With furniture, as with so much in life, it is rarely the showy, high profile, works, or individuals, that teach us most, but those works, and those individuals, who in their anonymity and modesty accompany us in invisible silence. Or rather the anonymous and quiet could teach us most, if we spent less time being distracted by, letting ourselves willingly be distracted by, the noise of the showy. With the project Monobloc author and director Hauke Wendler, and a team of co-collaborators,
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It is perhaps indicative of the differing receptions to and estimations of design in the former West Germany and the former East Germany that while Dieter Rams' Ten Principles of good design are revered as if cast in stone, Karl Clauss Dietel's Five Big Ls of good design have barely seen the light of day since November 1989. A popular focus on the former West which tends to popular understandings of design from West Germany as being valid and authentic and laudable, while design from East
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As we recently noted, summer is slowly giving way to autumn and with it the realisation that long sunny days lounging in gardens or on poolsides will slowly give way to long sunless days in office chairs. Autumn 2014 also means for us Orgatec, Europe's largest office furniture trade fair, and an invariable flood of "new" office chair "designs." Consequently, it should come as no surprise that we recently took our copy of Jonathan Olivares' A Taxonomy of Office Chairs from the (smow) bookshelf.
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There is an old adage about turning problems into chances, of every cloud having a silver lining, of every thorn having its rose. One of the best examples of such is the Vitra Campus in Weil am Rhein. In the wake of a 1981 fire at the Weil am Rhein production site, Vitra found themselves needing to quickly rebuild. And needing a fire station. The first problem was solved by Nicholas Grimshaw with his Production Hall. The second by Zaha Hadid with her Fire Station. In the intervening 30+
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"Colour contributes towards enriching the sensitivity, the poetic resonance and harmony of architecture. Colour means a considerable extension of the functional precision of architecture towards psychological and human aspects", so begins colour designer Fritz Fuchs a letter to Stuttgart architect Günter Behnisch, as reproduced in Behnisch & Partner's 1993 book "Über das Farbliche / On Colour" Produced in conjunction with the exhibition of the same name "Über das Farbliche / On Colour"
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On Friday November 22nd Depot Basel open their new exhibition, Changes – Chancen. At the beginning of September 2013 the Depot Basel collective brought together five Swiss creatives for a discussion aimed at exploring aspects of Switzerland as a location for "work, production and design." Consisting of product designer Jörg Boner, Stefan Rechsteiner from footwear company Velt, architect and author Claude Lichtenstein, product designer Meret Probst and interior designer & author Verena Huber
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In our post from the exhibition Made in Slums – Mathare Nairobi at the Triennale Design Museum Milan we referred to the Belgian author and curator Max Borka and his theory that the unique accent of Berlin design is largely a result of the near continual crisis the city has had to endure over the decades; a reality that has resulted in a very site specific response from designers and architects alike. During Vienna Design Week 2013 Max Borka launched a new book that explores where such a
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On September 3rd the Ungers Archiv für Architekturwissenschaft Cologne present the latest edition of their Ex Libris series. This time Ex Loco. In Bremen. As we noted in a previous Ex Libris post, "... much as the Internet is full of spam until you start looking for something, so to is a library just a lot of old paper until you read the books". And in this sense the Ungers Archiv für Architekturwissenschaft Cologne regularly invite architecture luminaries to select a work from the archive's
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On Friday March 22nd the Ungers Archiv für Architekturwissenschaft Cologne present a new edition of their Ex Libris series. We first discovered Ungers Archiv when we visited the exhibition Stool 60 by Alvar Aalto during IMM Cologne 2013. And we're very impressed, especially by the library, or as we put it "...one of the most comprehensive and enchanting private architecture libraries you’re likely to come across." However much as the Internet is full of spam until you start looking for
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If you visit the London Design Museum's new permanent collection exhibition "Extraordinary Stories About Ordinary Things" you will be treated to a most rare and wonderful piece of British modernist furniture, an object labelled simply: "Table for display of trousers" Created in 1936 by the English architect Joseph Emberton for Simpsons of Piccadilly, it is not only an object as unique in form as in function, but an object which brought us very much to mind of a fantastic collection of long
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A couple of years ago we stood in a branch of a major German electronics chain in disbelieving silence. An electric pasta cooker. Disbelief turned to sorrow. An electric pasta cooker. With a 24 hour programmable timer. After 85 million years man had reached and passed the zenith of his evolution. We now found ourselves on the downward spiral back to the pond. Sorrow turned to loneliness. The experience did however highlight for us the paradox of a career as a product designer. You're
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The V&A Museum London exhibition "British Design 1948-2012" pretty much does what it says on the tin. It reviews British Design from 1948 to 2012. But how does the future look ? Where is British design going ? What issues are important? Where do the coming generation of designers see their futures ? Answers to these and similar questions can be found in the newly published "21 Designers for twenty-first century Britain" by Gareth Williams. Profiling designers and design studios such as Raw
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Bauhaus travelled a lot. Not only itself as an institution, but also in terms of the dispersion of its students and professors. And so, tempting as it can be to limit Bauhaus to a few sites in Weimar, Berlin and Dessau to do so is not only to ignore a lot of the Bauhaus story. But also to deny yourself the chance to experience some truly revolutionary and inspiring buildings. But where to start ? How can one best find the remaining traces of Bauhaus outwith its main centres? And what about
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One of the most famous - and arguably professionally relevant - phases in Verner Panton's life was his journeys through Europe. Following his graduation from Copenhagen Art school Verner Panton gave up his position with Arne Jaobsen, converted his VW bus to a basic mobile studio and set off on a series of tours throughout Europe during which he made contact with numerous designers and producers. While its probably fair to say that this experience alone didn't shape his future work - the
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One of the real joys of spring is that two of our favourite worlds nearly, but very nearly, collide - books (Leipzig Buchmesse) and designer furniture (Saloni Milano) On April 10th in Milan they will collide with the opening of the exhibition to the new Moleskine edition "Hand of the Designer". Containing 462 hand drawn sketches from 150 designers - including Ronan and Erwan Bouroullec, Hella Jongerius, Antonio Citterio or Alberto Meda - Hand of the Designer is intended as an intimate look
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The snow is back in Leipzig and so whereas the weekend was spent enjoying the warm spring air - the evenings are now being spent enjoying the warm living room and a good book. And so it's just as well we were recently at Leipzig book fair. Among the seemingly endless piles of new historical novels, travel guides - each, naturally, with the best insider tips - and Harry Potter wannabes there was also a few title that appealed to us. "Project Vitra" from Rolf Fehlbaum und Cornel Windlin for
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