As the, then, still plain Walter Scott, so nearly opined in 1806: "November's sky is chill and drear, November's leaf is red and sear: Late, gazing down the steepy linn That hems our little garden in, I thought, what an excellent month to visit an architecture or design exhibition."1 Our five retreats from the chill and drear of November 2024 can be found in Chemnitz, Brussels, Winterthur, Krefeld and New York....... "Reform of Life" at the Kunstsammlungen am Theaterplatz, Chemnitz,
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The music by Peter Scherer, and music design by Daniel Hobi, play an important role in the film E.1027 - Eileen Gray and the House by the Sea; play an important role in enabling Beatrice Minger and Christoph Schaub's film to allow us all to approach the differentiated and more probable appreciation of Eileen Gray E.1027 - Eileen Gray and the House by the Sea admonishes we all need must approach. But can exploring Eileen Gray via music also allow one to approach that differentiated and more
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"J'ai toujours aimé l'architecture. Plus que tout" reflected Eileen Gray in 1973, 'I've always loved architecture. More than anything", continuing, 'but I didn't think I was capable of it'.1 A capability her first major project, the villa E.1027 at Roquebrune-Cap-Martin on France's Côte d’Azur, tended and tends to underscore she needn't have doubted. If a capability that over the decades has oft been as concealed and inaccessible as E.1027. With the film E.1027 – Eileen Gray and the House by
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Breaking the Glass Ceiling by Tina Marković and Karla Bastalić, as seen at Zagreb Design Week 2024 As previously noted, the theme of Zagreb Design Week 2024 was Breaking the Glass Ceiling, a theme that the organisers neatly, and pleasingly, expanded away from its conventional understanding in terms of gender parity and towards a demand for a design practice and design industry, or perhaps more accurately, a demand for a design practice and design industry in Europe, more inclusive that that
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Despite what you may have have been led to believe, Oktoberfest isn't in October. Or is barely in October. It's primarily in September, ends on the first Sunday in October. Meaning in 2024 it's all over on the 6th of October. Leaving you the rest of the month to over-consume in reasonably-priced architecture and design museums rather than over-consuming in over-priced beer tents. Our five locations for a party of the spirit, intellect, soul and for improving your understanding of the world
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"Das Unbehagen an unseren Städten ist ziemlich allgemein"1 opined the German architecture and design theoretician Hans Eckstein in 1972, 'discontent with our cities is fairly universal', continuing 'it is growing day by day. Accusations and indignation are heard everywhere. It is almost impossible to ignore the amount of literature about the miserable condition of our cities.' Yet despite the apparent, certainly for Eckstein, urgency and ubiquity of the discontent, he laments that 'there are
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The word on the wind was that Tsuyoshi Tane’s Garden House was to be the last addition to the Vitra Campus, Weil am Rhein. The wind appears to have been ill-informed, thankfully, for with the project Khudi Bari by Marina Tabassum the Vitra Campus has a new addition that expands and extends it more than just physically....... Khudi Bari by Marina Tabassum, Vitra Campus, Weil am Rhein Developed in 2020 by Dhaka, Bangladesh, born and based architect Marina Tabassum as a project for "the
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Across the northern hemisphere September generally marks the start of the academic year, be that in primary, secondary, tertiary or quaternary education contexts, as students at all levels return to their studies after the long summer break. And while quinary education may not need an official start, or indeed a structured year, there is not only something appropriate in opening a new chapter in your studies alongside that of your fellow students, but for all the number and variety of new
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Timon and Melchior Grau with their Fire lamp (photo courtesy GRAU) There is an argument to be made, one indeed we've often have made in these dispatches, that the (hi)story of human society, essentially, begins with the harnessing of fire, a harnessing that conceptually someone had to arrive at and which poses important questions as to how 'primitive' 'primitive' societies actually were: could you conceive harnessing fire, and then work out how to? We couldn't. A harnessing of fire that was
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In 1998 the then, German President, and native of Bavaria, Roman Herzog opined, "In München sind Lederhose und Laptop eine Symbiose eingegangen", 'In Munich, lederhose and laptops have entered into a symbiosis'. One of innumerable partisan puffs for the Freistaat over the decades by Bavarian politicians; but also a very neat political statement implying that the popular image of Bavaria as being all about mountains, forests, lakes, rivers and rugged herders on livestock dense alms, was no
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"A bútortörténet az általános művészettörténet és a művelődéstörténet egyik speciális ága" opined the Hungarian interior designer, furniture designer, editor and educator Kaesz Gyula in 1962, 'furniture history is a special branch of general art history and cultural history', continuing that 'its task is to acquaint you with the part of human creative work that creates the human environment and means of use. Through the individual objects, we get to know the age, the production and social
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Human society's fascination with leaving behind the limitations and fragilities and vagaries of the human being, and of the planet we all call home, is almost as old as human society, and is inextricably linked with developments in technology, science, engineering and human society's understandings of itself and its environments; amongst the earliest descriptions, for example, of flying to the moon being Francis Godwin’s 1638 book The Man in the Moone, an account of a journey, and of the beings
