As regular readers will appreciate, we're no great approvers of lumping individual creatives together under one umbrella term; always strikes us as being an unnecessary distraction, and (more than) a little counterproductive. We are however most appreciative that following an inaugural presentation at Kazerne Eindhoven during Dutch Design Week 2017, the showcase Generation Köln is now being presented, as it were, on home turf. Generation Köln. A Family Portrait Organised by Passagen
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As in art, music or literature, the path in design from an idea to its realisation is rarely straight. And not always achieved. Or at least not immediately. Consequently every designer, as with every artist, every musician or every author, has projects which began their journey's full of hope,but, then, for whatever reason....... With the showcase "in Arbeit" Cologne based designers Thomas Schnur and Klemens Grund present some of their projects which are, still, "in Arbeit" In Arbeit.
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One of Germany's leading post-war architects and architectural theoreticians, Egon Eiermann was also one of post-war Europe's most important chair designers, not just in context of what he realised, but also in context of what he worked towards realising and the reasons why. With the exhibition Cologne celebrate that legacy. Der Stuhl des Architekten - Sitzmöbel von Egon Eiermann @ Ungers Archiv für Architekturwissenschaft Cologne Although Egon Eiermann's career as a designer of
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As we've oft noted in these pages, not only have designers since time immemorial had a particular fascination for chairs, but society a particular predilection. Arguably the two are related and can be traced to the long, universal, cultural, political and social relevance of the chair and the act of sitting, a state of affairs which not only makes the physical chair/seat an integral part of our lives, but the metaphorical: excitement brings us to edge of our chairs, those who are brave/foolish
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With his two faces the Roman God Janus looks simultaneously forward and backwards, standing in constant watch over transitions, the passage of time, beginnings, ends. The easy connection to make is with January, that month of the year when we are invariably reflecting and hoping in equal measure: the more complex connection to make is with a well-crafted architecture and design exhibition, one which effortlessly links reflections of the past with proposals, visions and excitement for the
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While preparing our 5 New Architecture & Design Exhibitions for December 2017 post we spent a not inconsiderate amount of time contemplating the exhibition Cupboard Love at the Gewerbemuseum Winterthur, in particular the fact the while it promises to explore cupboards in their metaphoric manifestations as expressed in film, literature and art, they appear to have overlooked the use of cupboards, closets and other storage units in music. We just had to rectify that....... Cupboard Love at the
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On the first day of Christmas my true love gave to me, a ticket for a design exhibition. On the second day of Christmas my true love gave to me, two tickets for two design exhibitions, and a ticket for a design exhibition. On the third day of Christmas my true love gave to me...... You get the idea. Our five goohoold rings for December 2017 are new architecture and design exhibitions in Winterthur, Barcelona, New York, Munich and Moscow. "Cupboard Love" at the Gewerbemuseum Winterthur,
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The first metaphors may, or may not, have been animal based, but materials are just as adaptable. And few are as adaptable as glass. The Glass Ceiling as the impenetrable, yet invisible boundary. The Heart of Glass as a state of extreme emotional weakness. While in most glass metaphors the focus is an inherent property of glass: transparency. With the exhibition Welt aus Glas. Transparentes Design the Wilhelm Wagenfeld Haus Bremen abstract that metaphor to explore the link between
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👋 Gestures belong to the oldest of human actions and interactions. Have accompanied mankind through good times and bad, through its innumerate technical, cultural and social revolutions. And are so intuitive, we are often barely aware of them. With the exhibition Gestures – Past, Present and Future, the Sächsische Industriemuseum Chemnitz explores not only the (hi)story and importance of gestures, but for all their role in our smart, digital, autonomous futures. Gestures - Past, Present
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Visitors to the Grassi Museum for Applied Arts Leipzig have long been able to rest on Jasper Morrison's Vitra Bench, an object liberally distributed throughout the museum complex. With the exhibition Thingness the Grassi Museum for Applied Arts Leipzig offers visitors a deeper insight into Jasper Morrison's oeuvre, and creative processes. Jasper Morrison - Thingness @ Grassi Museum for Applied Arts Leipzig Born in London in 1959 and a graduate of both Kingston Polytechnic and the Royal
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As any fule kno, an echo requires a surface off which to reflect. Otherwise it is just shouting into the void. With the exhibition Echoes - 100 Years in Finnish Design and Architecture at the Felleshus, Berlin, that reflective surface is the traditions, cultures and landscapes of north-east Europe. Echoes - 100 Years in Finnish Design and Architecture @ Felleshus, The Nordic Embassies, Berlin On December 6th 1917 the Finnish Republic declared its independence from Russia, an event that
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When we spoke with designer Patrick Frey in context of our #campustour, the plan was quite simply to discuss contemporary design education; however, the natural flow of the conversation took us in a raft of interesting directions, including his experiences as a freelance designer, the question of development payments in the furniture industry and the background to his and Markus Boge's joint diploma project, a project in many regards personified by the tables Kant and Marketing. Kant by
