summer 2013 the Berlin gallery Haus am Waldsee presented a Werner Aisslinger solo exhibition under
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That furniture often has a cultural background can probably be best observed in chairs: the cultural background often defining, for example, the height, number and position of legs. That wall hooks can also have a cultural basis is new to us. But in the case of the North American Shaker community they would appear to. Traditionally Shaker homes have a wooden bar that runs round a room onto which at regular intervals hooks are attached. Meaning you're never more than a couple of metres from a
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In 1949 the Swedish publishing house Bonniers folkbibliotek organised a competition asking for designs for a bookcase system that was easy to ship, easy to assemble and easily affordable. The background is fairly obvious: the more book storage space your average Swede has, the more books they can buy. In the late 1940s the Swedish Industrial Designer Nils Strinning had enjoyed notable success with plastic coated steel wire designs - first as crockery drying racks and subsequently as storage
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For their now traditional IMM Cologne exhibition Ungers Archiv für Architekturwissenschaft is presenting an exhibition devoted to one of the more interesting characters in the story of German furniture design, Stefan Wewerka. Born in Magdeburg on October 27th 1928 Stefan Wewerka studied architecture at the Hochschule für Bildende Kunst Berlin under, amongst others, Max Taut and Georg Leowald, left however without formally graduating. Something which in those days was no hindrance to a
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In numerous mythologies heroes are whisked through space and time on a magic carpet. The carpet project that took Alexander Seifried to Afghanistan may or may not have been magic, but it has treated us to one of the most unique, and hardest to ignore, moments at IMM Cologne. The full story is a little long for a compact blog post; however, in brief, researching carpets Alexander Seifried came across North Afghani yurt designs and was suitably inspired to develop his own yurt, the Kargah Tent.
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Following on from last year's highly enjoyable Objects for the Neighbour exhibition Karoline Fesser, Kai Linke and Thomas Schnur are back this year with a new show: Objects and the Factory. Time was when the factory was the aspiration of any industrial designer for their projects. A factory meant that project had become a product, and was an industrial product not a craft product. However over the decades changing social and cultural conditions coupled to numerous caesurae in design have meant
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Given that Cologne is geographically closer to Brussels than Berlin, there probably should be more Belgian designers exhibiting at Cologne Design Week than there actually/normally are. Also because a Belgian Frites seller can be found on near every street corner, thus ensuring no Belgian - or indeed Dutchman, Scot or Australian - need go hungry. Among the Belgians who are here this year are old (smow) blog favourites Tim Baute and Stefaan De Croock aka Atelier Bonk who are presenting their
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Aside from death, taxes and heartbreak, the only other certainty in life is that you will, with an unnerving regularity, need new furniture. Not because the old furniture is damaged or no longer en vogue, but simply because your needs and requirements have changed. A furniture system that can adapt to these changing needs is thus obviously advantageous. Developed in the early 1960s by Fritz Haller and Paul Schärer, System USM Haller is such a system. Composed of a steel tube frame
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For us one of the stand-out projects submitted to the 2013 International Marianne Brandt Contest was without question 2tables by Chemnitz born, Dresden University of Applied Sciences educated, Berlin based, designer Anna Albertine Baronius. And no, we're not just saying that because it won the (smow)/USM Haller/Vitra Special Award, that decision was made by forces much wiser than us. We do our thing independently. However just occasionally we all arrive at the same conclusions. As the name
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On Monday January 13th the European design circus rolls into the new year with the opening of IMM Cologne 2014 and Passagen 2014, and against our natural inclinations we'll be there, or as Ride so nearly put it; "If we've seen it all before, Why's this train taking us back again? If we don't need anymore, Why's this train taking us back again?" Yes, the rent has to be paid. But there are easier ways to earn a living than spending a week in January on the banks of the Rhein questioning your
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What with mince pies to be eaten, Glühwein to get drunk and travel plans to misco-ordinate, December is generally a very quiet month. However despite all other distractions, in December 2013 we still managed to visit the opening the exhibition "Mensch Raum Maschine Stage Experiments at the Bauhaus" at Stiftung Bauhaus Dessau and the far to brief Rethinking The Product – Design “Made in Italy” showcase in Berlin. In addition December 2013 saw the launch of the Vitra Design Museum's book "The
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With autum's algid wind in our faces and the promise of mince pies and Glühwein in our tails we approached November and a design tour through Brandenburg, met Napoleon in Erfurt and discovered that the Eames plastic armchairs and plastic side chairs used to be steel......
