Although one primarily goes to Kazerne Eindhoven to experience experimental, challenging, yet invariably accessible and pertinent design, during Dutch Design Week one also gets the chance to experience young, emerging, furniture brands. At Dutch Design week 2016 we were particularly taken with the presentation by Dutch brand Functionals. Tracing its origins back to 1972 and the establishment of a metal workshop in Goirle, near Tilburg, by Henk van Esch, the contemporary Functionals was
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Whereas 3D printing is omnipresent in the media, and a ubiquitous tool in contemporary research and development, in most daily realities it remains scarcelypresent. Save for tablet holders, cosplay accessories and Star Wars chess sets. Or put another way, as a popular activity 3D printing is still very nerd niche. Often very, very trivial. And certainly not a widespread, commercial, industrial process. Yet. But will be. Of that we are certain. How that will be in context of the furniture
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With The Wall, Nieuwe German Gestaltung #004, the 2016 Biennale Interieur in Kortrijk presented an overview of contemporary German design. The Wall: Nieuwe German Gestaltung @ Biennale Interieur Kortrijk 2016 All who know us will understand just how much it tickles us that one of the most ardent proponents of German contemporary design is a Belgian, Max Borka. Not per se that Max is Belgian. But that Max isn’t German. That it takes a non-German to explain to Germans how good contemporary
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It goes without saying that picking a "best of" from an event such as Dutch Design Week is impossible. Too varied are the projects, too wide the scope, too incomparable the works be that classic product design, classic architecture, classic craft, or more conceptual and/or research projects in and across genres. Rarely does urban planning sit so comfortably and naturally alongside pottery, high-tech and politics. While everywhere in Eindhoven one finds people 3D printing with all manner of
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According to Axl Rose, "...it's hard to hold a candle, in the cold November rain." The question is surely, why you would want to? It sounds like a thoroughly foolish thing to do. The clocks have changed, it's dark, cold, we're all a little down, but honestly Axl, standing outside with candles ain't going to make things better. Visiting one of the following five new architecture and design exhibitions however might just.... Fear and Love – Reactions to a complex world at the Design Museum,
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We must start with a confession . This High Five! is a High Four! Not because there weren't good products on show at Orgatec Cologne 2016, there were. But much more Orgatec is an office furniture fair, and therefore: a) most manufacturers offer, in essence, the same range, it is all very homogeneous. Generally of very good quality, but otherwise uninspiring, all very generic, safe and overtly commercial. One reason is that in the contract, so wholesale, business, decisions as to which
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When we spoke with Vitra's Chief Sales Officer Josef Kaiser at NeoCon Chicago he told us that at "Orgatec 2016 we will be trying to be more interesting for architects, without losing the focus on the dealers, which will be challenge, but one we’re looking forward to, not least because this year we have our own hall" What that meant in practice could be experienced in Hall 5.2 at Cologne Messe. Or in the Vitra Messe - Vitra Trade Fair - as we've taking to calling it, seeing how it was,
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On the train down to Kortrijk and the 2016 Biennale Interieur we started drafting this introduction. The talk was of the 25th anniversary edition, the relevance of the event in context of the European furniture and design market - then and now - and the strength(s) of contemporary Belgian furniture design Then we saw that organisers were charging 50 cents to use the toilet. In a fair. Ctrl A. Ctrl X. It may "only" be 50 cents, but.... having charged visitors €22,00 to enter a fair. You
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In 2016 the Breton capital Rennes hosted four exhibitions of, by and from Ronan and Erwan Bouroullec; one of them Rêveries Urbaines - Urban Dreams - is now on show at the Vitra Design Museum in Weil am Rhein Ronan & Erwan Bouroullec - Rêveries Urbaines, Vitra Design Museum In the European design calendar late September/early October is Vienna Design Week and the opening of the winter/spring temporary exhibition in the Vitra Design Museum, Weil am Rhein. And thus our annual outing on the
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The winners and nominated projects from the 2016 International Marianne Brandt Contest can be viewed in an exhibition in Chemnitz. International Marianne Brandt Contest 2016 Exhibition, Chemnitz Museum of Industry Time was we couldn't write about Chemnitz without making a cynical comment, an alleged joke. Time was. These days we not only travel voluntarily, and regularly, to Chemnitz but have begun to understand aspects of the town's character, aspects which on account of our previous
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Continuing our series of posts on creativity in Cologne, historic and contemporary, we met up with product designer Felix Stark. Born in Bonn Felix Stark initially completed a carpentry apprenticeship before studying product design at the ecosign/Akademie für Gestaltung in Cologne, where in 2004 he established his design studio "formstark". In addition to realising projects as varied as, and amongst many others, the ARK tap and bathroom fittings collection for Spanish manufacturer Stanza, a
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August in Edinburgh is Festival, Fringe & Edinburgh College of Art Masters Degree Show. We enjoyed one of the three…… Edinburgh College of Art Occasionally, very, very occasionally, we genuinely think it might be us. Genuinely think there might be nothing wrong with the number of events during Milan Design Week. Genuinely think there is nothing wrong with the number of stages at the Glastonbury Festival. Genuinely think there is nothing wrong with the number of ice cream flavours on offer.
