As we've often noted in these pages the eastern German town of Chemnitz markets itself as the "City of Modernism", which as we've equally often noted in these pages is a bit of an over optimistic claim. For just as a swallow doesn't make a summer so being the birthplace of Marianne Brandt and possessing an Erich Mendelsohn department store building doesn't make you a "city of modernism" Which isn't to say that Chemnitz isn't without its cultural relevance: historically through works such as,
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On Friday October 24th the winners of the Saxony Design Award 2014 - the Sächsischer Staatspreis für Design 2014 - were announced at a, no doubt, suitably grand ceremony in Leipzig. Ran under the motto "Mehr Wert durch Design" - "More value through design" - the 2014 edition of the biennial contest looked for projects which help illustrate the potential of design in our modern post-industrial industrial economy. And which we suspect, although it wasn't explicitly stated, was intended to
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As we always say one of the joys of visiting design festivals is the chance they offer to explore different parts of the host city. Normally it is the visitors who travel. In Leipzig, it's Designers' Open that travels. The true minstrel under the European design festivals, Designers' Open has been annually packing its kit bag and moving on ever since leaving its, figurative, family home in the Grassi Museum in 2006. Designers Open 2012 will be held from October 25th to 28th in the
read moreThe "Product Design" category of the 2009 Sachsen Design Prize, as announced in Dresden Wednesday evening, produced a somewhat curious result: no winner but two second places. Which aside from being ridiculous is a real slap in the face for the product design community in Sachsen. For those who don't know we live in Sachsen,; learned our trade here; took the knocks, got back up and tried again here. The region is branded on every part of our bodies and our souls. And we now where the
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Giorgio by Peter Horn is the chair that almost never was. Having commissioned Horn to create a stackable multi-function chair, the finished design lay for two years in the archive of Stuttgart based designer furniture producer Richard Lampert - in short, although convinced of the quality of the chair, Lampert saw that particular market segment as too crowded. After all how many chair designs does the world need? And so the story would have ended had not one day a request for help not been
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