By way of an addendum to our 5 New Design Exhibitions for November 2015 post, the Kaiserslautern University of Technology's Architecture Gallery are hosting "Jean Prouvé - vom System zum Haus" - "Jean Prouvé - from system to house" - in which the results of a semester project exploring the construction systems of Jean Prouvé are being presented. Although arguably best known for his furniture designs, a large part of Jean Prouvé's career and energy was spent developing, and indeed
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In the complete interview with Matylda Krzykowski ahead of the Depot Basel exhibition Forum for an Attitude, there is a statement from Matylda which try as we might we simply could not crowbar into our published text: "most people have never visited a design show, art shows yes, but not design shows" It hadn't occurred to us before. But it's true. You don't go to design museums do you? And presumably also not architecture museums! Or certainly not architecture musems if you don't go to
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In our post from the exhibition Art Nouveau. The Great Utopian Vision at the Museum für Kunst und Gewerbe Hamburg we stated, with a certain degree of authority, that "No one likes a hippy" The Walker Art Center in Minneapolis obviously do and are celebrating that fact with the exhibition Hippie Modernism: The Struggle for Utopia. Subtitled "An Examination of the Radical Art, Architecture, and Design of 1960s & 1970s Counterculture" the Walker Art Center's exhibition promises to explore
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"What is understood today as the housing problem is a specific intensification of the bad housing conditions endured by the working class through the sudden large scale movement of the population to the major cities; huge increases in rents, an even greater overcrowding of individuals in houses, and for some the impossibility of even finding suitable accommodation." 1 Although written in 1872 Friedrich Engels analysis of the urban housing situation remains in many ways as contemporary as it
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Before Fritz Haller achieved international recognition for the USM modular furniture system, he was........ a steel construction system! USM Construction System Haller, as represented in a USM advert from 1971 Born in Solothurn, Switzerland on October 23rd 1924, the young Fritz Haller trained as a draughtsman before gaining architectural experience in the offices of various Swiss architects. In 1948 Fritz Haller travelled to Rotterdam where he spent a year working in the office of the Dutch
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"The World of Charles and Ray Eames" It is inherent in the nature of America's most productive 20th century creatives that there is no "world" of Charles and Ray Eames; there are "worlds" In their new Eames retrospective the Barbican Art Gallery London attempt to combine these worlds into a coherent, comprehensible universe. The World of Charles and Ray Eames @ Barbican Art Gallery London Charles Eames was born in St Louis, Missouri in 1907. Ray Kaiser in Sacramento, California in 1912.
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We're fairly certain most museum curators aren't inherently nocturnal, it is however noticeable that the longer the nights become, the more activity one registers in museums globally. And so with autumn slowly giving way to winter it should perhaps come as little surprise that October 2015 offers such a richness of new design and architecture exhibitions...... Art Nouveau. The Great Utopia at the Museum für Kunst und Gewerbe Hamburg, Germany An important role in the (hi)story of contemporary
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One of the biggest problems with Modernism is the name. It was unquestionably modern. Which is why it became known as "Modernism". However, having become Modernism, it remained Modernism, and consequently "Modernism" came to imply something static. Rather than something, well, modern. Nowhere is this problem more visible than in discussions around Bauhaus. Established in Weimar in 1919 Bauhaus would go on to play a central role in shaping those new ideas about art, architecture and design
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If form follows function, what form does, could, should yearning and longing have? If architects are continually searching for a form that meets our individual understanding of the physical environment, what form does, could, should our individual emotional yearnings and longings have? Do we want our yearnings to have a form? Or are we not, perhaps, when all is said and done, happier when they remain abstract and unreachable? The seventh edition of Vitra Frankfurt's biennial Ampelphase
read moreCelebrated as the salvation of design. Denounced as kitsch. Fresh & invigorating. Vain & hifalutin. A watershed in design history. A passing fad. There are few architecture and design movements that divided opinion quite as much as the works of the Italian group Memphis. Or indeed which continue to divide opinion more than thirty years after their emergence. Although officially launched with an exhibition at the Arc '74 gallery in Milan on Friday September 18th 1981 Memphis can trace its
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In our Birthday tribute to the Finnish architect, designer and urban planner Eliel Saarinen we noted the central role his entry for the 1922 Chicago Tribune Tower competition played not only on the development of his own career but also on the development of modernist architecture in America. That the competition brought Eliel Saarinen such success and fame is all the more pleasing because his entry was almost not considered. The official closing date for the competition was November 1st
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Buildings are, somewhat logically, 3D. Photographs 2D. The challenge of architecture photography is transforming the 3D to 2D in such a way that the building maintains its identity without the photograph becoming incomprehensible. Always has been. Always will be. One of the younger generation of artists to accept the challenge is Leipzig based photographer Margret Hoppe. Born in Greiz, Thüringen, Margret Hoppe studied photography at the Hochschule für Grafik und Buchkunst Leipzig, graduating
