Zeeland, Michigan, 1969 Ten years ago Charles and Ray Eames revolutionised the world of chair design with their "aluminium Chair" range. And now they hope to do it again. In one of the most eagerly anticipated announcements of the year, Charles and Ray Eames today unveiled their new product range: soft Pad “soft Pad is our most advanced technology in a magical and revolutionary device” declared a proud Charles Eames as he unveiled the new range to the specially invited journalists in the
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G'day! What with all the excitement about the new iSlate, we missed Australia Day yesterday. And so wanted to use today to write a post involving words like "Sheila", "Sheila", "I can see the pub from here!" and "Sheila" Then we discovered that we'd also missed the announcement of the shortlist for the 2010 Australian International Design Awards. And that seemed a much better subject than lazy international stereotypes. The "Architectural and Interior" products section of the 2010 Awards
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In what is quite possibly the most eagerly anticipated announcement of 2010, Apple Supremo Steve Jobs will unveil the companies latest product in San Francisco on Wednesday. Rumoured the be called iSlate, or possibly iPad or iTablet, the product is expected to combine the functionality of the iPhone with that of the iMac in a flat, transportable, keyboardless computer; thus allowing the user to write, draw and calculate anywhere. In effect a chalkboard for the 21st century. Hence the name.
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Fear not, we've still got a duffel bag full of products and stories from our week in Cologne to bring you. However we feel it only right to quickly review the 2010 IMM Cologne. Elsewhere we've read that there were no trends to be found at IMM. Which for us is positive. Trends have no place in the furniture business. Trends imply that the role of furniture is to meet some pre-ordained assumption on the part of the consumer as to what their furniture should look like, how it should behave
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It's not often a product impresses us so much it causes us to swear; but Becherlicht by Martin Neuhaus had such an affect on us we spent our first four hours at Designers Fair cursing like trawlermen who had just hauled a case of whisky on board. Honestly the looks we got. But it was worth it. Because Becherlicht is already well on its way to being our product of the year. Light shining though a plastic beaker throws a coloured shadow onto a surface. The idea is so simple, yet only works
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There is little doubt as to who the most popular furniture producers with the exhibitors here in Köln are.... Vitra and Kartell. Two producers whom the Messe Köln sadly can't attract to the show in their own right. And that despite the fact that all the snack bars here in Köln Messe use Maarten van Severen's genial .03 On the stands here however we've seen, for example, Panton Chairs being used to augment otherwise tasteless bedroom suites and the classic Vitra DSR by Charles and Ray Eames
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"You can't have a light without a dark to stick it in" Arlo Guthrie's quote features on interror.be in conjunction with the product sevenup - a light that ironically proves that although a dark can be helpful to a light ... it aint a pre-requisite. Reminiscent of Rody Grauman’s 85 lamps for droog - just with only seven bulbs and with the bulbs elegantly held apart form one another - sevenup is a wonderful modern interpretation the classic chandelier. Stripped to the bare essentials - cables,
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To celebrate their 50th birthday the German furnishings magazine "Schöner Wohnen" have produced a small book entitled "Das Buch der Klassiker“ ("The book of classics") in which the magazine present their 400 furniture and accessory classics. And an exhibition of the selected items forms the basis of the Schöner Wohnen stand here in Cologne. Aside from familiar faces such as Vegetal by Ronan and Erwan Bouroullec from Vitra or the Castore lamp by Huub Ubbens und Michele De Lucchi for
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In a previous life Patrick Frey created one of our favourite Moormann products: Kant. And we think he may have done it again with Nook his new stool for vial. Manufactured in a single piece from VarioLine - an injection moulded plastic - the folded form is held together by an aluminium catch in the base. The tension generated in the VarioLine give Nook its stability and durability. In addition, thanks to the nature of the VarioLine Nook is weather and UV resistant and so can be used just
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Students. They're a bit like the monsoon rains in Bangladesh. Cause havoc and distress, yet without them out them human life would eventually cease to be. And so we put up with them, because they are the future. Weirdly. Consequently the Cologne exhibition centre cellar, as are all cellars at such trade fairs, is currently rammed full of design students. Under the combined title: [D³] Design Talents the IMM organisers have combined three streams: [D³] Contest- a contest [D³] Professionals
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On Wednesday a tweet fluttered into our (smow)twitter from @imm_cologne with the information that the Munich based producer ClassiCon had decided to return to IMM Cologne. Which in the wake of the shock we received on our first day here in Köln didn't go unnoticed among the thousands of invites to cocktail parties and sumptuous buffets at some of Cologne's finer addresses we're forced to deal with. Established in 1990 from the dying embers of the 1898 established "Vereinigte Werkstätten für
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According to the advertising information "The leaning lamp stresses the relationship between light and architecture by its generous gesture" That as may be, for us luca lean by maigrau is one of those genially executed design concepts that separate the chaff from the rye. Items leaning against walls is no new concept. Alone Moormann could create a category dedicated to furniture items that are supported by architectural supporting structures. But wheels aint new either...what is new is new
