Very much in keeping with Zagreb Design Week 2024's theme Breaking the Glass Ceiling Instituto Cervantes, Prague, used the occasion of Designblok Prague 2024 to open Diseñadoras. (Re)diseñando el mundo, a showcase introducing and discussing the work, positions, approaches of 12 contemporary Spanish diseñadoras, female designers, that is and was also an exploration of questions on and of contemporary design....... Diseñadoras. (Re)diseñando el mundo, Instituto Cervantes, Prague Or perhaps
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Much as design is a child of the late 19th/early 20th century so to is childhood, or perhaps more accurately so to is childhood as it is understood today. With the exhibtion Design for Children the Bröhan Museum, Berlin, explore the relationships between design, children and childhood over the century and a bit of their co-existence....... Design for Children, Bröhan Museum, Berlin For all that childhood is an unavoidable phase of every human life, over a great many centuries its was,
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In the exhibition al dente: Pasta & Design the HfG-Archiv, Ulm, explore, discuss and approach pasta in its myriad incarnations across a variety of cultural and creative contexts. But not in context of music. As so oft, that task falls to Radio smow....... The (hi)story of pasta is not only lost in the mists of time, but as with all that is similarly lost in those mists, much of that which is presented as fact is more probably myth and legend. And in the case of Marco Polo's place in that
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X-Base Chair An xpression; An xpansion; An xposition Whereas the English word 'furniture' has its origins in the middle French verb 'fournir', to furnish, the French 'meuble' and German 'Möbel' have their origins in the Latin 'mobile': capable of being moved. Much as with the so-called Curule Chair, one of the earliest known manufactured seating objects, a seating object so-called because the legs generally 'curuled', a seating object of the distant past that was as much a symbol of power as
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As the, then, still plain Walter Scott, so nearly opined in 1806: "November's sky is chill and drear, November's leaf is red and sear: Late, gazing down the steepy linn That hems our little garden in, I thought, what an excellent month to visit an architecture or design exhibition."1 Our five retreats from the chill and drear of November 2024 can be found in Chemnitz, Brussels, Winterthur, Krefeld and New York....... "Reform of Life" at the Kunstsammlungen am Theaterplatz, Chemnitz,
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Grassimesse Leipzig 2024 Compact: Aleksander Rasztawicki - Leichtigkeit 'Do we still need wood, metal and plastic?' asks Hochschule Wismar graduate Aleksander Rasztawicki in context of his Diploma project Leichtigkeit, Lightness. A rhetorical question for Aleksander doesn't believe that we necessarily do. For Aleksander all we need is paper. Or more accurately all we need is vulcanised fibre, a material first patented in 1859 that is produced from cotton via a process which, in many
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Budapest Design Week 2024 Compact: Alfréd by Szebedy Vajk When we first approached Alfréd by University of Óbuda student Szebedy Vajk at 360 Design during Budapest Design Week 2024 we interpreted it as an abstracted giraffe. It certainly wouldn't be the first time an animal had served as the basis for a piece of furniture design. Indeed shortly after meeting Alfréd we met the giraffe-esque library ladder 3½ by vondingen at Grassimesse Leipzig. Others would at this point speak of a t****
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Grassimesse Leipzig 2024 Compact: vondingen As discussed with Grassimesse Project Manager Sabine Epple, in order to stage Grassimesse during Covid it was necessary to place exhibitors in the permanent exhibtion spaces by way of guaranteeing the legally required distancing. A concept that exhibitors and visitors very much took to and which thus has continued post social distancing reality, and that very much not only to the agreement of exhibitors and visitors but to the benefit of the
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Grassimesse Leipzig 2024 Compact: Faculty of Angewandte Kunst Schneeberg - Me and My Chair The exhibition A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, may have ended but its traces can still be felt at Grassimesse 2024, being staged as it is to a large degree in the A Chair and You scenography. Or more accurately the A Chair and You colour and atmosphere scheme, the more extreme elements of Robert Wilson's scenography having been removed. And the soundtrack in the
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Grassimesse Leipzig 2024: smow-Designpreis Winner - Nadja Schulze Following on from the co-winners of the inaugural Grassimesse smow-Designpreis Hevesi Annabella/Line and Round and Cornelius Réer the winner of the 2nd edition is Burg Giebichenstein Kunsthochschule, Halle, Interior Architecture Masters student, Nadja Schulze for her lighting projects LiLa, Bow and 360°. The latter a wall mounted lamp, family of lamps, that can be rotated through, well... 360°. A rotation that not only results
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The 2024 Grassimesse Leipzig jury have two important tasks: selecting from the myriad international applications received those creatives entitled to exhibit within the exhibition halls of Leipzig's Grassi Museum für Angewandte Kunst, and thereby maintaining the ongoing quality claim of the Grassimesse in context of contemporary craft, design and applied art, and awarding amongst those selected exhibitors six of the seven Grassi Prizes.* Their first task was completed in late summer. Their
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In these dispatches we've oft and long and deep reflected over the (hi)story of, and contemporary reality and relevance of, the Grassi Museum für Angewandte Kunst, Leipzig's annual Grassimesse. So no need to repeat ourselves here, just an urgent need to get to Leipzig and the 2024 Grassimesse with its promise of not just some 78 exhibitors from 8 nations across a wide range of contemporary craft, applied art and design genres, but also, and amongst other specials, a showcase of Ukrainian
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The music by Peter Scherer, and music design by Daniel Hobi, play an important role in the film E.1027 - Eileen Gray and the House by the Sea; play an important role in enabling Beatrice Minger and Christoph Schaub's film to allow us all to approach the differentiated and more probable appreciation of Eileen Gray E.1027 - Eileen Gray and the House by the Sea admonishes we all need must approach. But can exploring Eileen Gray via music also allow one to approach that differentiated and more
