German designer Klaus Hackl's understanding of design is one based on the principle of evolution not revolution, of understanding the context in which a project arises, and of the value, and logic, of craft processes and craft scale production. And of the value, and logic, of craft processes and craft scale production augmented by digital technology. Keen to learn more, we met up wit Klaus Hackl in Munich.... Flare by Klaus Hackl for Hausgenossen (Foto Eva Jünger, courtesy Klaus Hackl) A
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As part of their 50th anniversary celebrations Design School Kolding are staging the exhibition Beyond Icons - New perspectives on design, a showcase of 50 objects which presents a very personal interpretation of good design and thereby challenges popular conventions. Beyond Icons - New perspectives on design at Koldinghus, Kolding Just as defining "good art", "good literature" or "good beer" is an impossibility, so to is "good design" undefinable. In a general sense. There is design that is
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The Cass is situated in London's Whitechapel, not far from the East London Mosque and in an area long a centre of London's Muslim community. The day we visited the Cass Summer Show it was Eid al-Fitr, a festival of family, feasts and finery. The narrow streets of Whitechapel awash with smartly attired, good humoured locals, or possibly just smartly attired locals high on sugar, for Eid al-Fitr is also a festival of sweetness at the end of Ramadan. Cakes and sweets as far as the eye could see.
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“What are you going to do this summer, Amory?”, Tom D’Invilliers asks of Amory Blaine in F Scott Fitzgerald's This Side of Paradise. “Don’t ask me", comes the somewhat languid reply, "same old things, I suppose. A month or two in Lake Geneva — I’m counting on you to be there in July, you know — then there'll be Minneapolis, and that means hundreds of summer hops, parlor-snaking, getting bored....." Sorry Amory, but you'll have to survive the magnificence of Lake Geneva on your own, would have
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Red and yellow and pink and green, purple and orange and blue..... Life is so simple as a child. Yet whereas in almost all other respects the progression to adulthood is one of simplicity to complexity, in terms of our understanding of colour we never lose our inner child. With the exhibition Breathing Colour at the Design Museum London the Dutch designer Hella Jongerius encourages us to sing a rainbow, sing a rainbow, sing a rainbow new. Noon colour catchers, as seen at Breathing Colour
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She came from Greece, had a thirst for knowledge, studied sculpture at St Martins College and, according to Jarvis Cocker, had no understanding of the brutal realities of late 1980s British society. Thirsty to know if the 2017 Central St Martins design graduates were more grounded in their contemporary reality, our 2017 #campustour headed to North London.... Central St Martins,London. The Granary Central St Martins, London Tracing its origins back to the late 19th century, Central St
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With the exhibition Panorama. A History of Modern Design in Belgium, the ADAM, Brussels Design Museum present an exploration of design in Belgium from the 1880s until the 1980s: and in doing so not only explain the development of design in Belgium, but provide for new understandings of that development. Panorama. A History of Modern Design in Belgium at ADAM Brussels Panorama. A History of Modern Design in Belgium Curated by the design historian Dr Katarina Serulus and design critic Thierry
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It is fair to say that Malmö University wasn't on our radar before we began our 2017 #campustour. Which is in no way to detract from the institution, far from it, much more it highlights our ignorance. And also one of the aims of our tour, achieving a better understanding of contemporary European design education. Form/Design Center Malmö Malmö University School of Arts and Communication Established in 1998, partly in context of a Swedish government higher education initiative, partly in
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The Swedish town of Lund is famous as the birthplace of the Tetra Pak packaging system, and thus of a global revolution in food and drink distribution systems and consumption patterns. If the new crop of Lund University School of Industrial Design graduation projects reached conclusions as simple, logical and resource efficient, if arguably, and ideally, without the associated post-use recycling problems, could be assessed at the institution's 2017 Degree Exhibition. Lund University School
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At the opening of the exhibition Ronan & Erwan Bouroullec – Rêveries Urbaines at the Vitra Design Museum we intimated that the first projects arising from the brother's research into urban spaces were in an advanced state of planning. With Oui the Kunsthal Aarhus present the first realised project. Oui Fireplace by Ronan and Erwan Bouroullec at Kunsthal Aarhus Established in 1917 by the KA Friends association as a permanent exhibition space in Aarhus, one which should "inspire and promote
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As the apostle Paul once wrote to the people of Galatia, "for whatsoever a man soweth, that shall he also reap." The manifestation of that wisdom can be observed in the twisted reality of our contemporary farming and food production systems. What we could, should, sow in order to reap a more sustainable and democratic future harvest, and for all the role our personal relationships' to food plays in approaching such an answer, is explored in the exhibition Food Revolution 5.0. Design for
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Inaugurated in 2016 state of Design Berlin is a festival which seeks to explore the experimental, critical, social character of design as much as present the industrial and commercial: and by extrapolation explain not only that design is all these things, but that the various aspects of design's character needn't be contradictory, far less conflicting or contrary. The 2017 edition of state of Design Berlin opens on Thursday June 1st state of Social Design Initiated by the German designer