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The very first piece of product design George Nelson realised was inspired by architecture. The typical American family home in 1944 had storage problems: not only because increasing prosperity meant that a majority of 1940s Americans owned more than their parents and grandparents had ever possessed, but changing lifestyle practices meant they didn't own the same things their parents and grandparents had owned. Rather they owned things like golf clubs. Which don't fit in conventional
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As old Mother Goose, allegedly, once claimed: Thirty days hath September, and the following five enticing new design and architecture exhibitions which are probably well worth checking out if you get the chance....... "Piet Mondrian. The Line" at the Martin-Gropius-Bau, Berlin, Germany Just as those architects who were to lead the move to modernism in the first decades of the 20th century generally began working in more classic styles before being seduced by the reduced charm of modernism,
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As we noted in our recent review of contemporary creativity in Berlin, the creative landscape in the German capital is not just an eclectic composition of genres and philosophies but for all of nationalities: in addition to a, relatively, low number of native Berliner the Berlin creative community is characterised by a goodly mix of German and international creatives. International creatives such as the Danish architect Sigurd Larsen. Following completion of his studies at the Royal Academy of
read more"Father of Eero....." So or similar is in many circles the accepted form for referring to the Finnish architect and urban planner Eliel Saarinen. A highly unsatisfactory term of reference and one which in many respects denies and defames how much more there is and was to the man and his talents. Eliel Saarinen (1873-1950) Gottlieb Eliel Saarinen was born on August 20th 1873 in the remote eastern Finnish town of Rantasalmi where his father served as a Lutheran pastor. In 1875 Eliel's father
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As Noël Coward famously observed, only mad dogs and Englishmen go out in the midday sun, and it takes a similarly laissez-faire approach to life to open an exhibition in August. Everyone, but everyone, it would appear is on holiday. Or has at least like Coward's caribous, lain down for a snooze. Which is probably why the majority of the following five exhibitions open in late August, so after the sun has ceased to be much too sultry such that one must avoid its ultry-violet ray. "Shelter:
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"The challenges of contemporary housing are rooted in the changing materials, social and intellectual structures of our time; and can only be understood in such terms. The degree of structural change determines the nature and extent of the problems. They are deprived of any arbitrariness. They cannot be solved with slogans, nor hidden and ignored behind words of good intention. The problem of rationalisation and standardisation is only one part of the problem. Rationalisation and
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The so-called "Teepott" on the promenade at Warnemünde on Germany's Baltic See coast is a rare and precious construction. Not only because of the way it starkly contrasts with the 19th century lighthouse next to it, nor on account of the delightful way it sweeps and flows in harmony with the dunes and water behind it, nor because it reminds of work by Eero Saarinen, Pier Luigi Nervi or Félix Candela, yet is geographically far removed from such. But much more because it is a work by the German
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On days when his sketches didn't meet with his own, self-critical, approval, the Swiss architect and urban planner Le Corbusier is reported to have laid down his pencil and quietly reflected, "c'est difficile, l'architecture" 1 Equally difficile is describing and explaining the multifarious talents and passions of Le Corbusier. One option, arguably the best option, is to focus on just one aspect of Le Corbusier's oeuvre and to use this concentrated analysis as a conduit through which to
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On the evening of Wednesday June 24th the winners of the 2015 aed neuland young designer competition were announced in a ceremony in Stuttgart. Organised by the design/architecture/engineering association aed Stuttgart, neuland is a biennial international competition open to students or recent graduates under the age of 28 and according to the organisers the 2015 competition attracted some 330 entries across the five categories. An exhibition featuring all 23 nominated and prize winning
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It being July, there is an obvious temptation to search for new design and architecture exhibitions opening near the coast, maybe in interesting seaside holiday locations. That four of our five tips for July 2015 are indeed being staged a flip-flops throw from the beach is genuinely more by chance than design. Is however very, very welcome. "Rygalik: The Heart of Things" at Gdynia City Museum, Gdynia, Poland The first time we met Tomek and Gosia Rygalik they were making tables out of old
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Space is, as any Trekkie will tell you, the final frontier. For designers and architects it is certainly a very challenging frontier. Not only do the normal physical laws not apply thus requiring new considerations in terms of materials or construction, but functionality takes on whole new meanings: “comfort” being replaced by “need to survive”, “ergonomics” being replaced by “need to survive”, “adaptability” being replaced by “need to survive” And does the interior of a spaceship need to be
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As previously reported, Bauhaus Dessau are currently presenting “The coop principle – Hannes Meyer and the Concept of Collective Design”, an exhibition devoted to the second Bauhaus Director and for all his belief in the strength of the collective in almost all aspects of life, but especially in design. Hannes Meyer himself never completed projects alone, but always as part of a collective, the Dessau exhibition celebrates that fact and Meyer's unshakeable belief in the power of the
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