Derived from the French parcourir, the parcours is perhaps historically most popularly associated with equine show-jumping, the challenge of negotiating an artificial obstacle course; more recently it has become popular in context of human show-jumping, the challenge of negotiating an urban obstacle course. Approaching the Köln International School of Design 2018 KISDparcours semester and graduation exhibition we hoped the obstacles to be negotiated would be of the mental, philosophical,
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Multi-storey car parks are many things to many people. For skateboarders a playground, for love-torn teens a place of privacy, for authors and film-makers an all too easy metaphor, and for yet others ..... somewhere to park their car. For the German architect Paul Schneider-Esleben the multi-storey car park represents his career breakthrough. And one of his most defining projects. Lichtplatz Car Park (Hanielgarage), Düsseldorf by Paul Schneider-Esleben Paul Schneider-Esleben Born in
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Counting amongst its alumni the likes of Finn Juhl, Arne Jacobsen, Nanna Ditzel, Kaare Klint, Georg Jensen, do stop us if we get boring, Verner Panton, Thorvald Bindesbøll, Ole Wanscher, Poul Kjærholm, and pretty much any other Danish designer or architect of whom you've ever heard, and a great many more of whom you haven't, the Kongelige Danske Kunstakademi Copenhagen was formally inaugurated on March 31st 1754 in honour of the 31st birthday of Frederik V. But is it a gift that keeps on
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Odd as it may be to consider today, in the course of the 19th century and throughout the first decades of the 20th century, the German town of Chemnitz was one of the most important locations in central Europe for heavy and mechanical engineering, and thereby an important motor on the highway from craft to industrial production, supplying as it did the machines, infrastructure and ideas to enable that transfer. The importance of Chemnitz in the 19th century can perhaps be best gauged by the
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We've spent so much time walking alongside canals on this #campustour we've started to feel less like dashing thoroughbreds and more like plodding, monotonous, if honest, loyal and sedulous barge ponies. There are, as far as we are aware, no canals in Aachen, yet, and much like those city's who owe their existence to canals, Aachen owes its existence, and name, to its waters: the thermal springs arising in the city meaning that since Roman times the peoples of the region, and from further
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Approaching the 2018 Universität der Künste Berlin Rundgang one was obliged to navigate the weekly antique and flea market that overwhelms the Straße des 17. Juni, and thereby walk, hurry, past untold objects whose ill consideration, self-celebration, kitschiness or plain ugliness confuse, insult, anger and otherwise offend the senses and sensibilities. An inconvenience, or an omen for that which awaited us..........? Universität der Künste Berlin, Germany Universität der Künste Berlin With
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"It is a peculiar tension that precedes a first visit to a painting exhibition", opined the Dutch art critic Jacques van Santen Kolff in the introduction to his four part review of the 1875 exhibition at the Teeken-Akademie Den Haag, "there is a unique charm, something stimulating in that nervousness, an eminently "picturesque" tension."1 Kolff wasn't disappointed, that which he had sensed in the air was confirmed by that which hung on the walls and led him to coin the term "Hague School",
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Our visit to the 2017 Royal College of Art London Graduate Show was one of the more sobering moments of our 2017 #campustour. Or as we wrote then, "...in a world controlled by RCA graduates every, but every, aspect of our lives will be controlled by autonomous smart technology. We will literally lose the ability to think for ourselves. The human brain will become the appendix of the 21st century." Donning a hat fashioned from aluminium foil and an old metal sieve, we headed once more to South
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"Welcher Fehler braucht ein system?", "Which errors/mistakes/imperfections does a system require?", asked the Kunsthochschule Burg Giebichenstein Halle's 2018 annual exhibition. And used the question as a celebration of the power of trial and error, of the value, importance, poetry, of imperfections, abrasion, the incorrect, the unintended, the random, the well planned but ultimately unsuccessful, and how any otherwise well-organised, professional and targeted system needs a nuisance factor,
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As Katie Melua informs us "There are nine million bicycles in Beijing. That's a fact. It's a thing we can't deny" But why chose to highlight Beijing's nine million bicycles? Why not focus instead on a city such as Münster where there are a great many more bicycles than the paltry nine million Beijing has to offer? Maybe Katie wasn't convinced people would believe her, wouldn't be so willing to accept that that's a fact. It's a thing we can't deny. Which all has nothing in the slightest to do
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Writing to his friend Heinrich Köselitz in August 1881 Friedrich Nietzsche remarked, "My dear friend! The August sun hangs over us, the year drifts by, it is quieter and more peaceful on the mountains and in the forests. On my horizon thoughts have arisen, the likes of which I have never known...." We like to imagine that those thoughts arose through his having visited an architecture and/or design exhibition. Were he still with us, we'd suggest he visited the following vista extending
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Since 2000 Utrecht has been home to, when not the world's longest poem, then certainly the world's longest-term poem: running its way down Oudegracht through the heart of the inner-island, De Letters van Utrecht is extended every Saturday by the addition of a new letter, a process planned to continue ad infinitum. And which is in many ways similar to how smow blog posts are formed: we start writing, adding new words at regular intervals, without any real plan, far less any intention, ever to
