"Wood will be driven out of living spaces; even metal and glass, although much newer in domestic situations, are losing their importance. Plastics are on the advance....."1 What had caused the German magazine Stern to pronounce in February 1970 so unequivocally on the future of home furnishings? Stern had seen Verner Panton's Visiona 2 exhibition at Cologne Furniture Fair. And knew it had seen the future. "It is certain that a new age is rolling through our homes. What is coming is not just
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In 2012 the Berlin based publishers/curators/editors Ilka & Andreas Ruby established BKULT as an online platform for discussing issues in contemporary architecture. Every two weeks a new question is posed and prominent guests are invited to answer "yes", "no" or "jein", and more importantly to justify their position and elucidate their argument. The platform is then opened to all and thus develops a discussion over topics such as "Does architecture need a quota for women?", "Do we need more
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For their now traditional IMM Cologne exhibition Ungers Archiv für Architekturwissenschaft is presenting an exhibition devoted to one of the more interesting characters in the story of German furniture design, Stefan Wewerka. Born in Magdeburg on October 27th 1928 Stefan Wewerka studied architecture at the Hochschule für Bildende Kunst Berlin under, amongst others, Max Taut and Georg Leowald, left however without formally graduating. Something which in those days was no hindrance to a
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What with mince pies to be eaten, Glühwein to get drunk and travel plans to misco-ordinate, December is generally a very quiet month. However despite all other distractions, in December 2013 we still managed to visit the opening the exhibition "Mensch Raum Maschine Stage Experiments at the Bauhaus" at Stiftung Bauhaus Dessau and the far to brief Rethinking The Product – Design “Made in Italy” showcase in Berlin. In addition December 2013 saw the launch of the Vitra Design Museum's book "The
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What with the sweet afterglow of Vienna Design Week behind us we entered October 2013 full of enthusiasm - not least because it meant the opening of the new (smow) Cologne store. The month nearly nose-dived on account of a hideous plagiarism in Leipzig, but was more than rescued by Alison and Peter Smithson at the AIT ArchitekturSalon Cologne.......
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After the relative calm and civility of July and August, September sees a more than inconsequential upping of our professional pensum. In addition to our regular pilgrimage to Vienna Design Week, September 2013 also saw the opening of Lightopia at the Vitra Design Museum, Made in Slums - Mathare Nairobi at the Triennale Design Museum Milan, the International Marianne Brandt Contest in Chemnitz, and the acquisition of Finnish manufacturer Artek by Vitra......
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A summer silly season with 360 degree product images and handmade bottle openers explaining the difference between craft and design assumed a veneer of normality thanks to a fairytale presentation of vintage furniture in Berlin, contemporary porcelain at the Bauhaus Archiv and a little thinking about architecture in Stuttgart.........
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Visiting the HfG Karlsruhe Sommerloch exhibition was not just a memorable highlight of July 2013 - but also fitting as it marked the start of our own summer pause. Our own Sommerloch. In addition July 2013 saw us visit the Akademie der Bildenden Künste Stuttgart Rundgang, Art & Design Fit for a King @ Ampelhaus, Oranienbaum and Aus allen Richtungen. Positionen junger Architekten im BDA at Wechselraum Stuttgart......
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Following the pains and tribulations of Milan, June is a time to relax. To enjoy design once again. This year we did that at DMY Berlin, Design Miami Basel at with the new Vitra(mini)Haus in Weil am Rhein....
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The biggest April fool is.... us, for always going to Milan! That said, as ever, we did find a few gems amongst the senseless corporate trash..... And after Milan we had the joy of viewing the latest addition to the Vitra Campus, the Factory Building by SANAA......
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March 2013 was a month of travelling: Stuttgart, Chemnitz, Weimar, Dessau..... its amazing we found time to actually write anything.......
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IMM Cologne kept us busy into February, but the month also saw the opening of an Eileen Gray retrospective in Paris, a visit to the Louis Kahn exhibition at the Vitra Design Museum and the sad passing of James Irvine....
