According to US gonzo journalist, Hunter S Thompson, "the human animal needs a Good Reason to get out of bed on a wretched morning in February." 1 May we humbly suggest....... "Die Neue Heimat (1950–1982). A Social Democratic Utopia and Its Buildings" at the Architekturmuseum der TU München, Munich, Germany An exhibition about German high-rise housing estates with the subtitle "A Social Democratic Utopia and Its Buildings" could lead one to the conclusion it was about East Germany. Wrong!
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Despite what some may have us believe, Bauhaus didn't appear one morning from the slowly clearing mists of the Ilm valley; rather, and for all its lasting allure, Bauhaus 'twas but a moment on a longer, wider, international helix. One which began its twisting long before Walter Gropius and his merry band arrived in Weimar, and which continues, winding its way ever onwards, to this day. With the exhibition From Arts and Crafts to the Bauhaus. Art and Design – A New Unity! the Bröhan Museum
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"...a new generation, a new age, must develop forms and tenors for their interior and exterior worlds which correspond to its desire for well-being and its ideals" wrote Frankfurt city mayor Ludwig Landmann in 1926.1 With the exhibition Moderne am Main 1919-1933 the Museum Angewandte Kunst Frankfurt explore how such developments were approached and realised in Frankfurt and environs, and by extrapolation explore the contribution made by the region to the evolution of inter-War understandings
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The reason most of us fail to keep most of our New Year resolutions is, mostly, because we either resolve to give up things we enjoy or to do things we don't. Which is foolhardy in the extreme. If you wanted to do more sport, you would. If you wanted to eat less crisps, you would. But don't. And don't. So don't. The wiser choice is to resolve to do more of that which you enjoy, and thereby not only setting yourself an achievable goal but one which through the genuine fulfilment it brings
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"I am happy to supply you with photos of a larger building that has recently been completed, and which, for me, is one in which I have succeeded in most clearly expressing my views on art", wrote the German architect, designer and artist Peter Behrens in 1931, "it is the central warehouse and the associated administration building of the Gutehoffnungshütte Oberhausen, Rhineland"1 With the exhibition Peter Behrens - Art and Technology that clearest expression of Behrens' view on art hosts an
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We doubt we will be able to visit the 2019 Summaery exhibition at Bauhaus University Weimar, as we suspect the town will be too full of visitors celebrating the centenary of Bauhaus Weimar. Or perhaps better put, full of confused visitors wondering where all the steel tube furniture is..... Wrong Bauhaus people. Consequently we attempted to extract as much as we could from Summaery 2018. Bauhaus University Weimar @ Summaery 2018 Bauhaus University Weimar Summaery 2018 Although the
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According to Germanic lore, "ein guter Septemberregen kommt nie ungelegen", a good rain in September is never inopportune. This year arguably more so than ever. Similarly a good architecture and design exhibition in September is never inopportune. And, and keeping with rain metaphors, while we can all remember what rain is, September 2018, sees a proper downpour of new architecture and design exhibitions. A downpour that is particularly opportune. Following July's drought and its meagre 4
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Systems bring order to chaos, allow relationships to be understood/defined, enable standardisation. And depend on a carefully considered, well designed and constructed connector. In 1939 the German architect Konrad Wachsmann developed a metal connector which subsequently became the central component of the General Panel prefabricated construction system developed by Wachsmann in cooperation with Walter Gropius. In 2018 the Bauhaus Lab reflected on that connector, Konrad Wachsmann and
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"Memphis in June, A shady veranda under a Sunday blue sky, Memphis in June, And cousin Amanda's makin' a rhubarb pie" (Memphis in June, Hoagy Carmichael) Sounds lovely Hoagy, but we'll have to pass, because despite Memphis having some interesting museums, we can't find one opening a new architecture or design exhibition in June 2018. Consequently, and unlike Marc Cohn, we'll not be "Walking in Memphis" this June, but in Düsseldorf, Espoo, Andelsbuch, Rotterdam and San Francisco..... "Anni
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Following on from the Collective in 2015, Movement in 2016 and Substance in 2017, the Stiftung Bauhaus Dessau's annual theme for 2018 is the Standard; a central component of the teaching at Bauhaus Dessau yet one which is and was freely open to artistic, technological and functional interpretation. And one the Bauhäusler freely interpreted artistically, technologically and functionally The first exhibition in context of the annual theme explores the work of the German architect Carl Fieger,
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The first metaphors may, or may not, have been animal based, but materials are just as adaptable. And few are as adaptable as glass. The Glass Ceiling as the impenetrable, yet invisible boundary. The Heart of Glass as a state of extreme emotional weakness. While in most glass metaphors the focus is an inherent property of glass: transparency. With the exhibition Welt aus Glas. Transparentes Design the Wilhelm Wagenfeld Haus Bremen abstract that metaphor to explore the link between
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"The handicraft training in the Bauhaus workshops was not an end in itself, but an irreplaceable educational tool. The aim of this training was to create designers who, thanks to their precise knowledge of materials and processes, were able to influence the industrial production of our time." Walter Gropius, 1955* The tensions caused by the practical question of how this influence was to be expressed, and the parallels with the industrial production of our time, are explored in the exhibition
