Fragility is in many regards the natural state of all systems and organisms. Something the Second Law of Thermodynamics tends to support. Given this inherent fragility, the secret to existence is largely a perpetual struggle to prevent fragility becoming the defining condition of a system/organism, in keeping the fragility in the background: something our organic and non-organic systems have developed very clever and astute methods for achieving, so much so that we normally are unaware of
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If Jean-Claude Juncker gets his way October 2018 could see the clocks of Europe turned back an hour for the final time. And thereby bringing to an end the long tradition of local newspapers publishing bi-annual articles documenting the curious tales and legends of town clocks, stories from the Schwarzwald on the largest and smallest cuckoo clocks, and photographs of horologists surrounded by the 350+ clocks and watches they need to reset. For our part, we'll miss them. It will also mean you
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While for most locations a design week is sufficient, Brussels takes a whole month. We've never asked why, just assume it is because in the bi-lingual Franco-Dutch city where everything has to be repeated twice, thrice when one considers the more or less obligatory English required for the large diplomatic community in the de facto European capital, everyone is just used to things taking a little longer and plan accordingly. Whatever the reason, throughout September Brussels is playing host to
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According to Germanic lore, "ein guter Septemberregen kommt nie ungelegen", a good rain in September is never inopportune. This year arguably more so than ever. Similarly a good architecture and design exhibition in September is never inopportune. And, and keeping with rain metaphors, while we can all remember what rain is, September 2018, sees a proper downpour of new architecture and design exhibitions. A downpour that is particularly opportune. Following July's drought and its meagre 4
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Multi-storey car parks are many things to many people. For skateboarders a playground, for love-torn teens a place of privacy, for authors and film-makers an all too easy metaphor, and for yet others ..... somewhere to park their car. For the German architect Paul Schneider-Esleben the multi-storey car park represents his career breakthrough. And one of his most defining projects. Lichtplatz Car Park (Hanielgarage), Düsseldorf by Paul Schneider-Esleben Paul Schneider-Esleben Born in
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Counting amongst its alumni the likes of Finn Juhl, Arne Jacobsen, Nanna Ditzel, Kaare Klint, Georg Jensen, do stop us if we get boring, Verner Panton, Thorvald Bindesbøll, Ole Wanscher, Poul Kjærholm, and pretty much any other Danish designer or architect of whom you've ever heard, and a great many more of whom you haven't, the Kongelige Danske Kunstakademi Copenhagen was formally inaugurated on March 31st 1754 in honour of the 31st birthday of Frederik V. But is it a gift that keeps on
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Systems bring order to chaos, allow relationships to be understood/defined, enable standardisation. And depend on a carefully considered, well designed and constructed connector. In 1939 the German architect Konrad Wachsmann developed a metal connector which subsequently became the central component of the General Panel prefabricated construction system developed by Wachsmann in cooperation with Walter Gropius. In 2018 the Bauhaus Lab reflected on that connector, Konrad Wachsmann and
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"It is a peculiar tension that precedes a first visit to a painting exhibition", opined the Dutch art critic Jacques van Santen Kolff in the introduction to his four part review of the 1875 exhibition at the Teeken-Akademie Den Haag, "there is a unique charm, something stimulating in that nervousness, an eminently "picturesque" tension."1 Kolff wasn't disappointed, that which he had sensed in the air was confirmed by that which hung on the walls and led him to coin the term "Hague School",
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Writing to his friend Heinrich Köselitz in August 1881 Friedrich Nietzsche remarked, "My dear friend! The August sun hangs over us, the year drifts by, it is quieter and more peaceful on the mountains and in the forests. On my horizon thoughts have arisen, the likes of which I have never known...." We like to imagine that those thoughts arose through his having visited an architecture and/or design exhibition. Were he still with us, we'd suggest he visited the following vista extending
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Since 2000 Utrecht has been home to, when not the world's longest poem, then certainly the world's longest-term poem: running its way down Oudegracht through the heart of the inner-island, De Letters van Utrecht is extended every Saturday by the addition of a new letter, a process planned to continue ad infinitum. And which is in many ways similar to how smow blog posts are formed: we start writing, adding new words at regular intervals, without any real plan, far less any intention, ever to
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"We are children of the age of the steam engine, the telegraph and electricity. We have turned our backs on the beautiful, and that is why we no longer understand it", bemoaned the Dutch draughtsman, designer and educator Johannes Ros in his 1904 text "Het doel" [The goal/target/objective] How Johannes Ros and his contemporaries attempted a return to the beautiful, indeed what was understood as beautiful in the Netherlands at the turn of the 19th/20th centuries, and for all the particular
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Tracing its history back to 1899 the Sir John Cass School of Art, Architecture and Design a.k.a The Cass has an established place in the (hi)story of English design, for all in woodcraft based design including toys, music instruments and furniture. But as we all know a long history and illustrious alumni are poor hooks on which to hang the future of an institution, much more robust are the current staff, students and their work. The 2018 Cass Summer Show allowed some insights into the
