Grcic A Konstantin; A Nurturing; A Reduction There are a great many legends surrounding the origins of Grcic, and while many are centred around the regions today known as München and Wuppertal, the more plausible appears to be that Grcic arose in the days of ancient Rome when a member of a large herd, a Grex, of roving furniture makers, tired of the monotony and fallacy of the repetition of the same objects regardless of context and the passage of time, stole away to pursue the development of
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To the casual observer selecting five outstanding products from the Milan Furniture Fair is a neigh on impossible task, so great is the number of potential candidates. "How", asks our casual observer, "are you going to select just five?!?!" For the seasoned attendee selecting five outstanding products from the Milan Furniture Fair is a neigh on impossible task, because the vast majority of articles on show are anything but outstanding. And those which are are invariably older, established
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As previously noted in these pages the (hi)story of modernism is largely one of successful male/female partnerships, the most famous questionably being Ludwig Mies van der Rohe and Lilly Reich or Le Corbusier and Charlotte Perriand in the main period of inter-war European modernism and Charles and Ray Eames in context of the post-war American adaptation. Yet it is also a (hi)story with only very few identifiable female leads. From the examples above Lilly Reich, Charlotte Perriand and Ray
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Since the late 1950s Bavarian porcelain manufacturer Rosenthal has cooperated with an impressive roster of international designers to create new objects and product families, notable cooperations including those with Raymond Loewy, Walter Gropius, Wilhelm Wagenfeld, Jasper Morrison or Patricia Urquiola. One of the firms most recent collaborations is and was with Offenbach am Main based Sebastian Herkner. A graduate of the Hochschule für Gestaltung Offenbach am Main, Sebastian Herkner
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One of the first telephone calls Mateo Kries and Marc Zehntner made upon assuming leadership of the Vitra Design Museum in 2011 was to Konstantin Grcic to discuss the possibility of an exhibition. Grcic was, in principle, open to the idea, but, "I didn't want a static exhibition, something that froze my work in time, rather I wanted something dynamic" That "something dynamic" is the exhibition Konstantin Grcic - Panorama which opened at the Vitra Design Museum, Weil am Rhein on Friday March
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The first post in our, hopefully short, new series "Things we missed at IMM Cologne 2014" is devoted to the new Pegasus Home Desk by Ippolito Fleitz Group / Tilla Goldberg for Munich based manufacturer ClassiCon. We know why we missed it in Cologne, call it youthful arrogance, we just can't believe we did. Not only does the Pegasus Home Desk exude a formal parity with a horse saddle, but it functions as a sort of home office saddle bag - the leather desk top can be rolled up from the left
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Revolutions in design and architecture invariably involve a new material. The oldest examples of this phenomenon being found in the context of metals: the Bronze Age and the Iron Age. And in the 6000 years since man first learnt to mix tin and copper the fascination for and desire to work with metal remains as primordial as ever. To celebrate the variety and durability of metal in design Frankfurt based Trademark Publishing recently released "Objects: Alle Metalle" an homage to classic and
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From February 20th until May 20th 2013 the Centre Pompidou Paris is presenting a major retrospective devoted to the Irish artist, designer and architect Eileen Gray. As someone who once claimed "The future projects light, the past only clouds" we're not 100% certain the subject herself would approve; however, for us it is a welcome and long overdue Eileen Gray retrospective, and fittingly one being staged in the city that more than any other influenced and defined her life, character and
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The final stage of our 2011 autumn tour took us to Neue Räume Zurich, Switzerland's largest designer furniture trade fair. And quite possibly Switzerland's most bemuddled designer furniture trade fair. We do appreciate that the organisers are trying to make Neue Räume all things to all men, and offer a wide range of products, producers and design directions. And we really liked what the organisers were trying to do. But somehow squeezing so much into such a relatively small space just
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London based design studio Barber Osgerby stands as a testament to the fact that high quality work will always win through, with or without the media status "star designer" While its fair to say that many of their contemporaries have been placed on international glossy magazine pedestals, Edward Barber and Jay Osgerby have remained largely in the shadows, quietly producing consistently high quality work for both international producers and private customers. That is however slowly changing
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What would Christmas be without hats? Father Christmas, his elves, Bing Crosby, Frank Sinatra, Dave Hill.... Even the shepherds and wise men. All bemillinered. And so what could be a more festive gift than a hat rack and/or hooks. Hut Ab by Konstantin Grcic for Moormann Hut Ab is both German for "Hats Off" and a genial space saving coat and hat rack by Konstatin Grcic. When not in use Hut Ab can be folded flat and stored. When in use, Hut Ab offers numerous options for hanging and holding
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