The inclusion of a sheet steel bookend amongst our photos from the Grassi Museum for Applied Arts exhibition “Art Déco: Smart, Precious, Sensual” resulted in one or the other queried look in our direction, enquiries after our health and even questions as to if all our other photos were so unusable that, in our desperation, we had been reduced to using a shot of a piece of understatedly painted bent sheet steel. No, no we replied, all was good. As were the rest of our photos. That bookend
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The WA 24 table lamp by Wilhelm Wagenfeld is without question one of the most instantly recognisable pieces of Bauhaus design, so much so that it is often referred to as simply "the Bauhaus Lamp". Designed by Wilhelm Wagenfeld in 1923 the WA 24 was quickly followed by a series of variations on the theme, yet all maintaining the same pared-down grace and uncomplicated functional elegance of the original. Characteristics which can just as easily be applied to Bauhaus itself as to Wagenfeld's
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One of the biggest problems with Modernism is the name. It was unquestionably modern. Which is why it became known as "Modernism". However, having become Modernism, it remained Modernism, and consequently "Modernism" came to imply something static. Rather than something, well, modern. Nowhere is this problem more visible than in discussions around Bauhaus. Established in Weimar in 1919 Bauhaus would go on to play a central role in shaping those new ideas about art, architecture and design
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As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture exhibitions which are probably well worth checking out if you get the chance....... "Piet Mondrian. The Line" at the Martin-Gropius-Bau, Berlin, Germany Just as those architects who were to lead the move to modernism in the first decades of the 20th century generally began working in more classic styles before being seduced by the reduced charm of modernism,
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On the evening of Thursday June 9th Bauhaus University Weimar formally opened the 2015 edition of their annual Summaery end of year exhibition; thus, and equally formally, launching our 2015 summer tour of student showcases. For all in or near Weimar this weekend, Summaery 2015 runs at the Bauhaus University Weimar, and at locations throughout the town, until 6pm on Sunday July 12th, full details can be found at www.uni-weimar.de/summaery, and here three design projects which particularly
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"I intend to run the institution such that in terms of craftsmanship the best possible is achieved, and to foster it so that from an artistic perspective it meets all the requirements of modern conceptions of art"1, so wrote the architect Paul Thiersch in his 1914 application for the vacant post of Director of the Handwerkerschule in Halle, Germany. An argument which clearly found favour with the Hallesche selection panel, for on July 1st 1915 Paul Thiersch was selected ahead of the 74 other
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Given that Bauhaus is often perceived as having been an incubator for the creative talents of the 1920s, it is perhaps fitting that windows salvaged from Bauhaus Dessau should have been upcycled into a greenhouse for the Bauhaus Archiv Berlin. Or at least into a greenhouse-esque structure for the Bauhaus Archiv Berlin. Conceived, planned and realised by Berlin architectural practice zukunftsgeraeusche GbR together with the Bauhaus Archiv Berlin, Technischen Universität Berlin and Wagner
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The biggest, and certainly highest budget, new architecture and design exhibition open in May 2015 is without question the World Expo 2015 in Milan which begins on May 1st. Staged under the central theme of "Feeding the Planet, Energy for Life" Expo Milan 2015 will feature presentations from some 140 countries in an equal or greater number of pavilions by some of the world's leading architectural practices, and promises to present an unrivalled exploration of future strategies for feeding an
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The (hi)story of applied arts is, we believe it's not too impetuous to claim, very closely connected with that of all other visual artistic forms. Therefore it is only logical that the (hi)story of the Grassi Museum of Applied Arts in Leipzig is very closely connected with that of the town's Academy of Visual Arts - the Hochschule für Grafik und Buchkunst, HGB And so to celebrate the 250th anniversary of the later the former has invited students and graduates of the HGB to disrupt the Museum
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How to celebrate the birthday of a man all celebrate? What words can one find to honour the birthday of the German architect, designer and ex-Bauhaus Director Ludwig Mies van der Rohe? When in doubt we invariably turn to the man who has words for every occasion, George Nelson. Following his graduation from Yale University George Nelson won the so-called "Rome Prize", a fellowship awarded by the American Academy in Rome for particularly talented individuals from across a range of disciplines
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Following the necessary disruption of their permanent exhibition to accommodate the recently ended exhibition Sensing the Future: László Moholy-Nagy, die Medien und die Künste, the Bauhaus Archiv Berlin have taken the opportunity afforded to redesign their exhibition concept. And in doing so have allowed a very welcome fresh wind to blow through their museum. Bauhaus Archiv Berlin: Sammlung Bauhaus Presented under the title Sammlung Bauhaus - The Bauhaus Collection - the new permanent
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With ever more of our fellow train passengers displaying acute symptoms of over exposure to cheap Glühwein it can only mean that December is upon us. And the end of one the genuinely more enjoyable smow blog years. Indeed its fair to say 2014 was one of those years that makes you consider if its not time to hang up the old travelling socks and seek a more sedate, sedentary, existence. A fitting moment perhaps, but the correct decision? We've a couple of days to decide. And to accompany us
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......and continued over Budapest and on to Berlin - where amongst other delights we partook of the exhibitions Sensing the Future: László Moholy-Nagy, die Medien und die Künste at the Bauhaus Archiv Berlin and Schrill Bizarr Brachial. Das Neue Deutsche Design der 80er Jahre at the Bröhan Museum - and onto Cologne for the Orgatec office furniture trade fair.
