As an (apparent) unending forest criss-crossed by visual axes and dotted with meadows, Park Sanssouci in Potsdam stands proxy for the garden design, the garden architecture, of 18th and 19th century Europe.
As an (apparent) unending forest criss-crossed by visual axes and dotted with meadows, Park Sanssouci in Potsdam stands proxy for the power and wealth and pomp and glory of 18th and 19th century Prussia.
According to the Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, who today are responsible for maintaining and managing Park Sanssouci, some 80% of Park Sanssouci’s trees are damaged, ill.
As an (apparent) unending forest criss-crossed by visual axes and dotted with meadows, Park Sanssouci in Potsdam stands proxy for the consequences and effects of climate change.
A reality employed in Re:Generation to, as the full title helpfully explains, discuss those effects – and the what we can do about it…….
Ciao Salone!
Servus Salone!!
Amongst the European designer furniture publishers Nils Holger Moormann has long stood out from the crowd, and that primarily because Nils Holger Moormann has never sought the crowd, has always done Nils Holger Moormann’s thing, not the crowd’s thing, and who in doing such has very much, and very justifiably, attracted a crowd lot of individuals.
Thus while other furniture publishers dance to the tune of the international trade fair crowd, Nils Holger Moormann organise their own trade fair.
Ciao Milano!
Servus Aschau!!
It’s been a while, and we were beginning to think it would never happen again; however, after an inordinately long absence September 2023 sees us once again meet up with Vienna Design Week…….
In context of the 1923 Bauhaus exhibition in Weimar, that first wide-ranging presentation of the school, its work and its understandings of itself and the world in which it existed, the institute presented with the Haus am Horn by Georg Muche and its interior, furniture, fittings and accessories by the likes of, and amongst others, Erich Dieckmann, Alma Buscher, Otto Lindig, Benita Otte or Marcel Breuer, a synopsis of the prevailing understandings of and positions to domestic arrangements and domesticity amongst the Weimar Bauhäusler.
With their 2023 theme year Wohnen the Klassik Stiftung Weimar take us all back to a century and a bit before Haus am Horn and to understandings of and positions to domestic arrangements and domesticity in the late-18th/early-19th century Weimar of Goethe, Schiller, Wieland, Herder et al.
And also consider possible future understandings of and positions to domestic arrangements and domesticity as we all move towards 2123…….
We’re not saying that Capellagården is the best design school in the world.
But would say it is, without question, one of the most delightful and most engaging and most relaxing to visit, one of the best to visit.
A genuine joy that was denied us during the Covid years.
But one we weren’t going to give up on.
In summer 2023 the stars aligned and we ventured once again over the seas to Öland…….
By way of breaking us all gently into 2023 we thought that rather than presenting a list of new architecture and design exhibitions opening in January 2023, we’d provide a list of those exhibitions both up and running in January 2023 and those opening in January 2023.
It seemed a civilised and informative approach. An approach that was more empowering, less demanding. An invitation to visit an exhibition rather than defining an obligation to visit an exhibition.
If an approach, an invitation, admittedly aided and abetted by the dearth of new showcases opening globally in January 2023. As in essentially none. Certainly nowhere near the five of our title.
But then, the old is also the new when first discovered, everything is unknown and unfamiliar until approached and engaged with, it’s all a question of perspective.
Which is a very good way to enter a new year…….
Summer Break!!!
Not us!!!
We’re still here, tirelessly toiling to provide the fuel to keep your fires of inquiry burning bright and thereby powering your ongoing exploration into the depths and breadths of design. And your deconstruction of the simplifications, half-truths and objectifications that have become popularly confused for design.
But the international architecture and design museum community have collectively decided not to open any new exhibitions in August 2022.
We’re not bragging, it’s not what we do, but we do possess inarguably the largest global databank of architecture, design (and art) museums ever compiled, a resource that is continually growing, a resource through which we continually move, within which in many regards we live. And a resource which reveals no new architecture or design relevant exhibitions opening in August 2022.1
One.
Globally we found one new exhibition opening in August 2022 that would fit our criteria for being an exhibtion worthy of recommendation before it has opened and revealed what it actually it is not that which the curators claim it is.
But one is too few for a list. We will however visit it and, should it live up to its promise, report on it in due course.
Not that no new exhibtion openings means the global architecture and design museum community are all on holiday, far from it, they have simply retreated to the cool of their archives; and September and October should, will, offer veritable bounties of easily recommendable new shows.
Nor does no new exhibtion openings mean the global architecture and design museum community are closed. They are very much open, and very much should, must, be visited.2
Thus in place of a list of new exhibitions, we offer two geographically arranged lists of those architecture and design exhibitions on show in August 2022 and which you can, should, must, visit…….
In September 1951 the East German newspaper Neue Zeit informed its readers that, “whomever travels to Fürstenberg sees the beginnings of the new city, a city planned according to the “Principles of Urban Development”.1
Whomever travels to Fürstenberg today arrives in Eisenhüttenstadt, the planned city that arose from those “beginnings”; and a city which, arguably, more than any other, stands proxy for the rise and fall of East Germany.
With the exhibition Endless Beginning. The Transformation of the Socialist City, the Museum Utopie und Alltag explore not only the past, present and future of Eisenhüttenstadt, but also employs Eisenhüttenstadt as a conduit for more general reflections on urban planning and the ongoing, inevitable, intrinsic, transformation(s) of our cities. Socialist or otherwise……
Outwith his native Denmark, the country home to the most architectural works by Arne Jacobsen is Germany.