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"When I was very small, a little boy of five or six years old, I was certainly no infant prodigy, but I did do drawings with houses, with vases and flowers, with gypsy caravans, merry-go-rounds and cemeteries........"1 Thus began one of the more interesting design journeys of the twentieth century. Ettore Sottsass (Photo Barbara Radice, 1984 © and courtesy Studio Ettore Sottsass) Ettore Sottsass: From Architect to Designer Born In Innsbruck, Austria, on September 14th 1917 as the son of an
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(a+b)÷a = a÷b ≡ harmony? Or, the contemporary relevance of the Golden Ratio In addition to those artificial laws decreed by state and church our lives are also defined by innate laws, those of mathematics, physics, chemistry, biology and Murphy. But is there a law of harmony? A law which defines perfect proportions and thus the ideal form of any object? Proponents of the Golden Ratio would answer yes. With their exhibition Divine Golden Ingenious. The Golden Ratio as a Theory of Everything?
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Slowly but surely September is becoming Europe's summer. Whereas July and August increasingly fail to produce anything even vaguely "summery", we can always rely on September to deliver long balmy afternoons, and even longer, balmier, nights. Often juxtaposed with crisp, misty mornings under a fresh blue sky. It's almost as if September knows that once it is gone, autumn will grasp us by the shoulders and drag us, selfishly, into winter. As if September knows it is our last refuge. "Get out
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If a central component of the Bauhaus philosophy was, in essence, to make art useful for industrial production and thus give art a contemporary relevance and function, what to do in a post-industrial world?* The answer from the German art historian and architecture theorist Heinrich Klotz was to unify art with digital technology, and thus give art a contemporary relevance and function. Or the Zentrum für Kunst und Medientechnologie Karlsruhe, to give it its formal name; and an institution
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As East Berlin's Art and Design College the Kunsthochschule Berlin Weissensee was in many ways symbolic of East Germany's difficult relationship with Bauhaus and the legacy of inter-war functionalism. On the one hand the DDR needed the reduced, cost effective, mass-market, industrial objects striven for during the period. On the other a need to define a new, socialist, tradition for the new, socialist, state meant an almost dogmatic rejection of everything associated with the pre-war "Germany",
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"Does the world really need ever more chairs?", is arguably the question we are most regularly asked. Alongside, "What do you actually do all day?" The answer to the second question depends on who posed it, in how far we hope to impress them or in how far we fear they may stop us doing what we do were they to discover what that actually is. The answer to the first question is "Yes" Or "Yes, if the new chair represents an advance over existing chairs" A chair being not something you sit on,
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On the steps leading to the entrance of the Hochschule für Gestaltung Schwäbisch Gmünd is embossed "Ich will Designer werden" - "I want to be a designer." With the criticism from Schwäbisch Gmünd alumni Markus Jehs concerning the quality of the discourse in global design education still ringing in our ears, we felt a very real need to grab a marker pen and add ", because..." We didn't. That would have be vandalism. Although if we're correctly informed graffiting on design schools is allowed,
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Such are the vagaries of the autumn/spring cycle in the global design exhibition industry, and it is an industry people, let's not fool ourselves otherwise, August is traditionally a very lean month: curators are on holiday, critics are on holiday, exhibition designers are on holiday, protagonists are on holiday. Who wants to open an exhibition? The following five museums. That's who.......... "Dream out Loud" at the Stedelijk Museum, Amsterdam, Holland Whereas museum exhibitions generally
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The 18th century Prussian Monarch Friedrich der Große, or Alte Fritz - Old Fritz - as he is popularly known, has many claims to fame, not least of which is his promotion and advancing of the cultivation of the potato in the lands under his command, thus making him responsible for the tuber's contemporary popularity in northern Germany. And hence his other title: The Potato King. Friedrich was also a patron of the applied arts and handicrafts and in 1763 took over Johann Ernst Gotzkowsky's
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An important commercial, financial and administrative centre since the middle ages Cologne has contributed greatly to the development of European society, culture and politics, while with the Kölner Dom the city is home to not only one of the largest Gothic cathedrals in Europe, and thus one of the most important religious institutions on the continent, but posses an excellent example of logical, considered, coherent, urban planning: by building the cathedral on a raised platform directly next
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Although Stuttgart based design studio Jehs+Laub are in many respects best known as the winners of the inaugural Moormann Bookinist Cup, they are also one of Germany's most prolific and successful furniture design studios. Markus Jehs and Jürgen Laub met while studying Industrial Design at the Hochschule für Gestaltung Schwäbisch Gmünd, their friendship developed over the course of a practical semester in New York, led them to complete a joint Diploma Project and ultimately saw the
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With its postal address of "Am Weissenhof 1" it should come as no surprise that the Akademie der Bildenden Künste, ABK, Stuttgart was not only the first building on that now fabled site on Stuttgart's Killesberg, but also that it played a role, when albeit a relatively small one, in helping create the fable: Professor Adolf Schneck designing two of the houses, the school's workshops, under the supervision of Hilde Zimmermann, being responsible for the kitchen of one of Schneck's houses, while
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