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Richard Lampert promised a celebration of Herbert Hirche's 100th birthday here in Cologne; and in the end could "present" the late Prof. Hirche with an award for "Classic Innovation" in the 2010 Interior Innovation Awards. The jury, featuring amongst others the Milan based British designer James Irvine and the London based Japanese designer Tomoko Azumi, selected Hirche's 1957 "GFK Schalensessel für die Interbau Berlin" ( a fibre glass armchair Hirche created for the 1957 "Interbau"
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We travelled on a tram for the first time this morning. Now we know that Cologne is the universal centre of oh-so insane fun, practical jokes and dressing up ; and certainly wherever you go in the city you find old women dressed as clowns, young women dressed as cats and men all ages dressed as policemen... However. One can take organised daftness too far. According to the poster we saw in our tram this morning the local transport company here in Cologne are looking for students to drive
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As with all major furniture trade fairs, Cologne also has it's fringe events; indeed throughout they city museums, shops and other businesses have taken the opportunity to present some aspect of modern furniture. Not as much as one finds in Milan during the Saloni week; but an awful lot more than Leipzig manages during Designers Open. Sadly. The main "off-messe" focus is Designers Fair in .... well were not entirely sure what. That the building housing Designers Fair was previously some
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Here's something that doesn't happen to us everyday... finding a product good, without even knowing what it's called. Or indeed who makes it. We discovered these delights in Hall 7. And there great. Just Great. You can sit on them. You can lie on them. You can hide in them. You can relax on them. You can work on them. You can sleep on them. Theoretically you could use them as a form of summer house; assuming you lived in a warm climate. It's not that unusual that a product causes
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Truth be told we'd expected a bit more bravery from our favourite Amsterdam anarcho-artisans. But no, no tree-trunk bench on the droog presence in Cologne. At least there was people - in comparison to their stand at ICFF 2009 in New York where they made do with a shadylace. High-point for us, however, was without doubt the Rag Chair. And especially the woman who sat on it, looked at her companion and said "Hard as stone!!" And Rag Chair is; which is of also why it is comfortable. The
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Designed in 2005 for the French producer Ligne Roset, Facett by Ronan and Erwan Bouroullec will be familiar, at least tactility, to all who know the Bretonnian Brothers Alcove Sofa for Vitra. A winner of a RED DOT award in 2005 the Facett armchair is part of a small range of living and dining room furniture that also features a sofa and dining chair. While garish orange/yellow isn't always our favourite colour, Facett simply wouldn't work in any other colour scheme. And exactly because the
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Shortly before the IMM opened the German Furniture Association announced that the production of furniture in Germany fell by 10% last year. And if what is on show in Cologne is the very best the German furniture consumer can look forward to in the coming 12 months - expect a further reduction. And by a lot more than 10% Truly, truly ugly. Imagine hell decorated by the devil with a really, really bad hangover - and your getting near to what we endured in some halls this afternoon. Indeed
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We're not going to pretend we're fans of Carnival. Truth be told, for us Carnival and Oktoberfest belong to a class of cultural events that indicate a nation still struggling to come to terms with the fact that woolly mammoths no longer roam the land. Or that women are allowed to vote. However, we're in Cologne and so we can at least pretend that we find alcohol fuelled violence oh-so amusing. Especially when presented in conjunction with a Papier-mâché model of Angela Merkel with an
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We're indebted to Dave Report for drawing our attention to the forthcoming Jasper Morrison exhibition in Stockholm. Organised by the Hallwyl Museum in conjunction with Forum, (the magazine for Scandinavian Architecture, Interiors and Design), the exhibition features jugs, jars and pitchers selected by Morrison. Which might not sound like the most fascinating of exhibitions; but just as with "Take a seat!" exhibition at Museum Les Arts décoratifs in Paris the exhibition offers visitors a
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Our preparations for the 2010 IMM in Cologne are advancing apace and one particular highlight looks like being the Richard Lampert stand which will be celebrating the 100th birthday of Herbert Hirche. Born in Görlitz Hirche is in many ways the "forgotten" Bauhaus student; and that despite his considerable contribution to post-war architecture and design in Germany. After completing his carpentry apprenticeship Hirche enrolled in Bauhaus Dessau in 1930 and moved with the school to Berlin
read moreChemnitz is without doubt the ugliest city in Sachsen. If not Europe. And so it is all the more surprising that the town produced one of the most gifted aestheticians of the Bauhaus generation: Marianne Brandt. A student of, amongst others, László Moholy-Nagy, Josef Albers and Wassily Kandinsky, Brandt is best known for her home accessories including ashtrays, coffee/tee services and lamps. Many of her works are part of the permanent collection at leading museums including the Museum of
read moreAbout five years ago we summed up all the courage we could find and took ourselves off to Haiti. No land signifies for us more the unfairness and discrimination that politics and political processes can inflict on innocent human beings than Haiti. A land held in poverty because that suits those who posses the power. But we didn't go there on a crusade, we went to learn more about Haitians and their culture/history And an important figure was Patrick. Patrick sort of hung around our guest
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