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The Dog Days of summer are with us and, as is traditional, the international curatorial community have removed themselves to the cooler climes of their storerooms, archives and libraries to sit out the heat until autumn's bracing breeze tempts them back out. Which, logically, means a great sparsity of new architecture and design exhibitions opening in July 2018. A sparsity however isn't a nontity and in four of the world's cultural and meteorological hotspots one finds exhibition curators
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Whoever thinks of Switzerland thinks of Swiss clockwork, Swiss railways, Swiss chocolate, Swiss precision. It's therefore all the more surprising that Dada has its European origins in Switzerland, and for all in the legendary Cabaret Voltaire in Zürich. But would the 2018 Zürcher Hochschule der Künste graduates prove as anarchic, confrontational, spirited and revolutionary in their creativity........? Zürcher Hochschule der Künste, Toni-Areal, Zürich. Zürcher Hochschule der Künste As noted
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"Memphis in June, A shady veranda under a Sunday blue sky, Memphis in June, And cousin Amanda's makin' a rhubarb pie" (Memphis in June, Hoagy Carmichael) Sounds lovely Hoagy, but we'll have to pass, because despite Memphis having some interesting museums, we can't find one opening a new architecture or design exhibition in June 2018. Consequently, and unlike Marc Cohn, we'll not be "Walking in Memphis" this June, but in Düsseldorf, Espoo, Andelsbuch, Rotterdam and San Francisco..... "Anni
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"This exhibition intends to acknowledge the cultural achievements of Italian design in the last decade, to honor the accomplishments of its gifted designers and incisive critics, and to illustrate the diversity of their approaches to design by presenting a collection of the most interesting examples of their work."1 Thus announced the curators of the Museum of Modern Art's 1972 exhibition Italy: The New Domestic Landscape their intentions. The New Domestic Landscape portrayed by the gifted
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For the German architect, designer, artist Peter Behrens it was important that the exterior reflected a building's intended function, that the exterior provided information about the nature of the building and its occupants. We suspect therefore he would greatly approve of the title of the Museum für Angewandte Kunst Cologne's exhibition in honour of his 150th birthday, neatly encapsulating as it does the nature of its protagonist. #all-rounder Peter Behrens himself greets visitors to
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In the wonderful month of May, As all the buds bloomed, My heart became, With Love consumed In the wonderful month of May, As all the birds did sing, I confessed to her My desire and yearning. Heinrich Heine, Im wunderschönen Monat Mai, 1827 And then??? Heinrich, don't leave us hanging! It all started out so positive! It's an awkward month May, the vitality of blooming buds and oratorio of singing birds luring us into hopeful fantasies, utopian visions of what lies ahead: but what will
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Curated by Carwan Gallery Beirut co-founder Nicolas Bellavance-Lecompte, Unsighted presents projects by eight international designers; the title making reference to the fact that the designers weren't told for what they were being commissioned, had no external context; were working, as it were, Unsighted. During Milan Design Week 2018 all became clearer... Unsighted, Milan Design Week 2018 As we've oft noted in these pages, in terms of furniture and lighting design, context is important,
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"Shake of all the props - the props tradition and authority offer you - and go alone - crawl - stumble - stagger - but go alone", encouraged the Scottish architect, designer and artist Charles Rennie Mackintosh his audience during his 1902 lecture Seemliness.1 How Charles Rennie Mackintosh himself attempted to do just that can be explored in the exhibition Charles Rennie Mackintosh. Making the Glasgow Style. Charles Rennie Mackintosh. Making the Glasgow Style @ Kelvingrove Art Gallery and
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According to the German philologist, mythologist, folklorist and definer of the Germanic Umlaut, Jacob Grimm, an old belief states that the Cuckoo never sings before the 3rd of April; and, "should you have money in your pouch when you hear him sing the first time, you will be well off all that year, if not, you will be short the whole year" 1 Much like the cuckoo, our five new architecture & design exhibitions recommendations for April 2018 begin with their songs after April 3rd; and should
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Following on from the Collective in 2015, Movement in 2016 and Substance in 2017, the Stiftung Bauhaus Dessau's annual theme for 2018 is the Standard; a central component of the teaching at Bauhaus Dessau yet one which is and was freely open to artistic, technological and functional interpretation. And one the Bauhäusler freely interpreted artistically, technologically and functionally The first exhibition in context of the annual theme explores the work of the German architect Carl Fieger,
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1918 was a bad year for the Wiener Moderne, losing as it did with the deaths of Koloman Moser, Egon Schiele, Gustav Klimt and Otto Wagner four of its leading protagonists. To mark the centenary, and help underscore the important role Vienna played at the turn of the 19th/20th century in the development of art, architecture, music and literature, museums across Vienna are staging a wide range of specially themed exhibitions throughout 2018; the Hofmobiliendepot - Imperial Furniture Museum -
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While it is generally the case that the development, evolution, of product design is dependent on the development, evolution, of technology, such is particularly the case in context of lighting design: ever since a burning stick was first employed to create a relaxing evening atmosphere in a neolithic cave, technological developments have been the driving force behind the development of lighting design, be that formally, functionally or technically. The nature of Light + Building Frankfurt,
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