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There is an old adage about turning problems into chances, of every cloud having a silver lining, of every thorn having its rose. One of the best examples of such is the Vitra Campus in Weil am Rhein. In the wake of a 1981 fire at the Weil am Rhein production site, Vitra found themselves needing to quickly rebuild. And needing a fire station. The first problem was solved by Nicholas Grimshaw with his Production Hall. The second by Zaha Hadid with her Fire Station. In the intervening 30+
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While we can't be certain that the artist, designer and choreographer Oskar Schlemmer would have completely agreed with the claim that "Life is a cabaret", we do know where he placed cabaret in the great scheme of cultural happenings: a little lower than theatre, but slightly higher than varieté. ""Stage" in general", Schlemmer wrote in 1925, "encompasses all that lies between religious cult and naive public amusement, both are not that what the stage is; the calculated impact on man of
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On Wednesday December 5th the AIT ArchitekturSalon Cologne open an exhibition devoted to the Guga Children`s Theatre construction project in Langa, South Africa. Established in the late 1990s the Guga S’Thebe cultural centre in the Langa township by Cape Town provides facilities and courses for adults and children alike and in addition to meeting rooms and a theatre/concert venue also houses rehearsal rooms and craft workshops. While over the years the work and scope of the centre has grown,
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"Colour contributes towards enriching the sensitivity, the poetic resonance and harmony of architecture. Colour means a considerable extension of the functional precision of architecture towards psychological and human aspects", so begins colour designer Fritz Fuchs a letter to Stuttgart architect Günter Behnisch, as reproduced in Behnisch & Partner's 1993 book "Über das Farbliche / On Colour" Produced in conjunction with the exhibition of the same name "Über das Farbliche / On Colour"
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We’re almost too late, almost, but until November 8th the AIT ArchitekturSalon Cologne is presenting the exhibition, Alison and Peter Smithson – The Art of Inhabitation. A reworked version of the London Design Museum’s 2003 exhibition “Alison and Peter Smithson – From the House of the Future to a House of Today”, “The Art of Inhabitation” explores the work and legacy of two of the most important post-war British architects through just one facet of the extensive canon: private houses. A facet
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"How did the elephant get its trunk?" "How do you get concrete and mortar on to the upper floors of buildings? While you don't need to know the answer to the first question to answer the second: if the elephant didn't, the answer to the second would be a lot less convenient than the modern reality. The idea of using a trunk-esque system to transport concrete and mortar to higher floors was developed by the Stuttgart engineer Karl Schlecht in his 1957 diploma project at Stuttgart University.
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When we spoke to Marc Zehntner and Mateo Kries, the joint heads of the Vitra Design Museum, they told us that they hoped to make the institution "... a much more vibrant location that doesn’t just present exhibitions exploring the most important design themes and topics but much more asks question of the visitors and so becomes more of an experience." The fringe programme to the current Vitra Design Museum exhibition Lightopia wonderfully demonstrates just what they meant, featuring as it does
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Vienna's fine, the sun shines most the time The feeling is "laid back" Plane trees grow and Herr Gruber's beer prices are low But you know we keep thinkin' about Making our way back Well we're Leipzig City born and raised But nowadays, We're lost between two shores Vienna's fine, but it ain't home Leipzig's home, But it ain't ours no more......... Which, and with obvious apologies to Niel Diamond, is a somewhat long, involved and frankly unnecessarily depressive way, of saying that the time
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"My, my, my, Delilah! Why, why, why, Delilah!" The morning of Friday September 27th 2013 was one of those misty autumn occasions that cause SANAA's immense new Vitra Factory Building in Weil am Rhein to merge, almost unseen, with the grey background. Even Herzog & de Meuron's new Basel Messe complex was reduced to nothing more grand than a continuation of the uncaring monotonous sky. The glitzing, shimmering palace of high summer just the weak shadow of a memory. And so it was perhaps fitting
read moreAs we noted in our designer barbecue post "... summer is bidding its final farewells" And with autumn's impudent chill invading ever more our pastoral calm the time for our hibernation approaches. And so we're currently exploring accommodation options. Fortunately it's been a bit of a "small house year" in these pages with, for example, Renzo Piano Building Workshop and Vitra's Diogene or Jean Prouve's Maison des Jours Meilleurs occupying our thoughts. Our first contact with reduced room
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In 2019 the Staatlichen Bauhaus Weimar celebrates the 100th anniversary of its founding. And so, in effect, we can all celebrate 100 years of European Modernism as an important, tangible, unignorable and ever challenging movement. As part of the build-up to the anniversary the three Bauhaus locations - Berlin, Dessau, Weimar - have combined forces to instigate the Triennale der Moderne A Triennale with a triangular concept: Every three years each of the three locations will host three days
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Enter "Stuttgart architecture" into a well known search engine and you''ll get an awful lot of responses relating to the Stuttgart 21 Central Train Station redevelopment project. A situation which, in our opinion, does the city and its architecture a great disservice. For Stuttgart's architecture tradition is perhaps richer and more interesting than anywhere else in Europe. And yes we're talking about modern, 20th century architecture. What happened before the flushing toilet and
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