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May may have been slow in the past. May. For aside from DMY Berlin, Fritz Haller in Basel, Niek van der Heijden in Berlin, and Wilhelm Wagenfeld in Bremen we also got to visit Nürnberg and the new archaeology museum in Chemnitz. And so all things considered May 2014 may go down as one of our busiest months ever.....
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According to our pictorial review of March 2013 it was "a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau….. its amazing we found time to actually write anything……." March was 2014 was the same. Just replace "Stuttgart, Chemnitz, Weimar, Dessau" with "Frankfurt, Münsingen, Berlin, Weil am Rhein" It also explains the large number of half-finished drafts from March. Obviously we didn't find time to write everything!
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Cold as February 2014 unquestionably was, we managed to warm ourselves with exhibitions looking at the 1920s medial representation of Bauhaus Dessau, the life and works of Marianne Brandt and the work of Berlin based designer Birgit Severin. And got all excited by some USM window fittings!
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Until February 8th 2015 the Deutsches Architektur Zentrum, DAZ, in Berlin is presenting the exhibition "The Urburb: patterns of contemporary living" Developed by Ori Scialom, Dr. Roy Brand and Keren Yaela Golan The Urburb was Israel's contribution to the 2014 Venice Architecture Biennale and aims to place the current state of urban planning and architecture in Israel in context of historical developments. To this end The Urburb features four so-called sand printers - industrial plotting
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Just as it seems that the press conference ahead of the opening of the Martin-Gropius-Bau Berlin's new exhibition, "VKhUTEMAS – A Russian Laboratory of Modernity", is approaching its end, yet another, final, question is posed. Martin-Gropius-Bau Director Gereon Sievernich smiles warmly and responds with a very good natured "My, have you all got a lot of questions today!" Yes. Unsurprisingly. Exhibitions, or indeed any form of academic presentation, about the Russian art school VKhUTEMAS
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It's now been twelve months since we decided to start recommending upcoming architecture and design exhibitions based on nothing more substantial and reliable than a press release or a PR agency text. A year in which we have recommended 60 exhibitions which sounded good, sounded worth visiting, sounded entertaining. Most of those that we subsequently visited were. A fact that has encouraged us to continue. And so to celebrate "5 New Design Exhibitions" first birthday, 5 New Design Exhibitions
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In his 1936 film "Modern Times" Charlie Chaplin is famously swallowed by the wheels of progress in a short yet cutting critique on the problems and challenges technological and social change were bringing for the common man. Over a decade earlier the Hungarian artist and author László Moholy-Nagy had also began to approach and study the problems and challenges of modernity, of increasing technological innovation and the associated flood of new sensory experiences, and in their winter 2014/15
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Although it is probably fair to say that today Bauhaus is best remembered for its architects and designers, art played a central role in the institution's programme. Albeit a central role which today is often over shadowed by the legacy of those artists who taught at Bauhaus. To rectify this situation the Stiftung Bauhaus Dessau are presenting "Bauhaus. The Art of the Student", an exhibition which explores both Bauhaus' importance as an art college and also looks beyond the likes of Lyonel
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Erected in 1927 in context of the Deutscher Werkbund exhibition "Die Wohnung" the Weißenhofsiedlung in Stuttgart aimed to achieve "…. a reduction in house construction and running costs, in addition to a simplification of housework and a general improvement in living standards" But did it? Or is it just a collection of buildings by Max Taut, Hans Poelzig, Mies van der Rohe, Le Corbusier, Mart Stam, Peter Behrens and their ilk? A chance for a close connected group of modernists to show off?
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"Herr Mies van der Rohe proposed to close Bauhaus. The proposition was unanimously approved".1 With this sober protocol dated July 20th 1933, but referring to a meeting held on July 19th 1933, the closing of Bauhaus Berlin, and so the end of the Bauhaus story, is formally confirmed. Present at the meeting on July 19th, and so unified in their responsibility for the decision were, in addition to Mies van der Rohe, Josef Albers, Ludwig Hilberseimer, Wassily Kandinsky, Walter Peterhans, Lilly
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Amid all the hype surrounding "Bauhaus Style", "Bauhaus Classic" and "Bauhaus Design" it is often forgotten that Bauhaus was a college. And whereas many, if not most, people can name half-a-dozen or so Bauhaus graduates; hundreads of students passed through Bauhaus. And it wasn't all just partying and theatre. They did also learn. But what did they learn? How did they learn? And what can we learn from how and what they learnt? In an attempt to answers such questions the Bauhaus Archiv
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