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'tis a curious thing time. It has accompanied our universe since the instant of its creation, has allowed for the development of our civil and social society, is the bedrock of our economic, industrial and commercial systems, guides us through every day, week, month, year, life. Yet it is questionable if it actually exists. And if it does exist. In what form? How can we visualise and document it? Does it have an inherent value? Clues towards some possible answers are provided by the
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Dear Judge Tessin: I will herewith express our delight to have Florence with us this summer. I am sure that it will be good for her to see a little more of the world. We are going to Sweden, Finland, Denmark, Germany, and Holland. We will take good care of her. Most sincerely yours, Eliel Saarinen1 And take good care of Florence, Eliel Saarinen did: so much so that she advanced to become one of the most important protagonists in the development of post-war furniture, textile and interior
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When we first viewed the exhibition Full House: Design by Stefan Diez at The Museum für Angewandte Kunst Cologne, it was was still being assembled. Objects were missing, set-ups not in their final composition, lights not yet properly positioned. As such we didn't get to form an opinion on the final, complete, intended exhibition. Did however mange to take some truly awful photos. Fortunately we have now had a second chance to view the exhibition. And it is every bit as good as we assumed it
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With the exhibition Much More Than One Good Chair. Design & Society in Denmark, the Danish Embassy in Berlin present an exploration of the evolution of design in Denmark since 1945. And by extrapolation of the evolution of society in Denmark since 1945. Much More Than One Good Chair @ Felleshus Berlin As regular readers will be very aware, we have an uneasy relationship with the term Danish Design. Or perhaps better put we don't believe in it. We believe in design from Denmark, but not that
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There is one song missing from the smow blog playlist: missing for the simple, regrettable, and thoroughly avoidable, reason that it isn't on spotify. For din skyld by the Danish singer Birgit Brüel. Denmark's entry for the 1965 Eurovision Song Contest. And featuring lyrics by Poul Henningsen. Yes, that Poul Henningsen. Poul Henningsen (1894 - 1967) Although popularly remembered as a lighting designer Poul Henningsen was, as previously noted, so much more. Indeed, in many respects his
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On May 1st 1851 Queen Victoria opened The Great Exhibition in Hyde Park London: the first "World's Fair", an event which celebrated the advances of the industrial age, and whose influence on industry, engineering, science, architecture and society was to resonate globally for decades, acting as it did as the motor for the quickening technological advances of the late 18th and early 19th centuries. While the profit generated from the 6 million visitors allowed for the construction of London's
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"The handicraft training in the Bauhaus workshops was not an end in itself, but an irreplaceable educational tool. The aim of this training was to create designers who, thanks to their precise knowledge of materials and processes, were able to influence the industrial production of our time." Walter Gropius, 1955* The tensions caused by the practical question of how this influence was to be expressed, and the parallels with the industrial production of our time, are explored in the exhibition
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Backrests appeared to be a major feature of those new products Konstantin Grcic presented at Milan Furniture Fair 2017. Or perhaps better put, from those new product we saw by Konstantin Grcic, we interpreted the backrest as being central components. But it wasn't all about backrests, a few thoughts on new products for Magis, Plank, Flos and Mattiazzi. Noctambule by Konstantin Grcic for Flos, as seen at Milan Furniture Fair 2017 Monza Bistro Chair for Plank Although an addition to the Monza
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Much as we moan, moan, and moan about Milan Furniture Fair, it is a rare opportunity to get a snapshot of where individual designers are currently at: differing products for differing manufacturers being displayed in relatively proximity allowing for a nice overview. A few considerations on the latest projects by Ronan and Erwan Bouroullec for Vitra, Magis, Flos and Mattiazzi. Verticale by Ronan & Erwan Bouroullec for Flos, as seen at Milan Furniture Fair 2017 Softshell Side Chair for Vitra
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In our post The Sedentary Workers: Orchestra Musicians we explored the unique world of orchestra musicians' chairs. One of Europe's largest, and most experienced, manufacturers of orchestra and musicians' chairs is Esslingen based Wilde+Spieth. Who thus seemed an ideal address to learn more about the orchestra chair and the orchestra chair market..... Musicians Chair by Wilde+Spieth, based on the SE 68 by Egon Eiermann (Photo Wilde+Spieth) Originally a manufacturer of window shutters, in
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As older readers will be well aware, little gets us down quite like Milan Furniture Fair. Every year our only wish as we cross the Alps is that we will find something to make us thankful that we did. Milan Furniture Fair 2017 produced more such moments than the average year, which we suppose means we'll be back next year!! Our Milan Furniture Fair 2017 High Five!! Linea Perch Stool by Wesley Walters & Salla Luhtasela for Nikari Back at Neocon 2016 we bemoaned the lack of objects in public
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Although the evidence is not, yet, conclusive, recent years have seen an increasing confidence in the theory that sitting for too long can have a negative impact on health, and that all whose job involves prolonged sitting should regularly stand, move and generally change their body position. But what about those workers who can't? What about those workers whose job is defined by long periods of sitting? Orchestra musicians at work. Seated. Specifically, the Chicago Symphony Orchestra with
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