"The handicraft training in the Bauhaus workshops was not an end in itself, but an irreplaceable educational tool. The aim of this training was to create designers who, thanks to their precise knowledge of materials and processes, were able to influence the industrial production of our time." Walter Gropius, 1955* The tensions caused by the practical question of how this influence was to be expressed, and the parallels with the industrial production of our time, are explored in the exhibition
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Backrests appeared to be a major feature of those new products Konstantin Grcic presented at Milan Furniture Fair 2017. Or perhaps better put, from those new product we saw by Konstantin Grcic, we interpreted the backrest as being central components. But it wasn't all about backrests, a few thoughts on new products for Magis, Plank, Flos and Mattiazzi. Noctambule by Konstantin Grcic for Flos, as seen at Milan Furniture Fair 2017 Monza Bistro Chair for Plank Although an addition to the Monza
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Much as we moan, moan, and moan about Milan Furniture Fair, it is a rare opportunity to get a snapshot of where individual designers are currently at: differing products for differing manufacturers being displayed in relatively proximity allowing for a nice overview. A few considerations on the latest projects by Ronan and Erwan Bouroullec for Vitra, Magis, Flos and Mattiazzi. Verticale by Ronan & Erwan Bouroullec for Flos, as seen at Milan Furniture Fair 2017 Softshell Side Chair for Vitra
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In our post The Sedentary Workers: Orchestra Musicians we explored the unique world of orchestra musicians' chairs. One of Europe's largest, and most experienced, manufacturers of orchestra and musicians' chairs is Esslingen based Wilde+Spieth. Who thus seemed an ideal address to learn more about the orchestra chair and the orchestra chair market..... Musicians Chair by Wilde+Spieth, based on the SE 68 by Egon Eiermann (Photo Wilde+Spieth) Originally a manufacturer of window shutters, in
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As older readers will be well aware, little gets us down quite like Milan Furniture Fair. Every year our only wish as we cross the Alps is that we will find something to make us thankful that we did. Milan Furniture Fair 2017 produced more such moments than the average year, which we suppose means we'll be back next year!! Our Milan Furniture Fair 2017 High Five!! Linea Perch Stool by Wesley Walters & Salla Luhtasela for Nikari Back at Neocon 2016 we bemoaned the lack of objects in public
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Although the evidence is not, yet, conclusive, recent years have seen an increasing confidence in the theory that sitting for too long can have a negative impact on health, and that all whose job involves prolonged sitting should regularly stand, move and generally change their body position. But what about those workers who can't? What about those workers whose job is defined by long periods of sitting? Orchestra musicians at work. Seated. Specifically, the Chicago Symphony Orchestra with
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While it’s hard to feel anything even vaguely resembling joy in a month which sees the UK start its senseless and cowardly, withdrawal from the European Union … life goes on!! Our five top distractions for April 2017 features new design and architecture exhibitions in Berlin, New York, Paris, Dessau and Milan. "Otto Bartning (1883–1959). Architect of Social Modernism" at the Akademie der Künste, Berlin, Germany Born in Karlsruhe in 1883 the architect and theoretician Otto Bartning was, and
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Thingness. Noun. [ˈthiŋ-nəs] The quality or state of objective existence or reality1 Thingness. Exhibition. [ˈthiŋ-nəs] A comprehensive Jasper Morrison retrospective currently on show at the Bauhaus Archiv Berlin. Jasper Morrison. Thingness @ Bauhaus Archiv Berlin Originally conceived by and presented at the Centre d’innovation et de design, CID, Grand-Hornu, Belgium, Jasper Morrison. Thingness presents a chronological excursion through three decades of Jasper Morrison design. We first saw
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It may lack the Unicorn Horn that graced so many Renaissance era Cabinets of Curiosities, but with The Room of Desires Keum Art Projects present a collection of objects with just as much beauty, mystery and grace as could be found in the Wunderkammer. And yet which are grounded much more in reality. The Room of Desires @ Raumwerk Munich Back in the day we once received an almighty thump from a very good friend for suggesting that the fact her mother had adorned their living room with so many
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The exhibition Divine Golden Ingenious. The Golden Ratio as a Theory of Everything? at the Museum for Communication Berlin featured two projects by Berlin based designer Mark Braun, projects which, largely, if not exclusively, owe their form to deliberations on and experimentation with the Fibonacci number. A state of affairs, we considered, makes Mark Braun an ideal person with whom to speak to about the role, attraction and relevance of the Fibonacci number and Golden Ratio in product design.
