"All in the wild March morning I heard the angels call, It was when the moon was setting, and the dark was over all; The trees began to whisper, and the wind began to roll, And in the wild March morning I heard them call: "Stop romanticising and visit a design exhibition!!!!" (The May Queen by Alfred, Lord Tennyson. With apologies) Were Alfred, Lord Tennyson around in March 2016, here’s five new design exhibitions we could recommend..... Alexander Girard. A Designer's Universe at the Vitra
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"This is a job of work whose goal is precision, delicacy, amiability and attentiveness: being attentive to people, uses, buildings, trees, asphalt or grass surfaces, to what already exists. It's a matter of causing the least inconvenience or no inconvenience at all. It's a matter of being generous, giving more, facilitating usage and simplifying life"1 These words stand not only in the centre of the exhibition "Studio Plus. Druot, Lacaton & Vassal: Transformation as an architectural manifesto"
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Sand is not a material on which many architects would hope to successfully build a project, far less a career. In many ways however that is exactly what the Danish architect and designer Arne Jacobsen did. Bellevue Strandbad Copenhagen Born on 11 February 1902 in Copenhagen, Arne Emile Jacobsen studied architecture at the city's Kongelige Danske Kunstakademi - Royal Danish Academy of Fine Arts - graduating in 1927. One of Denmark's first, and foremost, functionalists, Arne Jacobsen was
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As we've noted in the past, Hungarian architects and designers made a valuable contribution to the development of post war architecture and design. Made. For in recent years a Hungarian accent in the design discourse has been principally notable by its absence. By its stillness. Which of course doesn't mean there aren't Hungarians producing intelligent, interesting, relevant and innovative work. There are. Hungarians such as the Budapest based practice Architecture Uncomfortable Workshop
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In 1969 the then French President Georges Pompidou announced his desire that Paris should posses a large museum dedicated to art of all kinds and which in addition to nurturing and promoting creativity was itself a landmark of the architecture of our age. On January 31st 1977, and three years after George Pompidou's untimely death, that desire became reality with the official opening of the Centre national d'art et de culture Georges-Pompidou, Le Centre Pompidou, Paris Le Centre Pompidou,
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2016 being as it is a leap year, February 2016 is graced with an extra day, and the global design and architecture museum community have jumped at the opportunity granted by the extra 24 hours to organise a record number of new design and architecture exhibitions. Reducing the selection down to five wasn't easy; but does mean that if you don't like our choices have a quick look at what is opening in Herford, New York, Zürich, Eindhoven, or, once again Zürich.... You're bound to find something!
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Following on from the exploration of Ferdinand Kramer's design work in the exhibition The Kramer Principle: Design for Variable Use at the Frankfurt Museum Angewandte Kunst, the Frankfurt based Deutsches Architekturmuseum is presenting Line Form Function. The Buildings of Ferdinand Kramer, an exhibition dedicated to the German functionalist's architectural output. In many ways the logical follow up. And an excellent extension and completion of The Kramer Principle. So much so it makes you
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December can be a trying month: always having to think of others; always having to patronise bars and restaurants you've spent the rest of the year wishing would return to the parallel hell from whence they came; eating, eating and eating as if trapped in some culinary Groundhog Day. Do yourself a favour, gift yourself a few hours and visit one of the following new design and architecture exhibitions opening in December 2015. We can't guarantee they'll be good, but can guarantee they'll be
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As we noted in our post celebrating Burg Giebichenstein Kunsthochschule Halle's 100th birthday, one of Paul Thiersch's first initiatives upon taking charge of the Handwerkerschule Halle, the future Burg Giebichenstein, was to establish workshops to connect art and trade and thus properly prepare his students for the demands of the emerging industries. It is therefore only fitting that to round off the institution's centenary celebrations an exhibition should be being staged celebrating the
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By way of an addendum to our 5 New Design Exhibitions for November 2015 post, the Kaiserslautern University of Technology's Architecture Gallery are hosting "Jean Prouvé - vom System zum Haus" - "Jean Prouvé - from system to house" - in which the results of a semester project exploring the construction systems of Jean Prouvé are being presented. Although arguably best known for his furniture designs, a large part of Jean Prouvé's career and energy was spent developing, and indeed
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In the complete interview with Matylda Krzykowski ahead of the Depot Basel exhibition Forum for an Attitude, there is a statement from Matylda which try as we might we simply could not crowbar into our published text: "most people have never visited a design show, art shows yes, but not design shows" It hadn't occurred to us before. But it's true. You don't go to design museums do you? And presumably also not architecture museums! Or certainly not architecture musems if you don't go to
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In our post from the exhibition Art Nouveau. The Great Utopian Vision at the Museum für Kunst und Gewerbe Hamburg we stated, with a certain degree of authority, that "No one likes a hippy" The Walker Art Center in Minneapolis obviously do and are celebrating that fact with the exhibition Hippie Modernism: The Struggle for Utopia. Subtitled "An Examination of the Radical Art, Architecture, and Design of 1960s & 1970s Counterculture" the Walker Art Center's exhibition promises to explore
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"What is understood today as the housing problem is a specific intensification of the bad housing conditions endured by the working class through the sudden large scale movement of the population to the major cities; huge increases in rents, an even greater overcrowding of individuals in houses, and for some the impossibility of even finding suitable accommodation." 1 Although written in 1872 Friedrich Engels analysis of the urban housing situation remains in many ways as contemporary as it
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Before Fritz Haller achieved international recognition for the USM modular furniture system, he was........ a steel construction system! USM Construction System Haller, as represented in a USM advert from 1971 Born in Solothurn, Switzerland on October 23rd 1924, the young Fritz Haller trained as a draughtsman before gaining architectural experience in the offices of various Swiss architects. In 1948 Fritz Haller travelled to Rotterdam where he spent a year working in the office of the Dutch
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"The World of Charles and Ray Eames" It is inherent in the nature of America's most productive 20th century creatives that there is no "world" of Charles and Ray Eames; there are "worlds" In their new Eames retrospective the Barbican Art Gallery London attempt to combine these worlds into a coherent, comprehensible universe. The World of Charles and Ray Eames @ Barbican Art Gallery London Charles Eames was born in St Louis, Missouri in 1907. Ray Kaiser in Sacramento, California in 1912.