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What with the sweet afterglow of Vienna Design Week behind us we entered October 2013 full of enthusiasm - not least because it meant the opening of the new (smow) Cologne store. The month nearly nose-dived on account of a hideous plagiarism in Leipzig, but was more than rescued by Alison and Peter Smithson at the AIT ArchitekturSalon Cologne.......
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After the relative calm and civility of July and August, September sees a more than inconsequential upping of our professional pensum. In addition to our regular pilgrimage to Vienna Design Week, September 2013 also saw the opening of Lightopia at the Vitra Design Museum, Made in Slums - Mathare Nairobi at the Triennale Design Museum Milan, the International Marianne Brandt Contest in Chemnitz, and the acquisition of Finnish manufacturer Artek by Vitra......
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Visiting the HfG Karlsruhe Sommerloch exhibition was not just a memorable highlight of July 2013 - but also fitting as it marked the start of our own summer pause. Our own Sommerloch. In addition July 2013 saw us visit the Akademie der Bildenden Künste Stuttgart Rundgang, Art & Design Fit for a King @ Ampelhaus, Oranienbaum and Aus allen Richtungen. Positionen junger Architekten im BDA at Wechselraum Stuttgart......
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Those still looking for a New Year's Resolution could do worse than to promise to try to maybe visit more design exhibitions this year. And January 2014 offers a few wonderful places to start. That January is once again IMM Cologne and the accompanying Cologne Design Week we make no apologies for having selected two Rhein-side exhibitions, in addition we have an investigation of the production process and a brace of exhibitions devoted to Denmark's more important design "old masters".....
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Following the pains and tribulations of Milan, June is a time to relax. To enjoy design once again. This year we did that at DMY Berlin, Design Miami Basel at with the new Vitra(mini)Haus in Weil am Rhein....
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As a general rule May doesn't exist for us... it is just a fluid continuation of April. And of Milan. May 2013 was no different, did however end with a delightful Oskar Zieta show in Berlin......
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The biggest April fool is.... us, for always going to Milan! That said, as ever, we did find a few gems amongst the senseless corporate trash..... And after Milan we had the joy of viewing the latest addition to the Vitra Campus, the Factory Building by SANAA......
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March 2013 was a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau..... its amazing we found time to actually write anything.......
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IMM Cologne kept us busy into February, but the month also saw the opening of an Eileen Gray retrospective in Paris, a visit to the Louis Kahn exhibition at the Vitra Design Museum and the sad passing of James Irvine....
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January 2013 was, as every January, dominated by IMM Cologne, and all that that entails. In particular IMM Cologne 2013 brought us Ronan and Erwan Bouroullec's investiture as A&W Designers of the year and a delightful Alvar Aalto Stool 60 exhibition at Ungers Archiv für Architekturwissenschaft. January 2013 was in addition the opening of the exhibition "Extraordinary Stories About Ordinary Things" at the Design Museum London.....
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In our recent post from Florence we reported on the attempts being made there by the local authorities to help support and advance the local craftsfolk. Since 2008 the Chambers of Commerce from five of Florence's nearish neighbours have followed a different, though just as valid path towards achieving the same. Under the title "Rethinking The Product" the Chambers of Commerce from Lucca, Pisa, Pistoia, Prato and Terni pair young designers with local businesses and set them specific challenges.
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While we can't be certain that the artist, designer and choreographer Oskar Schlemmer would have completely agreed with the claim that "Life is a cabaret", we do know where he placed cabaret in the great scheme of cultural happenings: a little lower than theatre, but slightly higher than varieté. ""Stage" in general", Schlemmer wrote in 1925, "encompasses all that lies between religious cult and naive public amusement, both are not that what the stage is; the calculated impact on man of
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