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While it’s hard to feel anything even vaguely resembling joy in a month which sees the UK start its senseless and cowardly, withdrawal from the European Union … life goes on!! Our five top distractions for April 2017 features new design and architecture exhibitions in Berlin, New York, Paris, Dessau and Milan. "Otto Bartning (1883–1959). Architect of Social Modernism" at the Akademie der Künste, Berlin, Germany Born in Karlsruhe in 1883 the architect and theoretician Otto Bartning was, and
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For George Orwell nothing heralded spring quite like the re-appearance of toads, emerging from their subterranean hibernation and setting off, once again, on life's great cycle. Our toads are the flurry of new design and architecture exhibitions which open globally every March, as the international museum and gallery community awake from their winter slumber. Our highlights for March 2017, featuring new exhibitions in Bielefeld, Helsinki, Weil am Rhein, Utrecht and Paris "Partners in
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The German designer and silversmith Christian Dell is arguably best known for the numerous lighting designs he realised during the 1920s and 1930s. Christian Dell was however also one of the pioneers of plastic design. If all too briefly. Christian Dell (1893 - 1974) Born in Offenbach am Main on February 24th 1893 Christian Dell initially completed a silversmith apprenticeship before studying at the Königlichen Zeichenakademie Hanau and subsequently serving as a journeyman silversmith,
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Bauhaus Dessau was officially opened on December 4th 1926, and by way of celebrating the institution's 90th anniversary on December 4th 2016 the foundation stone will be laid for the new Bauhaus Museum Dessau; an act which comes just one month after the foundation stone was laid for the new Bauhaus Museum Weimar. Both museums being built in preparation for the coming centenary of Bauhaus's 1919 inauguration. An apposite moment we thought to reflect on how Bauhaus was received, or at least how
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Five recommendations for new architecture and design exhibitions opening in December 2016, featuring shows in Copenhagen, Weimar, Nürnberg, London and Munich 5 New Design Exhibitions for December 2016 2016 has been an awful year. As in proper awful. Which my explain the unusually high number of expressionist-esque art exhibitions opening globally in December 2016: the bright colours and supportive warmth and encouragement such works tend to radiate being just what we all need after a tough
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The winners and nominated projects from the 2016 International Marianne Brandt Contest can be viewed in an exhibition in Chemnitz. International Marianne Brandt Contest 2016 Exhibition, Chemnitz Museum of Industry Time was we couldn't write about Chemnitz without making a cynical comment, an alleged joke. Time was. These days we not only travel voluntarily, and regularly, to Chemnitz but have begun to understand aspects of the town's character, aspects which on account of our previous
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Dessau and Rotterdam may appear unlikely brothers in arms; however, an exploration of the towns' architectural connections helps explain International Modernism. Stiftung Bauhaus Dessau present The Simultaneity of Modernism The Bauhaus School building by Walter Gropius in Dessau is, arguably, the best known and most popular example of International Modernist architecture in Germany The Van Nelle factory by Johannes Brinkman and Leendert van der Vlugt in Rotterdam is, arguably, the best known
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As with contemporary football the story of contemporary architecture and design begins on the British Isles; and as with football it didn't take long before the British nations were replaced at the forefront of the art(s) by their European neighbours. In both cases Germany and France moving with notable speed, diligence and grace past the UK. Inspired by this coming summer's EURO 2016 European Football Championships in France, the Bröhan Museum Berlin are celebrating the creative rivalry which
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Whereas April showers tend to make you wet, grumpy and late, May showers are much more agreeable - or more precisely, the Eta Aquarids meteor showers are much more agreeable: a celestial showcase which reach their peak in early May and which, and in a wonderful example of the democracy of nature, are visible from anywhere on the planet. For all who prefer to do their star gazing in the comfort of a museum or gallery, and without having to scan the evening sky for Aquarius, here our
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Mild-mannered and polite as we are, we still occasionally find ourselves causing offence, arousing feelings of mild outrage and generally causing people to turn against us; invariably, when we contend, as we regularly do, that fashion isn't design. Which of course it isn't. "This winter we'll be wearing stripes" is obviously as vacuous as it is untrue. Fashion isn't design. It's styling. And there's nothing wrong with that. Just don't call it design Textile design is design, because
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In his Letter of Reference for Christian Dell on the occasion of his departure from the Kunsthochschule Frankfurt, the school's Director Fritz Wichert wrote: "...highly distinguished as college lecturer, silversmith and as an inventor and designer for the lighting industry. His technical ability, his sense for structure and the beauty of materials and his noble, uncluttered forms make him in my opinion the leading figure in this field in Germany."1 A perfect demonstration of what Fritz Wichert
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"The starting point for the chair was the problem of comfortable seating combined with a simple construction. A problem which led to the defining of the following requirements: a) Elastic seat and backrest, but no upholstery, which is heavy, expensive and gathers dust b) Inclination of the seat so as to support the upper leg along its full length without the pressure that arises with a flat seating surface c) An angled position for the upper body d) Freedom of the spine because each and very
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