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Modular lighting is a seldom encountered genre, and when it is encountered, then invariably in a very technical form, a form that implies the computer software has taken a greater role in the creative process than the designers understanding of form-giving, There are however exceptions..... 304 by Nick Beens, as seen at Dutch Design Week Eindhoven 2017 Although we saw the 304 collection by Nick Beens' at the 2017 Design Academy Eindhoven Graduation Exhibition, it's inclusion here should in
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While figuratively "blowing the roof off" is arguably an aim of every design festival; physically having your roof blown off is not. Sadly that is what happened to Designblok Prague 2017; Storm Herwart, when not completely de-roofing the Art Deco Palace of Industry which hosted the event, causing damage sufficient to force organisers the cancel the last two days of the five day festival. A situation not only unfortunate and irksome for the organisers and exhibitors, but disappointing all
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Although as an event Dutch Design Week has always had a focus on presenting design in context, design in practice, our feeling is that of late that focus has intensified, something we thoroughly approve of as it helps make tangible that design is, can be, more than pretty objects; does however mean that you increasingly need to take more time with you to Eindhoven. Or accept that you are going to miss a lot of, potentially, interesting and thought provoking presentations. Necessity meant that
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Like gardens mottled with the vibrant leaves of autumn, so too is November 2017 bestrewn with a multicoloured carpet of new design and architecture exhibitions. We could have published three such lists, seriously considered it .... have however instead taken the opportunity to bring our monthly recommendations average up to where it should be. Five. Back in August we only had four new recommendations, and so to compensate summer's shortfall, here we present six, technically seven. Although it
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"Marcel Breuer seeing a pair of bicycle handle-bars decided to make chairs using the same industrial process", notes Jasper Morrison in his text, The Poet will not Polish, "the new world constructor seeing a pair of bicycle handle-bars decides to use them as they are and save himself the trouble and expense of bending the tube."* On seeing an aluminium tube, Eindhoven based studio OS ∆ OOS followed, in many respects, a similar logic. The result is the Tunnel collection. OS ∆ OOS @ Dutch
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Algorithms as dance, a tactile architecture guide and a future-proof flat sharing platform. On Thursday October 26th the winners of the 2017 Kölner Design Preis were unveiled at a ceremony in the city's Museum für Angewandte Kunst, MAKK; and where until Sunday November 19th the three winning, and all nominated, projects, can be viewed in a specially conceived Kölner Design Preis 2017 exhibition. Kölner Design Preis 2017 exhibition at Museum für Angewandte Kunst Köln, MAKK Celebrating its
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As we believe we've noted before, the joy in that exhibition format in which designers present objects which are important and/or relevant to them, is that no matter how often it is repeated it is always new. Same, same, but different. For their 2017 show Dutch Invertuals are presenting collections of objects from 45 alumni which have an importance to/relevance for them, or which simply represent an object of wonder and inspiration to the relevant designer. And because it's Dutch Invertuals
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"The problem of the construction of affordable housing for the lowest earning sections of the population is currently a primary concern in almost all civilized countries." Thus invited the Congrès internationaux d'architecture moderne to their second congress, a three day event which opened on Thursday October 24th 1929 in the Palmengarten Frankfurt am Main, and which saw some of the leading protagonists of inter-war architecture discuss potential solutions for that most primary of concerns.
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The Ecole Cantonale d'art de Lausanne, ECAL, isn't actually in Lausanne, but the community of Renens on the western edge of Lausanne. Édith Piaf famously opined that, je ne regrette rien, but how many of this year ECAL graduates would be singing, je regrette Renens? Or perhaps better put, how many of this year's graduates would Renens regrette? To gauge the mood, we anchored on the shores of Lac Léman to visit the 2017 ECAL Graduation Show......... Ecole Cantonale d'art de Lausanne ECAL
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As regular readers will be well aware, here at smow blog HQ we're very much of the opinion that fashion isn't design. Never was. Never will be. Design, and without wanting to wade too deep into the definition quagmire, arose from applied craft/applied art, fashion is applied craft/applied art. And so while unquestionably a creative discipline, isn't design. Neither is Graphic. Design can however inspire and influence fashion, past decades recalling numerous occasions of fashion houses being
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Ukrainian designers haven't featured often in these pages. Arguably never. And may never have, had it not been for the exhibition Transformation staged at the Ukrainian Cultural Centre during Paris Design Week 2017 The installation Pulse of Life by Nikolay Kabluka & decoruznetsov studio, as seen at Transformation, Ukrainian Cultural Centre, Paris Design Week 2017 Embassy and Cultural Centre presentations are a regular feature of design weeks, and as a general rule are awful. As in truly
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Aachen is famous for its Cathedral, its Rathaus, as a sedes regia, Royal seat, and coronation location of Germanic monarchs for 600 years, and its confectionery. But for its design? The network Designmetropole Aachen aim to change that, through both promoting the work of Aachen based designers in exhibitions and events, and also through being a network, a variagted structure in which local creatives support local creatives. Among Designmetropole Aachen's current projects is as co-curators of
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