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Kassel isn't just birthplace of the Brothers Grimm but is also, in many regards, birthplace of the noble art of the Spaziergangswissenschaft, Strollology, a concept developed by Lucius Burckhardt during his tenure at Kassel University and which not only challenges conventional perceptions of the world around us, but for all encourages us to develop a differentiated understanding of how we perceive the world around us. But would our stroll through the 2018 Kunsthochschule Kassel Rundgang
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The 2018 Manchester Art School Degree Show was held under the title "Take Flight" But, .... and you're ahead of us, we know... how many of the projects would cause us to soar with delight. How many to flee in foreboding and terror......? Manchester School of Art Manchester School of Art Established in 1838 as Manchester Government School of Design, the second of a family of design schools initiated by the then government to help promote and support contemporary industry, the institute was
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We've long considered it an absolute cheek that German high-speed ICE trains stop in Hildesheim. Nothing against Hildesheim, but when one considers other cities in Germany where ICEs don't stop, or stop with an almost insulting (in)frequency, coupled to the closeness of Hildesheim to more major centres and their ICE hubs, it always seemed as if Hildesheim was being unfairly favoured by Deutsche Bahn. That was until we wanted to visit the Hochschule für angewandte Kunst Hildesheim's Summer
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The Proclaimers may have rightly celebrated the virtues of the Sunshine on Leith, but on the day we visited the 2018 Degree Show at Edinburgh College of Art's School of Design the city was very much in the grip of a North Sea haar which had drifted, unhelpfully, up the Firth of Forth. Or was it perchance an omen? Would that which greeted us in the exhibition be equally as nebulous, cold and opaque........? Degree Show 2018, Edinburgh College of Art, Evolution House Degree Show 2018,
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The building which Central Saint Martins calls home was erected in 1852 as store for grain arriving from Lincolnshire and awaiting its further distribution to London's bakers. Was, if you like, a transfer point, a hub, a location where general ideas became specific solutions, a place industry and trade called upon when needing raw materials for their latest project, a source for those whose work helped support and nourish the populace, a central institution in the development of the city and
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"We are children of the age of the steam engine, the telegraph and electricity. We have turned our backs on the beautiful, and that is why we no longer understand it", bemoaned the Dutch draughtsman, designer and educator Johannes Ros in his 1904 text "Het doel" [The goal/target/objective] How Johannes Ros and his contemporaries attempted a return to the beautiful, indeed what was understood as beautiful in the Netherlands at the turn of the 19th/20th centuries, and for all the particular
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The Hochschule für Gestaltung und Kunst Basel's Institute Industrial Design is sited in the city's Dreispitz district, a name derived from the district's (roughly) triangular form, and a term which translates into English as "cocked hat" But would the work of the Institute's students see conventional ideas, wisdoms and understandings knocked into a Dreispitz..... Hochschule für Gestaltung und Kunst Basel, Campus Dreispitz Hochschule für Gestaltung und Kunst Basel Tracing its history back to
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In October 2017 the Design Department of the Folkwang Universität der Künste Essen moved into its new home, the so-called Quartier Nord designed by Stuttgart based MGF Architekten. The 2018 Folkwang Summer Rundgang therefore not only offered an opportunity to explore the work undertaken by institute's students in the semester past, but also to explore their new home....... Folkwang Universität der Künste Essen, Quartier Nord..... Folkwang Universität der Künste Essen The most important
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Tracing its history back to 1899 the Sir John Cass School of Art, Architecture and Design a.k.a The Cass has an established place in the (hi)story of English design, for all in woodcraft based design including toys, music instruments and furniture. But as we all know a long history and illustrious alumni are poor hooks on which to hang the future of an institution, much more robust are the current staff, students and their work. The 2018 Cass Summer Show allowed some insights into the
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Our visit to the 2018 Glasgow School of Art Degree Show occurred before the recent fire, indeed this post was all planned to go, then came news of the fire ... and it seemed appropriate to wait. But not to archive it away altogether, for tragic and destructive as the fire unquestionably was, an art/design/architecture school is its staff and students and ideas and visions and understanding of the world. Not the bricks and mortar that surround it. Even if those bricks and mortar were arranged
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Lilla torg, the square in Malmö old town which the Form/Design Center calls home, traces its history back to Malmö's hanseatic days, the former market of yore having evolved over the centuries to become one large open air food court, bordered as it is on all sides by restaurants, bars and coffee shops, which spill gregariously out into the ever narrowing square. The functional, ordered, democratic supply of provisions, having become a self-satisfying celebration of the same. What would Émile
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The Dog Days of summer are with us and, as is traditional, the international curatorial community have removed themselves to the cooler climes of their storerooms, archives and libraries to sit out the heat until autumn's bracing breeze tempts them back out. Which, logically, means a great sparsity of new architecture and design exhibitions opening in July 2018. A sparsity however isn't a nontity and in four of the world's cultural and meteorological hotspots one finds exhibition curators
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