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August 2024 is Olympics, or at least the first half is. And while, yes, you could stay home and watch events in Paris unfold from the comfort of your sofa and fridge, you could also undertake a little cerebral, contemplative, conceptual, fencing, judo, weightlifting, skateboarding, and/or gymnastics of your own. Go for that inner gold!!! Seek to become a new personal best!!! Our five recommended cultural sporting venues for August 2024 can be found, not in Paris, or at least not directly,
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"The word 'document' which in the last few generations stood, and in many regards still stands for, papers relating to legal matters, such as deeds, contracts, affidavits and certificates, has in present-day professional usage reverted to its original meaning as derived from its Latin origin", opined Lucia Moholy in 1948, "and now applies to spoken, written, printed and other materials, produced and distributed for the purpose of imparting knowledge".1 With Lucia Moholy: Exposures Kunsthalle
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As an (apparent) unending forest criss-crossed by visual axes and dotted with meadows, Park Sanssouci in Potsdam stands proxy for the garden design, the garden architecture, of 18th and 19th century Europe. As an (apparent) unending forest criss-crossed by visual axes and dotted with meadows, Park Sanssouci in Potsdam stands proxy for the power and wealth and pomp and glory of 18th and 19th century Prussia. According to the Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, who
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As Sara Coleridge so very, very, nearly phrased it: "Hot July brings cooling showers, Apricots, and inspiring days in architecture and design museums"1 Our five apricots recommendations for inspiring new exhibitions opening in the, invariably, far, far, too hot July of 2024 take us all to Luxembourg, Remagen, Warsaw, Utrecht and Susch....... "Xanti Schawinsky: Play, Life, Illusion — a Retrospective" at Musée d’Art Moderne Grand-Duc Jean, Mudam, Luxembourg Xanti Schawinsky is not only a
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"There is terror and panic in our city", wrote the, then, 14 year old Clara Schwarz of life in, then, Żółkiew, Poland, today, Zhovkva, Ukraine, in the summer of 1942 of life under German occupation, "the Jews are building bunkers of all kinds: underground, double walls, anywhere they can find a spot to hide".1 For Clara and her family that "spot" was a "3 metres square and a meter and a half deep" bunker under a house, a bunker dug out by Clara and other children with their bare hands; a
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From the Bauhaus Museum Weimar you can see the Buchenwald concentration camp; from the Bauhaus Museum Weimar you can exactly locate the violence and inhumanity of the NSDAP. However from Bauhaus Weimar and Bauhaus Dessau and Bauhaus Berlin locating the NSDAP is a lot less straightforward; from the Bauhauses seeing the NSDAP is not as simple, the view towards the NSDAP being as it is partially hidden, lightly distorted, unfocussed, by the mists of an unquestioned post-War narrative. And that
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Morari by Jesse Altmann, Valentina Lenk and Klara Schneider, as seen at Berlin Design Week 2024 If we're going to entice and encourage ever more individuals in urban spaces to give up their private cars, and, we'll argue, that is desirable not only in terms of tackling the myriad problems of our contemporary urban spaces but also in exposing the fiction of, and the egoistic stupidity of, autonomous cars and flying taxis, we not only need public transport vehicles and networks that are
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Next: Young European Design, Kunstgewerbemuseum Berlin, Berlin Design Week 2024 Curated by Alexandra Klatt, initiator and driving force behind Berlin Design Week, and staged in cooperation with the European Union National Institutes for Culture, EUNIC, Berlin and the Kunstgewerbemuseum Berlin, the latter also hosting the showcase, the 'Next' of Next: Young European Design isn't to be understood as the 'next generation of designers', or not solely it is also about that, but primarily is to be
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As all around, certainly all around here in Europe, the world blossoms and blooms into life, as colour and variety and vitality abound, it's strange to remember that just a few short weeks ago everything was so barren, monochrome, desolate. Not least in context of the global architecture and design museum community: how hard we had to labour to achieve anything approaching what could justifiably be termed a 'list' of new architecture and design exhibitions. Similarly it's hard to imagine that
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Amongst the great many delights of the exchange, the interplay, between German and English is the word 'Gift': German English Gift Poison Geschenk Gift An interplay that, apart from all the other joys it brings, allows one to rephrase Virgil's "timeō Danaōs et dōna ferentēs" 'Beware Greeks bearing gifts' as 'Beware Germans bearing Gift'.🤣 With the exhibition The Gift. Stories of Generosity and Violence in Architecture the Architekturmuseum der TU München explore architecture as a
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Badekarren in Katwijk by Wilhelm Gutmann, 1908 (Image Public Domain, courtesy of Städel Museum, Frankfurt am Main) ... ... Wilhelm Gutmann used the occasion of Grassimesse Leipzig 1920 to present...... .......we no know. Or more accurately, in terms of Wilhelm Gutmann generally we no know hardly nothing. Certainly we no know an awful lot more than the we no know about the other Grassimesse 1920 designers featured thus far in these dispatches. Despite the fact that, arguably, there should
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A living room design by Gertrud Lincke featuring two Arbeitskojen, Work Bunks/Berths, on the left and right, home office à la the 1920s (undated, but before 1927, possibly 1924/5) In 1926 the Dresden based architect Gertrud Lincke will opine that "women are decisive, paramount, when it comes to setting up a home", and that not because of what you think, but because, "they are the most negatively impacted by the housing crisis and all that comes associated with it". However, she will lament
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