Yet the vast majority of them remain popularly unknown.
As does Arne Jacobsen’s partner on his German projects: Otto Weitling
With the showcase Gesamtkunstwerke – Architecture by Arne Jacobsen and Otto Weitling in Germany, the Felleshus Berlin not only set the record straight but allow for some fresh reflections on both Arne Jacobsen and our relationships to and with architecture and our built environments……
We thought long and hard as to if we should continue our online exhibition recommendations series, or go back to offline exhibitions…… and decided for a return to offline.
We fully appreciate that in a lot of countries museums are still closed, as indeed are the international borders that you would normally and naturally criss-cross for a short city break to visit those that are open; however, many museums are open, many more are planned/planning to open in the course of June, and interesting and informative as online presentations can be, viewing an exhibition in a museum is the more satisfying experience, the more rewarding experience, the more enduring experience. And an important experience.
As we oft opine, museums aren’t just about collecting and preserving the past, nor just additions, adornments, to cafés and gift shops; rather they are locations for discourse, contemplation and reflection. Locations in which not only subjects which, in the overhyped, overheated marketplace of contemporary media may never find an audience, can be allowed to tell their story, can in many cases be allowed to reclaim their place in our (hi)story, but locations where subjects can be approached not only from a multitude of perspectives simultaneously, but from new, contradictory and often otherwise unachievable perspectives, and that without prejudice, bias or a commercial necessity to conform to some preconceived narrative.
Admittedly not every exhibition manages that, many do succumb to an egoistic desire to be a “blockbuster” and thus present an accepted, tourist gaze, presentation of their subject; but there is no reason why every exhibition cannot discuss lesser illuminated subjects without fear or favour.
And when museums do such, and do such well, do such with honesty and impartiality, they become locations which invite, encourage and enable you to extrapolate on that which is presented and to carry your thoughts and arguments over into other arenas and areas, and thereby helping us all approach better understandings of ourselves, individually and collectively, and of the world around us, the innate natural and that which human society has created. While also improving our knowledge of the subject at hand. Clarifying that you may not have understood a subject as completely as you believed you did.
And that’s not an experience and opportunity that one should ever undervalue or neglect. And certainly never stop searching for.
While specifically in context of design exhibitions; for all that online exhibitions can and do offer, there is simply no substitute to being in the presence of a physical object, nor can we imagine there ever will be.
And so while all museums remain virtually open 24/7, and we’d encourage each and everyone of you to use museums’ online services as tools and resources; the fact that many are physically open is much more important. And something to be treasured and made use of.
If made use of with appropriate awareness and sensibility at this moment. Therefore, if you feel comfortable visiting a museum, please before doing so (a) check in advance to ensure that it is actually open, short-term changes can occur and (b) familiarise yourself in advance with ticketing, entry, safety, hygiene, etc rules and systems. And during your visit stay safe and responsible. And receptive for new ideas, new opinions, new names, new perspectives, new connections, new understandings……
According to the Greek philosopher Anaximenes of Miletus, air is the source of everything.
And whereas in the intervening 2500 years we have come to better understand the true nature, character and properties of air, as the exhibtion Design on Air at the Centre d’innovation et de design Grand-Hornu illustrates, air remains a very potent, stimulating, and protean creative force.
Following smow Lisboa’s surprise victory in the 2017 smow Song Contest, the Portuguese capital is preparing to host the 2018 song contest: a contest being staged very much in context of the contemporary relevance of smow’s historic connections….
With their eyes fixed firmly on the road ahead, the riders in the 2017 Tour de France prologue time trial through the streets of Düsseldorf on July 1st will have no thoughts for the buildings they pass.
Which is a shame, because as a city Düsseldorf has more than its fair share of buildings which are not only architecturally interesting and important, but whose stories are often interesting and important in wider cultural contexts.
Interesting and important architecture and stories the Tour de France competitors could become acquainted with. If they just slowed down.
At the opening of the exhibition Ronan & Erwan Bouroullec – Rêveries Urbaines at the Vitra Design Museum we intimated that the first projects arising from the brother’s research into urban spaces were in an advanced state of planning.
With Oui the Kunsthal Aarhus present the first realised project.
As more loyal readers will be aware, we are firmly of the opinion that increasing digital technology must be employed,
Sand is not a material on which many architects would hope to successfully build a project, far less a career.
As Noël Coward famously observed, only mad dogs and Englishmen go out in the midday sun, and it takes a
Throughout 2015 some thirty European museums and cultural institutions will mark the 125th anniversary of Dutch artist Vincent van Gogh’s
On one of the very few occasions over the past 12 months when we’ve put down our axes and stepped,
We’ve spent a lot of 2014 travelling backwards on trains, racing towards the future with our eyes fixed firmly on
In our post from the excellent exhibition Croatian Holiday at Vienna Design Week 2012 we questioned the curators assertion that
Any self-respecting modern conurbation needs a moniker. An evocative tag line on which to hang its city marketing strategy and
Visiting the HfG Karlsruhe Sommerloch exhibition was not just a memorable highlight of July 2013 – but also fitting as
There is an old adage about turning problems into chances, of every cloud having a silver lining, of every thorn
Hot on the heels of Vienna Design Week 2013 and its very successful “Passionswege” programme news reaches us from Florence