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We're fairly certain most museum curators aren't inherently nocturnal, it is however noticeable that the longer the nights become, the more activity one registers in museums globally. And so with autumn slowly giving way to winter it should perhaps come as little surprise that October 2015 offers such a richness of new design and architecture exhibitions...... Art Nouveau. The Great Utopia at the Museum für Kunst und Gewerbe Hamburg, Germany An important role in the (hi)story of contemporary
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One of the biggest problems with Modernism is the name. It was unquestionably modern. Which is why it became known as "Modernism". However, having become Modernism, it remained Modernism, and consequently "Modernism" came to imply something static. Rather than something, well, modern. Nowhere is this problem more visible than in discussions around Bauhaus. Established in Weimar in 1919 Bauhaus would go on to play a central role in shaping those new ideas about art, architecture and design
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If form follows function, what form does, could, should yearning and longing have? If architects are continually searching for a form that meets our individual understanding of the physical environment, what form does, could, should our individual emotional yearnings and longings have? Do we want our yearnings to have a form? Or are we not, perhaps, when all is said and done, happier when they remain abstract and unreachable? The seventh edition of Vitra Frankfurt's biennial Ampelphase
read moreCelebrated as the salvation of design. Denounced as kitsch. Fresh & invigorating. Vain & hifalutin. A watershed in design history. A passing fad. There are few architecture and design movements that divided opinion quite as much as the works of the Italian group Memphis. Or indeed which continue to divide opinion more than thirty years after their emergence. Although officially launched with an exhibition at the Arc '74 gallery in Milan on Friday September 18th 1981 Memphis can trace its
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In our Birthday tribute to the Finnish architect, designer and urban planner Eliel Saarinen we noted the central role his entry for the 1922 Chicago Tribune Tower competition played not only on the development of his own career but also on the development of modernist architecture in America. That the competition brought Eliel Saarinen such success and fame is all the more pleasing because his entry was almost not considered. The official closing date for the competition was November 1st
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Buildings are, somewhat logically, 3D. Photographs 2D. The challenge of architecture photography is transforming the 3D to 2D in such a way that the building maintains its identity without the photograph becoming incomprehensible. Always has been. Always will be. One of the younger generation of artists to accept the challenge is Leipzig based photographer Margret Hoppe. Born in Greiz, Thüringen, Margret Hoppe studied photography at the Hochschule für Grafik und Buchkunst Leipzig, graduating
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The very first piece of product design George Nelson realised was inspired by architecture. The typical American family home in 1944 had storage problems: not only because increasing prosperity meant that a majority of 1940s Americans owned more than their parents and grandparents had ever possessed, but changing lifestyle practices meant they didn't own the same things their parents and grandparents had owned. Rather they owned things like golf clubs. Which don't fit in conventional
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As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture exhibitions which are probably well worth checking out if you get the chance....... "Piet Mondrian. The Line" at the Martin-Gropius-Bau, Berlin, Germany Just as those architects who were to lead the move to modernism in the first decades of the 20th century generally began working in more classic styles before being seduced by the reduced charm of modernism,
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As we noted in our recent review of contemporary creativity in Berlin, the creative landscape in the German capital is not just an eclectic composition of genres and philosophies but for all of nationalities: in addition to a, relatively, low number of native Berliner the Berlin creative community is characterised by a goodly mix of German and international creatives. International creatives such as the Danish architect Sigurd Larsen. Following completion of his studies at the Royal Academy of
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