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The Bayerischer Staatspreis für Nachwuchsdesigner is one of the more interesting international design prizes. Not only because it is biennial and thus steadfastly refuses to play with the "every year new" ethos of the contemporary design industry, nor only because it is exclusively for young designers, but also because in addition to the "usual" categories it also recognises Design Research and Applied Crafts. And thus promotes a pleasingly healthy and positive understanding of the term
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For George Orwell nothing heralded spring quite like the re-appearance of toads, emerging from their subterranean hibernation and setting off, once again, on life's great cycle. Our toads are the flurry of new design and architecture exhibitions which open globally every March, as the international museum and gallery community awake from their winter slumber. Our highlights for March 2017, featuring new exhibitions in Bielefeld, Helsinki, Weil am Rhein, Utrecht and Paris "Partners in
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The German designer and silversmith Christian Dell is arguably best known for the numerous lighting designs he realised during the 1920s and 1930s. Christian Dell was however also one of the pioneers of plastic design. If all too briefly. Christian Dell (1893 - 1974) Born in Offenbach am Main on February 24th 1893 Christian Dell initially completed a silversmith apprenticeship before studying at the Königlichen Zeichenakademie Hanau and subsequently serving as a journeyman silversmith,
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Ambiente Frankfurt 2017 allowed an all to seldom reunião with Portuguese brand Vicara. And an occasion which served to remind us that we really should catch up with them more often..... Vicara at Ambiente Frankfurt 2017 In many respects we've been admirers of Portuguese brand Vicara since before Vicara even existed: Back at Dutch Design Week 2010 we met Spore Vase by Paulo Sellmayer, an object which instantly spoke to something deep within us and has become one of those reference objects we
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Amongst all the fake flavours at Ambiente Frankfurt 2017 the Umami of Japanese design studio Bouillon was a genuine delight. In 1909 the Japanese chemist Kikunae Ikeda defined Umami: the fifth taste sense, the savoury, that little touch of sensory magic which enables us to enjoy food rather than simply experiencing it. It also paved the way for Monosodium Glutamate and all those other "flavour enhancers" with which the food industry not only convince us to eat more processed food than is
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"Have you ever met a robot?" asks the Vitra Design Museum. The answer is yes. The answers to the other 13 questions posed by the exhibition Hello, Robot. Design between Human and Machine are not necessarily so easily answered: but are important for defining our relationship with digital technology. Vitra Design Museum presents Hello, Robot. Design between Human and Machine Vitra Design Museum opens one of its major exhibitions this week called ''Hello, Robot. Design between Human and
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Our picks from the new architecture and design exhibitions opening in February 2017, featuring showcases in Weil am Rhein, Falkenberg, 's-Hertogenbosch, Berlin and Groningen. 5 New Design Exhibitions for February 2017 "Good morrow, Benedick. Why, what's the matter, That you have such a February face, So full of frost, of storm and cloudiness?", enquires Don Pedro of Benedick in Shakespeare's Much Ado About Nothing. Shakespeare gives the impression that Benedick's mood is somehow related to
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As a fair IMM Cologne 2017 didn't impress, but one or the other product did. Our IMM Cologne 2017 High Five!! And a few words of comfort from Epictetus. IMM Cologne 2017: High Five!! Staged as it in mid-January IMM Cologne is not only the first event in our new diaries, but, coming as it does after a period when we've been distracted by life in its full technicolour glory, often the hardest. How quickly have we come out of the post-holiday starting blocks? Are we mentally and physically
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The German architect and designer Ferdinand Kramer didn't just translate the new principles of construction and design which arose in the inter-war years into his architecture, furniture and industrial designs, he was also a very eloquent writer on such matters, and thus helped, and continues to help, explain the motivations behind, and fascination with, functionalist ideals. Chair B 403 for Thonet by Ferdinand Kramer, as seen at The Kramer Principle: Design for Variable Use, Museum
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With the exhibition 5 Years kaschkasch Florian Kallus and Sebastian Schneider aka studio kaschkasch celebrate, well, five years of studio kaschkasch. 5 Years kaschkasch, Cologne 5 Years kaschkasch The foundations for kaschkasch were laid by Florian Kallus and Sebastian Schneider in context of a joint graduation project at the Akademie für Gestaltung Münster, and became reality with the opening of their own studio in Cologne in 2011. An early diet of trade fairs and competitions resulting in
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Passagen Design Week Cologne 2017 is playing host to Naked Objects, the fifth edition of the exhibition series "Nieuwe German Gestaltung" - and an exhibition which as with the previous four is an unashamed celebration of the diversity and vitality of contemporary German product design. Naked Objects: Nieuwe German Gestaltung #005 Naked Objects - Nieuwe German Gestaltung #005 Tracing its origins to the 2009 exhibition “Nullpunkt. Nieuwe German Gestaltung” curated by the Belgian critic and
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With the exhibition 21 Common Things designer Thomas Schnur explores his personal relationship with everyday objects. And in doing so the concept of functionality. Thomas Schnur - 21 Common Things "The whole world's going home with blue plastic bags" observes Malcolm Middleton in his 2008 song, "Blue Plastic Bags" The blue plastic bag as a unifying object. The blue plastic bag as a metaphor for contemporary urban life. The blue plastic bag as a symbol of our social homogeneity. "The whole
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With the exhibition Full House: Design by Stefan Diez the Museum für Angewandte Kunst Cologne, MAKK, present the first museal overview of the canon of the German designer Stefan Diez. And an exhibition which in many respects also helps explain industrial design. Or at least the contemporary industrial design process. Yard by Stefan Diez for emu, as seen at FULL HOUSE: Design by Stefan Diez, Museum für Angewandte Kunst Cologne Full House: Design by Stefan Diez Born in 1971 into a
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Caught up in the all too obvious enchantment of the likes of Eames, Nelson and Girard it is very easy to forget that post-war American design was a great deal more. It was also Edward J Wormley. Edward J Wormley. 1955. (Photo: Edward J Wormley papers; Professional (KA0048.02). New School Archives and Special Collections Digital Archive Edward J Wormley: Designs for Living The July 1961 edition of Playboy magazine features a truly excellent article by John Anderson titled "Designs for
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