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Designblok Prague 2024 Compact: How many house plants are enough house plants? by Kateřina Husáková How many angels can dance on the head of a pin? How many roads must a man walk down Before you call him a man? How many Influencers does it take to change a lightbulb? How many house plants are enough house plants? Are there answers? Can there be answers? Must there be answers? No, no and no, But that's not the point. The point is the theorising, the posing of an abstract question,
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Budapest Design Week 2024 Compact: Konyky by Natalia Filonenko for Donna According to our dictionary 'Konyky' is Ukrainian for 'Grasshoppers'. It might not be, our dictionary could be wrong. We suspect it is. But if it is correct, it's a curious name for Natalia Filonenko's stool/table/pouffe for Kyiv based manufacturer Donna. Surely Lobzyk, jigsaw, or Holovolomka, jigsaw puzzle, make more sense. For that is essentially what Natalia has done, transformed a random piece of a jigsaw puzzle
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Budapest Design Week 2024 Compact: Uniqueness in Mass Production by Fehérvári Panna Nóra Before we go any further.... Uniqueness in Mass Production isn't the name of Moholy-Nagy University of Art and Design, MOME, Budapest graduate Fehérvári Panna Nóra's lamps. Panna calls them MushLume, for understandable, and highly enjoyable, reasons, but sadly MushLume is the name of a Brooklyn, New York, based manufacturer of lighting crafted from mushroom mycelia, and so it's unlikely to remain their
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Budapest Design Week 2024 Compact: Pulse by Hevesi Annabella for Self and Scope The publicity for 360 Design, the central showcase of Budapest Design Week 2024, that Hungarian Fashion and Design Agency, HFDA, showcase that was a component of Budapest Design Week before the HFDA took over the organisation of Budapest Design Week and it exponentially increased in stature, involved numerous objects by Budapest based designer Hevesi Annabella1, not least the sofa Dedas, a work we're most partial
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The 2024 edition of Orgatec Cologne, Europe's, possibly the world's, largest trade fair for office furniture and office design is being staged under the banner "New Visions of Work". And as that 2024 edition, and its new visions, approaches a report is published in the International Journal of Epidemiology that should provide for some animated discussions at the event: Standing to work at a desk may not be as good for you as you may have been told. And could even be problematic. But there is
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Much as with the narrator of Half Man Half Biscuit's 'I was a teenage armchair Honvéd fan' we've also long "dreamt about a love affair in far-off Budapest". Unlike said narrator however our ongoing yearning doesn't revolve around a football club in the Kispest district of the city whose black an red was once worn by the likes of Grosics Gyula, Kocsis Sándor, Bozsik József or Puskás Ferenc, but revolve around design. Nor are we hankering after a golden age of either Hungarian football or
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"J'ai toujours aimé l'architecture. Plus que tout" reflected Eileen Gray in 1973, 'I've always loved architecture. More than anything", continuing, 'but I didn't think I was capable of it'.1 A capability her first major project, the villa E.1027 at Roquebrune-Cap-Martin on France's Côte d’Azur, tended and tends to underscore she needn't have doubted. If a capability that over the decades has oft been as concealed and inaccessible as E.1027. With the film E.1027 – Eileen Gray and the House by
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Breaking the Glass Ceiling by Tina Marković and Karla Bastalić, as seen at Zagreb Design Week 2024 As previously noted, the theme of Zagreb Design Week 2024 was Breaking the Glass Ceiling, a theme that the organisers neatly, and pleasingly, expanded away from its conventional understanding in terms of gender parity and towards a demand for a design practice and design industry, or perhaps more accurately, a demand for a design practice and design industry in Europe, more inclusive that that
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The Paradox of Isoëtes. Future of Almost Lost Species by Adam Kvaček, as seen at Designblok Prague 2024 Presented in context of the 2024 Designblok Diploma Selection competition, it's difficult for us to discuss Academy of Arts, Architecture and Design in Prague, UMPRUM, graduate Adam Kvaček's project The Paradox of Isoëtes. Future of Almost Lost Species in all too great detail as that involves reading a thesis we've not seen. But a thesis that having seen The Paradox of Isoëtes at
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Olimp by Studio Raketa, as seen at Zagreb Design Week 2024 In context of critical reflections on the Bauhauses, reflections also intended to draw a distinction between the Bauhauses and the HfG Ulm, to explain that the HfG Ulm wasn't simply a post 1939-45 War continuation of the Bauhauses, Otl Aicher once asked, "is design an applied art, does it appear in the elements square, triangle and circle, or is it a discipline that draws its criteria from the task, from use, from production and
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Dreamer's Garden by Linda Procházka and Jive Lau, as seen at Designblok Prague 2024 For all that gardens, be they small private gardens or expansive public gardens are often considered as refuges of nature, as small islands of nature amid the brutality of modern society, all gardens are artificial constructions. Even the Garden of Eden was, if one so will, an artificial construction. Gardens exist as extensions of the human imagination, creativity, desires, ideals. They aren't natural.
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My Daughter's Room by Josef Tomšej, as seen at Designblok Prague 2024 (it's a video wall in the background, loved the concept, didn't make photographing it any easier. But still loved the concept) There is a much posed question in terms of chairs as to if we need ever more chairs. The answer is, we do. We certainly do; but, and as opined from A Chair and You at the Grassi Museum für Angewandte Kunst, Leipzig, we all do. Similarly, at each and every design week or furniture fair we invariably
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